Pre-Raphaelite Art

Lord Frederick Leighton (British, 1830-1896) A very early study of a Medieval Minstrel pencil on paper the fragment measures approx. 19.1/2 x 13 in. (49.5 x 33 cm.) Provenance: Gifted by Leighton to his cousin Edith Emily Jellicorse, nee Garnham, and thence by descent. We would like to thank Daniel Robins, the curator at Leighton House for the authenticating this work in full. Daniel has suggested this study would have been executed when Leighton was studying in Frankfurt Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton. He received his artistic training on the European continent, first from Eduard von Steinle and then from Giovanni Costa. According to Daniel Robbins, the curator at Leighton House, This drawing comes from the time Leighton studied under Eduard von Steinle. He then studied at the Accademia di Belle Arti in Florence. From 1855 to 1859 he lived in Paris, where he met Ingres, Delacroix, Corot and Millet. In 1860, he moved to London, where he associated with the Pre-Raphaelites. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878–96). American art critic Earl Shinn claimed at the time that "Except Leighton, there is scarce any one capable of putting up a correct frescoed figure in the archway of the Kensington Museum." His paintings represented Britain at the great 1900 Paris Exhibition. Leighton was knighted at Windsor in 1878 and was created a baronet, of Holland Park Road eight years later. He was the first painter to be given a peerage. Leighton remained a bachelor and rumours of him having an illegitimate child with one of his models, in addition to the supposition that Leighton may have been a homosexual, continue to be debated. On his death his barony was extinguished after existing for only a day; this is a record in the Peerage. His house in Holland Park, London has been turned into a museum. It contains many of his drawings and paintings, as well as some of his former art collection including a painting dedicated to Leighton by Sir John Everett Millais. The house also features many of Leighton's inspirations, including his collection of Iznik tiles. Its centrepiece is the magnificent Arab Hall. Leighton was an enthusiastic volunteer soldier, enrolling with the first group to join the 38th Middlesex (Artists') Rifle Volunteer Corps (later to be known as the Artists Rifles...

Edward Ridley (British, 1883-1946) An oblong design featuring ivy in blossom Gouache 10.5/8 x 4.3/8 in. (27 x 11.2 cm.) This design was one of 5 submitt...

Vicente Mulet y Claver 1897 – Valencia – 1945 Spanish Painter 'Gathering fruit and flowers' Signature: signed lower right 'V Mulet' and with the artist's monogram, circa 1930 Mediu...

This superb 1913 late Pre-Raphaelite spring landscape oil painting is by noted Birmingham artist Edward Steel Harper Junior. The title, Life Kindled from a Fiery Birth is from Swinbu...

LIONEL DURIEU (Born 1865) The Tournay of the Lily and the Rose Signed and dated 1898 Watercolour and gold and silver paint on vellum Framed 19 by 31 cm., 7 ½ by 12 ¼ in. (frame ...

SALE ONE WEEK ONLY In “My Best Friend” Girard has captured a tender symbiotic relationship between the woman and her sweet pet. The entire piece swirls with the soft beauty and magical exchange shared by the two individuals. The frame does not enclose so much as enfolds the scene and its decorations are an integral part of the work. Upon close inspection tiny animal figures cavort in the air adding to the spell - almost like fairy characters from Shakespeare’s “A Midsummer’s Night Dream.” The jewelry is beautifully render as are the loving expressions of the faces of both the animal and the woman. The composition is filled with objects and figures but captured softly and in rich detail. The figures appear to be completely self-absorbed and the decorative elements about their heads could suggest the intensity of their thoughts and feelings. Girard was a Detroit figurative painter and teacher at College for Creative Studies, Detroit, Michigan where he taught for 30 years. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), and John Louis Krieger...

Artist: (after) John Hamilton Mortimer (English, 1740-1779) Title: "Packhorse and Soldier" Year: 1783 Medium: Original Etching on watermarked laid paper Limited edition: Unknown Prin...

FREDERIC JAMES SHIELDS, ARWS (1833-1911) Ellen, A Greek Model Signed and indistinctly inscribed with the name of the sitter on the reverse Chalks on blue/green tinted paper 37 by 28.5 cm., 14 ½ by 11 ¼ in. (frame size 63.5 by 54.5 cm., 25 by 21 ½ in.) Provenance: The Artist’s estate; Private collection. Shields was born in Hartlepool and brought up in extreme poverty with most of his family succumbing to TB. Employed by a commercial engraver he studied at evening classes in London and then in Manchester, where he settled in 1848. He was greatly impressed by the works of the Pre-Raphaelite Brotherhood, which he saw at the Manchester Art Treasures Exhibition in 1857. The quality of his illustrations for Defoe’s History of the Plague (1862) and Bunyan’s Pilgrim’s Progress...

