Op Art

TECHNICAL INFORMATION Victor Vasarely Titan A 1985 Screenprint 22 x 23 1/2 in. Edition of 300 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art Con...

Technical Information: Julian Stanczak Median with Circles, from Variants 1970 Screenprint 28 3/4 x 28 3/4 in. Edition of 125 Pencil signed and numbered Accompanied with COA by Gre...

TECHNICAL INFORMATION: Victor Vasarely Koskota 1976 Silkscreen 24 1/2 x 24 1/2 in. 28/250 Pencil signed and numbered Condition: This work is in excellent condition. It has never be...

This artwork titled "Thunder Bay" 1986 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 14/95 in penci...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the verso with ex...

This is a large hand signed serigraph silkscreen, pencil numbered in Roman numerals. biographical info: The son of a rabbi, Agam can trace his ancestry back six generations to the f...

Bridget Riley Print for The Chicago 8, from Conspiracy: The Artist as Witness (Schubert, 15), 1971 Silkscreen on 100% handmade rag paper Signed and numbered 110/150 and dated i1971 n...

Yaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...

Victor Vasarely Granat (Garnet) Negatif, 1967 3-D color painted and carved wood relief Hand signed in black ink on the Denise Rene label on the back (see photos), Edition 8/50 Catalo...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Compounded Red Year: 1981 Medium: Screenpri...

An screen print poster by Josef Albers that advertises his 1972 Exhibition at the Metropolitan Museum of Art in New York City. The print features a minimalist, op art design made up...

A striking composition created by American artist L. L. Long and dated 1980. The artwork features a kinetic optical Op Art geometric cityscape design using reverse spray paint on a L...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions III, 1972. Published and printed by Éditi...

A polished glass sculpture by Joh Kuhn from 1992. A spectacular sculpture of crystal clear glass that forms a complicated prism in which light is reflected in a multitude of optical ...

Artist: James Norman, American (1927 - 2011) Title: Fall Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 34/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (63...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Spiral Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 21.5 x 25.5 inches Size: 23 x 2...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Thermal Inversion Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 140 Image Size: 18 x 25 inches Size: 22 x 29...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Homage to the Cross II Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Si...

Artist: James Norman, American (1927 - 2011) Title: Oscillation I Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 35/95 Image Size: 10 x 33 inches Size: 25 x 3...

Harlequin by Victor Vasarely, Hungarian (1908–1997) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 78/250 Image Size: 25.75 x 16 inches Size: 30.5 x 19.75 in....

In “Bubbles” the artist skillfully employs color theory alongside a meticulous and repetitive layering technique on wooden panels. This deliberate approach not only captures viewer’s...

Artist: James Norman, American (1927 - 2011) Title: Summer Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 39/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: James Norman, American (1927 - 2011) Title: Oscillation II Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 38/95 Image Size: 10 x 32 inches Size: 25 x ...

Artist: James Norman, American (1927 - 2011) Title: Spectral Image IV Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 67/95 Image Size: 7 x 36 inches Size: 25 ...

After Bridget Riley Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978 in collaboration with five international museums Published by the Fine Arts Council UK Offs...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size:...

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints & Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed & numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

In Didem Yagci’s artwork “Aurora,” she intricately layers cut wood panels on plaster, creating a mesmerizing symmetrical design. The wall sculpture is animated by a flawless gradient...

Julian Stanczak (American, 1928-2017) Nocturnal Variants, 1964 Acrylic on canvas Signed verso 48.25 x 32.5 inches 50 x 34.5 inches, framed Julian Stanczak (American, b. November 5, ...

Richard Anuszkiewicz (American, 1930-2020) Temple of Evening Reds, 1983 Acrylic on canvas Signed verso 36 x 36 inches 36.75 x 36.75 inches, framed Richard Anuszkiewicz was born in E...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Original Edition Heliogravure on mylar and paperboard. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Not...

Original Edition Heliogravure on mylar and paperboard. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Not...

Richard Anuszkiewicz The Paris Review, 1965 Silkscreen on Beckett 90 lb. Hi-White paper with vellum finish 31 × 26 inches Edition 23/150 Signed lower left; dated and numbered lower r...

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Victor Vasarely Saeule HK (Detail), 1967 Silkscreen on thick glazed paper (after a painting from 1964) Image Size: 10.4 x 4.7 in. Sheet size: 10.6 x 10.6 in. Unsigned as issued Print...

Faces of Dalí #4 is a serigraph on paper with an image size of 25 x 17 inches, signed 'Yvaral' lower right and numbered 160/200 lower left. From the edition of 263 (there were also 2...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Fleditwerk Serigraph, 1970 Signed, titled, dated and numbered in pencil by the artist. Publisher: Kunstverein Braunschweig blindstamp lower left Edition: 100 (66/100) Condition: Excellent Image: 22 x 22...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions I, 1972. Published and printed by Édition...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions II, 1972. Published and printed by Éditio...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions III, 1972. Published and printed by Éditi...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions I, 1972. Published and printed by Édition...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions II, 1972. Published and printed by Éditio...

TallerOr Screen print printed on "card board" (cream poster board), 1968 Signed and numbered in pencil Edition: 150 (54/150), plus 11 for the Vasarely Fou...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Refe...

Original Edition Offset Lithograph on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Refe...

Original Edition Heliogravure on archival paper. Excellent condition; never framed or matted. Notes: Extracted from the folio, Progressions I, 1972. Published and printed by Édition...

Original Edition Heliogravure on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Notes: Fr...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; with bifold, as issued. Notes: From the volume, XXe Siècle, n°37, 197...

Original Edition Heliogravure on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Notes: Fr...

Original Edition Gelatin Print on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Referenc...

Original Edition Heliogravure on archival paper. Excellent condition with publisher’s text on verso, as issued; never framed or matted. Unsigned and unnumbered, as issued. Notes: Fr...