Op Art

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Chiapas I. Original color silkscreen, cca. 1970. Edition of 70 signed and numbered impressions on Arches paper. Marko Spalatin was a modern and contemporary artist from Croatia, who ...

Victor Vasarely Anthea Galleria D'arte Poster, ca. 1971 Offset lithograph poster Limited edition of 400 (unnumbered) 28 1/2 × 22 1/2 inches Unframed This historic offset lithograph p...

Screenprint in colors on paper, edited in 1971 limited edition of 175 copies signed in pencil by artist in lower right Edition: Denise Rene , with blindstamp image size: 39 × 39 cm s...

Hand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...

Abstract Turquoise Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lowe...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

Victor Vasarely Seven Plates 2 from Album Meta; 1976 Screenprint in colours, on wove paper 45 5/8 x 28 3/8 inches Signed and numbered from the edition of 225 in pencil Published by Editions Denise René...

Victor Vasarely (1906 – 1997) Composition Cinétique Serigraph in colors on wove paper, 1970 29 x...

Ya'acov Kaszemacher, well-known artist and photographer whose unique images of Hassidic festivities are fascinating to view, and offer one an opportunity to peek into the community...

Julian Stanczak Blue Op Art Screen Print screenprint Pencil signed (lower right) edition numbered 20/165, measures 28" x 28". Julian Stanczak American/Polish, 1928-2017. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism...

Artist: Yaacov Agam, Israeli (1928 - ) Title: I from Double Metamorphosis Series Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 180 Image Size: 27.5...

Victor Vasarely (Hungarian 1908 - 1997) Editions du Griffon, Neuchâtel, Switzerland 15 ⅝" x 15 ⅝ sight size "Koska-Rev", 1974. Heliogravure, no sig...

Abstract composition in purple is an screen print realized by Victor Debach in 1970s. 50x70 cm. Edition 14/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 23/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Artist: Arthur Boden, American Title: Untitled (Diamonds) Year: circa 1970 Medium: Acrylic on Canvas, signed verso Size: 48 x 48 x 2 in. (121.92 x 121.92 x 5.08 cm)

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 15/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Numbered edition. Handsigned in pencil on the right lower margin. Excelle...

Abstract composition in purple in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 16/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 7/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Inward Eye 9 Richard Anuszkiewicz, American (1930–2020) Date: 1970 Screenprint, signed and numbered in pencil Edition of 34/100 Size: 25.5 x 19.75 in. (64.77 x 50.17 cm) Printer: Dom...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Sun Keyed Year: 1972 Medium: Screenprint (unsigned) Edition: 3000 Image Size: 12 x 14 inches Size:...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 11/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Victor Vasarely Seven Plates I from Album Meta; 1976 Screenprint in colours, on wove paper 45 5/8 x 28 3/8 inches Signed and numbered from the edition of 225 in pencil Published by Editions Denise René...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. Edition 20/100. Handsigned in pencil on the right lower margin. Excellent conditions.

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 19/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

A limited-edition serigraph from the Inward Eye portfolio. The work bears the publisher's stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American...

Babe Shapiro Zarch, 1970 Signed, titled and dated on the stretcher Acrylic on canvas 30 x 22 inches Provenance: Private Collection, Long Island Babe Shapiro was born, in 1927 in Newark, New Jersey. He received his MFA from Hunter College where he studied under Robert Motherwell. His work was first recognized in 1958 by James Johnson Sweeney, director of the Guggenheim Museum at the time, who brought it to the attention of the Stable Gallery in New York City, where he was included in a group show, and where he had his first major solo show in 1962. His work has been exhibited widely in both solo and group exhibitions throughout the United States, and is included in private collections, as well as in over 50 public and museum collections. Shapiro’s work is in the permanent collections of The Albright-Knox Gallery...

Yellow Composition is an original screen print realized by Victor Debach in 1970s. Hand signed and numbered. Edition of 100 prints. On headed paper.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Hand-signed. Limited edition of 100 copies numbered and signed by the artist with pencil o...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, Americ...

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Red to Green Portal Aquatint, 1979 Signed and dated in pencil lower right (see photo) Edition: 95 (84/95), see photo Provenance: U.S. Representative James A. Leach Condition: Excelle...

Abstract Yellow Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Victor Vasarely (1906-1997) Kinetic Composition Bi-Hexa, 1975 Original Screen Print Handsigned in pencil Numbered / 300 On Arches vellum 76 x 56 cm (c. 30 x 22 in) REFERENCE : C...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

A three dimensional quadratic figure composed of staggered cubes floats amidst a sea of two dimensional squares. In this stunning original acrylic painting, Yvaral plays with the pur...

Artist: Jean-Pierre Vasarely Yvaral, French (1934 - 2002) Title: 50 Shades of Blue Year: circa 1970 Medium: Screenprint, signed and numbered in penci...

Victor Vasarely (French-Hungarian, 1906-1997) Untitled, 1974 Hand-signed in pencil Screenprint 27 3/8 x 26 3/8 in 69.5 x 67.0 cm Ed. 250

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...