This captivating Victorian sanguine portrait drawing of a young girl is by Pre-Raphaelite British artist Edward Robert Hughes. The red chalk portrait dated 1885 is of Mildred, her name inscribed upper left. She is seated, hands in lap, her long hair flowing over her shoulders in typical Pre-Raphaelite manner. Great detail has gone into depicting the smocking on her dress and the artist has perfectly captured her sweet innocent nature. Signed and dated lower left. Provenance. Cambridge collection. Condition. Red chalk on paper, image size 22 inches by 18 inches and in good condition. Housed in a complimentary frame and glazed, 28 inches by 24 inches framed and in very good condition. Edward Robert Hughes - Not to be confused with Edward Hughes (1832 - 1908), who specialised in portrait painting. Edward Robert Hughes RWS (1851 – 1914) was an English painter who worked prominently in watercolours, but also produced a number of significant oil paintings. He was influenced by his uncle and eminent artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt. Having settled on his career choice, Edward Robert Hughes attended Heatherley's in London to prepare himself for the chance of auditioning for the Royal Academy School. Hughes became a student at the Royal Academy School in 1868. While Pre-Raphaelitism played an influential part in shaping Hughes work, Aestheticism is also seen in his paintings. E.R.Hughes is widely known for his works Midsummer Eve and Night With Her Train of Stars yet he built a career as a portrait painter to the upper classes. In addition to being an accomplished artist himself, E.R.Hughes was also a studio assistant to the elder artist and Pre-Raphaelite Brotherhood founding member William Holman Hunt when Hunt suffered from glaucoma. Two of the paintings that Hughes worked on with Hunt were The Light of the World, which is displayed in St Paul's Cathedral, and The Lady of Shalott, which is exhibited at the Wadsworth Atheneum. On his own he experimented with ambitious techniques and was a perfectionist; he did numerous studies for many of his paintings, some of which turned out to be good enough for exhibition. Hughes held several important offices within the artistic community over his lifetime such as becoming a member of the Art Workers Guild in 1888, and was on their committee from 1895 to 1897. He was elected to Associate Membership of The Royal Water Colour Society (ARWS) on 18 February 1891, and he chose as his diploma work for election to full membership a mystical piece (Oh, What's That in the Hollow?) inspired by a verse by Christina Rossetti entitled Amor Mundi. His painting A Witch was given by the Royal Watercolour Society to King Edward VII and Queen Alexandra to mark the coronation in 1902. In later years Hughes served as the Vice-President of the RWS before leaving in 1903. Throughout his career, E.R.Hughes exhibited his works in several galleries around London: Dudley Gallery, Grosvenor Gallery, New Gallery, The Royal Academy, and toward the end of his career he exhibited with The Royal Society of Painters in Water Colours (RWS). His works can be seen in public collections including Cartwright Hall, Bradford, Cambridge & County Folk Museum, Maidstone Museum & Art Gallery, Bruce Castle...

CHARLES MARCH GERE, RA, RWS (1884-1963) Tuscan Vintage Signed with monogram l.lr, signed again with monogram and dated 1912 on the overlap; signed and inscribed with title on the b...

This stunning exhibited Pre-Raphaelite 19th century watercolour painting is by British Victorian female artist Marcella M Walker. The painting was painted in 1880 and exhibited at th...

Edward Ridley (British, 1883-1946) A circular design featuring ivy in blossom Gouache 9.7/8 in. (25 cm.) tondo This design was one of 5 submitted for ACT...

Edward Ridley (British, 1883-1946) A squared design featuring ivy in blossom Gouache 9 x 9 in. (22.8 x 22.8 cm.) This design was one of 5 submitted for ...

Edward Ridley (British, 1883-1946) A design featuring thistles Gouache 15 x 10 in. (38 x 25.4 cm.) This design was one of 5 submitted for ACT certificate...

GEORGE PRICE BOYCE, RWS (1826-1897) A Surrey Common in November Signed, inscribed and dated 1866.7; indistinctly signed and inscribed with title and the...

