Baby Art

Shipra Bhattacharya - Untitled - 24 x 48 inches (unframed size) Acrylic & Oil on canvas Inclusive of shipment in a roll form. Style : Shipra, is a leading contemporary mid career a...

Artist: Danielle Orchard (American, 1985-) Title: "An End in Sight" *Signed by Orchard in pencil lower right Year: 2023 Medium: Original Archival Pigment Print on unbranded heavy white wove paper Limited edition: 33/50, (there were also 5 artist's proofs) Printer: Unknown, New York? NY Publisher: Art for Change, New York, NY Sheet size: 20.57" x 24.69" Image size: 18.57" x 22.69" Condition: In mint condition Notes: Provenance: acquired directly from the publisher Art For Change, New York, NY. Numbered by Orchard in pencil lower left. The image featured on this print is Orchard's 2022, 84" x 103", oil painting on linen "An End in Sight". This painting was exhibited at her first New York solo exhibition "You Are a Serpent Who’ll Return to the Ocean" at Perrotin Gallery, New York, NY from April 26 - June 10, 2023. Comes with its original Certificate of Authenticity issued directly from the publisher Art for Change, New York, NY which is also signed and numbered by the artist Orchard herself in ink. Depicting two primary characters enjoying an outdoor picnic on a grassy field situated in front of a beach, An End In Sight draws on Orchard’s memories from a summer spent in Bordeaux, which coincided with the large-scale wildfires that swept across France in 2022. In her painting, one figure pours into a cup surrounded by various food items strewn across a white blanket, while the other peers presumably towards a distant character walking across the sand as well as the sea that lies beyond. Orchard’s work is distinguished by a warm orange haze, which lends a surrealistic, otherworldly feeling to an otherwise ordinary summer scene. As the artist recalls, “To me, this painting exudes a sense of heat and stillness that I did not want to lose. In lieu of any dramatic changes to the image, I chose to incorporate small, subtle still life elements, like additional cone flowers or spilled Solo cups of wine. My aim was to explore potential new narratives and spatial arrangements, with as few tweaks as possible.” - Danielle Orchard Biography: Danielle Orchard (born December 2, 1985) is a painter living and working in Brooklyn, New York. Orchard grew up in Fort Wayne, Indiana. She received her Bachelor of Fine Arts from Indiana University in 2009 and studied in Florence, Italy. She earned a Master of Fine Arts degree from CUNY Hunter College in 2013. Orchard is represented by Perrotin gallery in New York, NY. Nodding to the great painters of the modern era including Picasso and Matisse, Orchard’s paintings...

Statues is a china ink drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, June...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

Black and white fine art long exposure waterscape - landscape photography. Big black stones on the shore in madeira, Portugal. Archival pigment ink print as part of a limited edition...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 5 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

Seated nude women study in a naturalistic style. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.56 x 9.17 inches. Inscription: Signed in the plate and unnumbered, as issued. ...

This push up wooden figure features Ai Weiwei standing on top of a Han Dynasty urn printed with one of his trademark "ism's." It is inspired by his artwork ...

Publisher GKM. Unframed. Edition of 200 ex. Signed by the artist. Free shipment worldwide. Adami is the maestro of the unadulterated line,” writes the Swedish poet Lasse Söderberg i...

Dances. Paper, watercolor, 59x83.5 cm "Dances" is a watercolor artwork that portrays colorful figures dancing in nature. The medium used is paper, and the dimensions of the artwork ...

- with the stamped signature on the lower right, as issued - numbered 15/50 - dated in the plate 29.3.71 - from the Suite 156 - published by Galerie Louise ...

French Romantic School circa 1830 "Le Baiser" The Kiss, A hunter and a girl flirting, study of the girl in the upper register pencil, pen and black ink 19.5 x 13 cm (view) Framed ...

A fine example of a very rare etching and drypoint by German Expressionist Max Beckmann, an edition of 50. Titled lower left corner in pencil: Schlafendes Madchen im Kornfield. (Mai...

Colonial School, Mexico, XVIII Century "Virgen del Carmen" Oil on canvas 70 x 40 in

Artist: Murakami, Takashi Title: Champagne Supernova Date: 2013 Medium: Offset Lithograph in colors on smooth wove paper Unframed Dimensions: 29.1" x 20.9" Framed Dimensions: 35...

Uday Mondal - Tango (Beauty @Home Series) - 30 x 20 inches (unframed size) Acrylic on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society ...

Original graphite, oil pastel and charcoal drawing on Strathmore toned gray paper 80 lb. Signed front and certificate of authenticity. Spray graphite varnish. 27,9 x 35,6 cm. 1...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

"Nude Awakening" is an original oil painting on jute canvas by Ernesto Gutierrez. It features a nude woman sitting on a green seat. The artist signed th...

Beautiful La Belle Epoque marble in nive vintage condition. Mathurin Moreau (1822-1912) was a French sculptor in the academic style. He was born in Dijon, first exhibited in the 1848 Salon, and finally received a medal of honor...

