Victorian Art

The Highland Loch British School, circa 1949 signed with monogram lower left corner oil painting on board, 12 x 16 inches framed: 15 x 19 inches Lovely depiction of this Scottish hi...

Georgina Lara British, (fl. 1862-1871) A Busy Village Oil on canvas Image size: 11.25 inches x 19.25 inches Size including frame: 16.25 inches x 24.25 inches Provenance: Cooling Galleries, Bond Street, London Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

"Clunie Bridge, Pitlochry" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, framed canvas: 12 ...

A serenade signed ‘H.J. Owen’ (lower right) and inscribed ‘A serenade.’ (lower left) pencil, pen and ink and watercolour with heightening 12 ¼ x 8 ¾ in. (31.1 x 22.2 cm.) with frame ...

British School 19th Century Turkish Scene Oil on board Image size: 13 ½ x 10 ½ inches

"Les Petites Barnett" is an original color lithograph poster by Charles Levy. This poster features five dancers in matching dresses and it advertises an Operette. 23" x 30" art 29 ...

Alfred Seifert Czech, (1850-1901) Portrait of a Young Woman with a Rose Oil on panel, signed Image size: 10.5 inches x 8.25 inches Size including frame: 22 inches x 19.75 inches ...

Leonard Wells Volk was a famous American sculptor. He went to posterity after making one of only two life masks of United States President Abraham Lincoln. I...

Ernest Walbourn British, (1872-1927) By the Pond Oil on canvas, signed Image size: 24 inches x 36 inches Size including frame: 31.5 inches x 43.5 inches Ernest Walbourn was painter ...

Artist: Henry Stannard, British (1844 - 1920) Title: Burning the Weeds Year: circa 1885 Medium: Watercolor on Board, signed Size: 9.5 in. x 13.5 in. (24.13 cm x 34.29 cm) Frame Size:...

ERNEST ARTHUR ROWE 1863 - 1922 St Peter's Rome Watercolour Signed lower left Image size: 9 ¾ x 7 inches Original gilt frame

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.75 INCHES x 20.75 INCHES** Edward Armfield British, (1857-1935) On the Scent & Down the Hole Oil on canvas, pair, both s...

Antique pencil and faded watercolor wash portrait titled "L'Amazon" (French, translates "horsewoman") by Constantin Guys (French, 1802-1892), circa 1860...

Hubert Thornley British, (exh. 1858 -1898) Fresh Breeze off Scarborough Oil on canvas, signed Image size: 13.5 inches x 11.5 inches Size including frame: 19.5 inches x 17.5 inches H...

A very unusual English watercolor depicting an extensive landscape with trees, and fields in a explosion of color. The artist painted in the early part of the 20th century and it is ...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

Casimir van den Daele Belgian, (1818-1880) On the Mend Oil on panel, signed & dated 1857 Image size: 29 inches x 21.5 inches Size including frame: 35.5 inches x 28 inches Casimir ...

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Alfred H. Taylor The Experiment Watercolour, signed and dated 1838 Image size: 9 ½ x 8 inches

COMPANY SCHOOL 19th Century The Music Party Watercolour Image size: 4 ¾ x 7 ½ inches Acid free mount

The Harvest, Victorian Oil Painting English School, 19th Century Oil painting on canvas, framed Framed size: 18 x 26 inches Fine Victorian oi...

C-type archival print, edition of 10 12 x 16 inches, edition of 10, $1500 35 x 40 inches, edition of 3, $3500 20 x 24 inches, edition of 7, $1800 This sepia-toned antique-style figurative photograph was created by London-based photographer Nick Simpson. Here, the artist exemplifies steampunk style with a steam-powered rhinoceros of his own invention. Much of the photograph is staged, with real sets, props, and models wearing elaborate costumes, while other details are rendered in a photo-editing program. About the work: London-based artist Nick Simpson is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpsons for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

Hermanus van Brussel Dutch, (1763-1815) The Farmyard Oil on canvas Image size: 18.25 inches x 21.25 inches Size including frame: 24.5 inches x 27.5 inches Provenance: Frost & Reed V...

Erwin Eichinger Austrian, (1892-1950) The Pipe Oil on board, signed Image size: 10 inches x 7.5 inches Size including frame: 15.25 inches x 12.75 inches Erwin Eichinger was a genr...

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...

English landscape painter from the 1870's who exhibited at the Royal Academy and the British Institute in London. He mostly painted in watercolors and this example would have been p...

Wonderful China Trade painting dating from the mid 19th century. This piece is rich in color and is of fine quality with the depiction of the figures.

Hubert Thornley British, (exh. 1858 -1898) Hay Barge on the Medway Oil on canvas, signed Image size: 23.5 inches x 17.5 inches Size including frame: 30.5 inches x 24.5 inches Hubert...