This is from a group of paintings of Couta Boats. This one was painted looking at them head on. :: Painting :: Pre-Raphaelite :: This piece comes with an official certificate of a...

This charming late 19th-century oil painting by British artist Rowland Holyoake (1861-1928) depicts a girl carrying wildflowers while wearing a straw hat decorated with the same. It ...

Thomas Cooper Gotch RBA RI 1854 - 1931 Death the Bride Graphite on paper Image size: 44 x 34 inches Pre Raphaelite Style frame The title of the painting comes from Shakespeare. It ...

MAXWELL ARMFIELD, RWS. (1882-1972) Siegfried Signed, inscribed and dated l.c.: MAXWELL ARMFIELD/MDCCCCIV [1904] PARIS;SIEGFRIED/ACT III Pencil and watercolour Framed 24 by 16 cm., 9 ½ by 6 ¼ in. (frame size 42.5 by 34.5 cm., 16 ¾ by 13 ½ in.) Provenance: Fine Art Society, London, 1979. Born at Ringwood, Hampshire, of Quaker parents, his father being a milling engineer, Armfield studied at the Birmingham School of Art under Arthur Gaskin and Joseph Southall who taught him the tempera technique he was to practice for the rest of his life. In September 1902, after visiting Italy at the suggestion of Gaskin, he went to Paris, enrolling at the Academie de la Grande Chaumiere and sharing a studio with three other students – Norman Wilkinson (also from Birmingham), Keith Henderson and the sculptor Gaston Lachaise. Returning to London the following year, he embarked on the series of one-man exhibitions that were henceforth to mark his career, showing first at Robert Ross...

The sky and the water came out well. It's a version of 'after storm' A tonal painting. I like the seagull on the sand in the right. :: Painting :: Pre-Raphaelite :: This piece co...

John Buckland Wright (1897-1954), The Virgin and the Unicorn (large version), wood engraving in colors, 1947, the original block and a proof, the...

My partner suggested I put the boat in the painting as the painting would tell a story. A picture that may not have changed in the last thousand years. :: Painting :: Pre-Raphael...

Edward Ridley (British, 1883-1946) White Bryony Watercolour 6.1/8 x 20.1/2 in. (15.6 x 52.2 cm.) This design was one of 5 submitted for ACT certificate a...

Babies are falling from the sky and not bombs. British female artist and illustrator Noel Laura Nisbet makes a passionate twist to the reality of En...

Karl Parsons English 1884 - 1934 Head of a Young Woman Graphite on paper Signed and dated '(19)07' lower left Image size: 6 1/4 x 8 1/2 inches (16 x 21.5 cm) Contemporary Pre-Raphaelite style frame One of Britain's leading stained glass designers during the early decades of the 20th century, Karl Parsons drew portraits invariably for pleasure rather than commissions, throughout his life, and it is in these that one sees most clearly the influence of some of the artists whom he most admired, notably Botticelli, Rossetti and Burne-Jones. Though harkening back to these illustrious forebears, both technically and compositionally, this portrait also epitomises the type of portraiture that was fashionable in British high society at the start of the 20th century. Karl Parson's technique here, with delicate shading and strong outlines, is certainly comparable to Gerald Leslie Brockhurst's graphic style. It is clear that Parsons took delight in demonstrating his skill at sculpting human forms through gentle shading. Karl Parsons was an English stained glass artist associated with the arts and craft movement. Parsons was born in Peckham in Surrey in 1884, the 12th child of Arthur William Parsons...

Francis Plummer 1930 - 2019 Exiled Oil on board Image size: 20 ½ x 24 ½ inches Framed This rare collection of works from the artists estate, painted i...

"The Fruit Carrier by famous contributor to the Pre-Raphaelite Brotherhood, William Cave Thomas Watercolor, ink, & colored pencil on paper Size: 14...

John William Hill (1812-1879) "Boston" 1857 Hand-Colored Engraving Site Size: 29 x 41 inches Framed Size: 39 x 52 inches Born in London, England, John William Hill came to America with his family at age 7. His father, John Hill, was a well-known landscape painter, engraver, and aquatintist. John William had a career of two phases, a city topographer-engraver and then, the leading pre-Rafaelite school painter in this country. Employed by the New York Geological Survey and then by Smith Brothers...