Basquiat Bearbrick 400% Vinyl Figures Set of 2: A unique Basquiat Bearbrick statue set trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered collectibles reveal...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Baby Pollock is an artwork by Mark Kostabi in 1989. Mixed Media on Canvas. cm. 24x30. Good conditions! Mark Kostabi (Los Angeles, November 27, 1960) is an American painter a...

The steady gaze of Inchoy and child. John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to captur...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Strange Rider from Carnival of St. Petersburg Suite Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 30...

Untitled . Offset Lithograph by Izumi Kato Printed in 2020 for the Exhibition at Perrotin Gallery Paris Sheet size: 58.5 × 39 cm (Framed 63 x 43 cm)

Artist: Sandro Chia, Italian (1946 - ) Title: Athletes Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 300 Image Size: 29.5 x 21.5 inches Paper Size: 34 in. x ...

Circle of Jacques-Louis David Joseph and Potiphar 88x72 cm oil on canvas. The story tells of Joseph's duties in Egypt. Sold as a slave to Putiphar, chief of the king of Egypt's guar...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Mabel Alington Royds (1874-1941) Boat Builders Signed in pencil c.1915-1920 Woodblock Print 23 x 30cm Born in Bedfordshire, Mabel Royds was a painter, pr...

Painting, oil on canvas, with dimensions of 105 x 120 cm without frame and 125 x 140 with a beautiful carved frame depicting the 'allegory of charity and love with a woman with three...

Catherine Wilke in Capri 2, 1980 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Catherine Wilke joins the...

Three young children bobbing for apples. Jessie Wilcox Smith never married, but throughout her long career, specialized in drawing a...

Figures and Birds Watercolor Traditional Indian Mithila Painting artist signed. Pencil, ink, natural dye watercolor, on handmade paper 17.7x22.7 framed under glass 24x29. Sita Devi (1914–2005) was an Indian artist, specializing in painting in the Madhubani tradition. She is one of the most well-known Madhubani artists from India...

David Paul Kay "Alpha" 2024 18x24 inches ink on paper, framed. About the Artist David Paul Kay is an American contemporary artist based in New York City. With a focus on vibrant l...

Joan Miró vinyl album art: set of two, 1966 & 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró des...

Adolfo Belimbau (1845-1938) Italian Impressionist painting of a mother and a child in a Garden playing. Beautiful quality and colors quality! Adolfo Belimbau is a famous Italian Jewish painter...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Two blue cats tussle and fight on top of a laid dinner table, knocking dishes and candles everywhere. Done in a simple illustration style and created using only six colors, the edges...

Jean Launois (1898-1942) Opium smokers, Indochina Stamp of the artit's estate on the lower right Black ink on paper 22.5 x 30.5 cm Framed : 38 x 46 cm This beautiful drawing, a fine example of Jean Launois' particular art, dates from the artist's stay in Indochina, from which he brought a group of works. An exhibition devoted to this Indochinese period of the artist's production was held at the Musée de l'Abbaye Sainte-Croix, Sables d'Olonne in 1998. About the artist : Of Vendée origin, Jean Launois very quickly showed a sure talent for drawing and was encouraged in this by his parents. He trained with his fellow Vendeans Charles Milcendeau and Auguste Lepère and then entered the Académie Jullian in Paris. Enrolled in the First World War in 1916, he continued to draw at the front, and produced numerous portraits of soldiers...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

"Greta and Monika" Black & White Photography Ed 1/5 24 x 32 in by Lukas Dvorak 24" x 32" inch Pigment print on Epson Fine ART paper 2017 Ships rolled in a tube ABOUT THE ARTIST ...

Lilies - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Lilies is a beauti...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 19 x 13 x 9 Medium: Bronze Sculpture "Fiesta Song" Accordion Player John Bennett (Born 1952) John Bennett was design...

Artist: Hunt Slonem, American (1951 - ) Title: Chez Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 22 x 29 inches Size: 26 in. x 30 in....

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

With watercolour wash. Well presented in a contemporary black frame and white card mount. Unsigned. On tissue paper.

Signed silkscreen work by Noche Crist (1909- 2004). From Women Loving Woomen series. Wonderful work printed by the artist on thick paper. Catalogue of a postumous retrospective in...

Unconscious Female Force Signed and dated lower right, canvas 43x51 with frame 45x53 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

This accomplished allegorical scene depicts the story in Anacreon’s Ode where Cupid is captured by the Muses. Entwined in a chain of flowers, the Muses lead cupid to captivity, where...

Where have you disappeared? 2021. Paper, mixed media, 97x67 cm Act with phone

The two tigers emerge from the traveler's robe. In perpetual motion, the tigers playfully struggle to achieve balance. Forever connected, the twin tigers embody the duality of nature...

Eff You!, 2020

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 558 mm)...

Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...