Antique oil portrait painting of a rabbit by English artist Abel Hold (1815-1893), signed in the lower left corner A Hold. This atmospher...

Thomas Burras was an English landscape painter who was mostly active from the 1830's through the 1870's. He painted in a classical English style, showing the influence of the 18th-c...

A late 19th century British Society portrait oil painting of a beautiful young debutante by Victorian artist Annie Louisa Swynnerton which is signed and dated 1893. It has been sugge...

"Loch Lomond" by F. E. Jamieson (British 1895-1950) signed lower corner inscribed verso oil painting on canvas, framed canvas: 16 x 24 inches frame: 20 x 28.5 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner with his pseudonym. The painting captures the beautiful and reknown Loch Lomond. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

Oil painting on board of a woman under a red umbrella with pomegranates in a woodland setting, titled L'ASIE and signed Skilling in the lower right. Executed in a distinctive Victorian parlor painting...

A late nineteenth century oak and painted iron commemorative plaque of the famous chemist, philosopher and theologian, Joseph Priestley (1733-1804). This is a version of the portrait...

"Mouth of Loch Eck" by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 20 x 30 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner. The painting captures this beautifully romantic view of the Scottish Highlands, with a lone figure walking on the river path that leads to the ancient waters of Loch Eck (Argyll). F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

The Country Boy English School, mid 19th century oil painting on board, framed framed size: 13.5 x 19 inches condition: very good and presentable provenance: private collection, England

Fabulous oil on canvas painting by the British artist, William Livingstone Anderson. Signed lower right and dated 1886. Condition is very good. The painting is its original elaborate...

Artist/ School: British School, indistinctly signed and dated lower corner. Title: The Hunt Medium: oil painting on board. Size: frame: 23.5 x 33.75 inches ...

Well painted English 19th century Victorian antique marine scene. The style of the piece is typical of the mid-19th-century marine painters such as C.M.Powell, Robert Salmon, and George Webster...

"Balloch, Loch Lomond" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "C. Mckinlay" oil painting on canvas, framed canvas: 40cm x 60cm plus elaborate swep...

Oil Painting by Edmund Bristow “Pastoral View”. Edmund Bristow 1787-1876 Fine painter of figurative country views with animals, regular exhibito at the ...

Guiseppe Aureli (1858-1929) "An Opulent Evening" c. 1880s Watercolor on Paper Signed Lower Right Site Size: approx. 30 x 20 inches Framed Size: approx. 37 x 29 inches Giuseppe Aureli (December 5, 1858 in Rome – 1929) was an Italian painter and watercolorist. His work is noted for its historical subject matter, portraits of Italian noble families as well as genre paintings and local scenes, especially work with Oriental themes. He received his early art education at the Academia de San Luca where he was the pupil of Pietro Gabarini and Cesare Maccari.[1] He exhibited in various exhibitions; including: The International Exhibition of 1888 in Munich and the World Fair of 1893 in Chicago, but his Oriental works were rarely included in these early exhibitions. Having his workshop at 48 Via Margutta in Rome, Aureli was in a position to exchange ideas with the most prolific Orientalist artists at that the time. He used the same staircase that led to a rabbit-warren of studios including those of Filippo Bartolini, Enrico Tarenghi...

Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...

George W. Chambers “Poor Man’s Flock” 1897 Oil on Canvas 23.5 x 37.5 inches/42 x 57 inches framed approx. In Original Frame Provenance: The Artist thence by Descent; to Private Mi...

Hans Hamza (Austrian 1879-1945) In the Study Oil on Panel Signed Site Size: approx. 8 x 6 inches Framed Size: approx. 14 x 12 inches

George Stanfield Walters (1838-1924) "Sunset on the Midway" c. 1880s Oil on Canvas Signed Canvas: approx 25 x 36 inches Framed Size: approx. 31 x 42 inches George Walters - George Stanfield Walters was born in 1838 and died in 1924. A marine and coastal painter. He was grandson to ship portraitist Miles Walters, and son and pupil of Samuel Walters...

KPM Porcelain "Queen Louise" c. late 19th century Original Hand-Painted Porcelain Signed "R. Dittrich" Since 250 years, the royal sceptre brand stands fo...

Marguerite Hand Painted Porcelain w/crown stamp #107 Signed "Wagner" Original Gilded Florentine Frame approx 6 x 4 inches /approx 14 x 8 inches framed Since 250 years, the royal sc...

Interesting and well-painted American turn of the 19th-century animal scene of an interior of a barn with cows, calves, and chickens The piece has a great deal of charm and is very ...

"Pitlochry" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed canvas: 16 x 24 inches F...