Street Art

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

Something (Vanilla Ice/Suge Knight) by Mark Drew. 2019 print from an edition of 140. Dimensions of 19.6in x 19.6in. Numbered and hand-signed by Mark Drew....

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

Guard Your Grill (Naughty by Nature) by Mark Drew. 2018 print from an edition of 100. Dimensions of 16.5in x 11.7in. Numbered and hand-signed by Mar...

Edition 5 A girl is riding on a sneaker JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine...

Klone, Big brother is watching you, Street eye, acrylic and spray paint on canvas, graffiti, street art, Israeli artist, art

I Want To..., by Alessio-B, Contemporary Street Art Print. Dimensions 70 x 50 cm with release in 2015. Artist Proof. Beautiful piece perfect for families, in a nursery where children...

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting to come together to try to make sense of systemic racism. Black Lives Matter...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

TECHNICAL INFORMATION D*Face Kiss of Death Screenprint 25 1/2 x 25 1/2 in. Edition of 75 Pencil signed and numbered Accompanied with COA by Gregg Shien...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Title: Your ending... Technique: Graffiti Material: Acrylic paint on canvas mounted on a wooden rack Size: 100 cm x 70 cm x 5 cm Philosophy of the artist: Graffiti from the wall...

Edition 5 Pink Painting of Pooh the bear JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fin...

Mixed media on canvas

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

The King Pelé, Flag Portrait by Mr. Brainwash. Contemporary art print from an edition of 75. Wonderful collaboration with the legend, Pele. A one-color screenprint on hand-torn archi...

Cut It Up – Do It Yourself (Red, Black). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 500. Released exclusively at Beyon...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

WILD HORSES, 2016, subway train, curve, graffiti, street art, figurative, panel. Acrylic on wood panel.

Edition 5 Mickey Mouse is sitting on a chair JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and...

Tommy Ramone Collage, Gold, Obey, 18 x 24 inches screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 350. Shepard Fairey is a major influencer...

Signed, dated, numbered in pencil with artist's fingerprint

Gary John's pop-street artworks have a whimsical, yet exciting and bold quality inspired by classic cartoon and comic book characters. Blending pop sensibilities with a roughened fau...

The abstract print "FOR YOUR SAFETY 04072018 458pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on April 7, 2018 at 4:58 pm. While Justin Neely...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

Edition 5 An eagle is flying with a rat in his claws JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a dist...

Edition 5 Flintsone Dino in Basquiat Style. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and...

Skullphone MOP Gold, Contemporary Street Art Print. Dimensions of 28 in x 20 in. Edition of 3 and hand signed by the artist. Skullphone is an American artist who lives and works in...

The Collaborator, White, by Cleon Peterson. An Urban Art piece from a limited edition of 150. Cleon Peterson is known for his sculptures, prints, and large murals. Hand pulled 18x24...

Artist: Peter Mayer, American (1954 - ) Title: Dog Painting Year: circa 1990 Medium: Acrylic on Canvas Size: 24 in. x 30 in. (60.96 cm x 76.2 cm)

In classic Sharp Edge 21st Century New York Style, Berlin acknowledges and shows solidarity with the world mourning the cruel death of George Floyd in the United States, and starting...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

"The Drink Crude Oil print uses torn ad posters as a metaphor for the competing fragmented messages we are all confronted with daily. A lot of our habits are...

Be Reasonable, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

Street Art, Portrait Painting, Color Changing Art-Deep Blue, See? A B O U T T H I S P I E C E : Made from portrait photography turned into modern street art on canvas, "Deep Blue, S...

Mark Drew, Sunshine Plays a Major Part in the Daytime comes from a limited edition of 150. This contemporary print is inspired from Wu-Tang...

As your gaze lingers on one of Sally K’s paintings, you notice how Sally’s brush strokes add playfulness and life to the canvas, incorporating unexpected images and shapes of flowers...

Suburban Pressure, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Black and Silver Painting, Mixed Media Art, Street Art-The Girl in the Silver A B O U T T H I S P I E C E : "The Girl in the Silver (Bethyie-A3)" is portrait painting mixed media st...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life...

Two color screenprint on BFK Rives paper hand finished with spray paint Signed and numbered in pencil

RAISE THE CALIBER Screen Print 18x24 Edition of 350 December 29, 2015 18 x 24 inch screen print on cream speckle tone paper. Signed and numbered edition of 350. “I’m always on ...

JM Robert's portraits start with a bright a bold background done with spray paint. As JM started his career as a graffiti artist, he is now able to bridge fi...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige and blue that mimic the surface of peeling city walls. Extensive travels all around the world have triggered a fascination for global subcultures and urban street life, while his academic background in advertising, graphic design, and typography have heavily influenced his compositional approach. Moussallem’s mixed media paintings resemble distressed city walls that, like palimpsests have accrued years of graffiti, posters, and fliers. He blends calligraphy and personal inscriptions with blurred color fields, using paint brushes...

Creativity, Equity, Justice. Screenprint on cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 450. Activism inspired collage style with beautifu...

Mixed-media contemporary artist from Miami via Corsica, France who has lead national ‪digital art campaigns, most notably for Warner Bros 75 Years of DC Comics, and the development o...

Fragile Peace. 18 x 24 inches. Screen print on cream Speckletone paper. Signed by Shepard Fairey and Jim Marshall. Numbered edition of 450. Shepard Fairey is a major influencer in t...

Black Sabbath, The End, Gold. 18 x 24 inches. Screenprint on cream Speckletone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 225. ...

I See Static, Red. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 300. Contemporary street art print. Shepard Fairey is a major infl...

Serigraph with collage on canvas. 5/6 Hors Commerce. Clemens Briels grew up in a large family. He wanted to become an artist from an early age. In 1965 he started a course at the Aca...

Alexander Reagan's striking, improvisational compositions capture the spirit of contemporary street art. He is a rising star in the world of street art, known for his bold and colorf...

OBEY Conformity Factory (Orange). Screenprint on cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 300. Superb print highlighting powerful archi...

Edition 10 of 15 Signed, dated, and numbered in pencil