Baby Art

Woman profile is a drawing in pencil and watercolor realized in the mid-20th Century. Good conditions. The artwork represents the profile of a woman within a well-balanced composit...

This is a portrait of family life. The fullness of imagination within.I start a painting with colored ground, a full tummy and good working pens. It is priming for my children to scr...

Lithograph on acid-free Rivoli paper. Paper Size: 8.5 x 10.3 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Against All Odds, 20 drawings - Oct. 3, 1...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - La Vierge a la Poire, Year: 1873, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Printer: Amand Durand, D...

Hebru Brantley Beyond the Beyond, 2018. Set of 2 Hebru Brantley Flyboy’s, each new in original packaging. Medium: Painted cast vinyl. Dimensions (applies to each individual figure): 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). Each new in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club & BAIT. Safely packed and shipped from New York, NY. Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

Joan Miró Original Lithograph IV, 1981 Color Lithograph Size: 32 x 25 cm Catalogue Raisonné: Cramer 177, Der Lithograph III, 1969-1972 Publisher: Maeght Editeur, Paris, France Verso:...

Mixed Media on wood. Resin finish optional. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at galleries worldwide with com...

Segno Zodiacale Acquario is an original screen print on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions e...

Badlands - 2018 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2018-1098. Not mou...

Provenance Private collection Description Harry Leith-Ross’s Autumn Landscape is a fine example of the spontaneous fluidity of the artist’s painting style. Leith-Ross does not total...

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

"Bottles and Falling Citrus Fruits" is a modern still life painting that captures the essence of contemporary aesthetics with a vibrant interplay of patterns and forms against a beau...

Hand signed and numbered by the artist. Lithograph in colors on wove paper. Mourlot 838. Sheet size 30.25 x 20 inches. Image size 22.5 x 14.75 inches. Frame size approx 36.5 x 26.5 inches. Edition 34/50. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

"Soldier on Horseback" is a pencil drawing on ivory-colored paper by Anonymous Artist of 19th Century. In very good conditions. Sheet dimensio...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the female huma...

"The Rise Of Gray Matter Or the Utopia Of Human Feelings " is a painting by Maestro Vlado Vesselinov. (tribute to Hariton Pushwagner and George Orwell) A...

This exceptional and singular silver gelatin black-and-white photograph, taken by Press Agency in Paris in 1925, captures a defining moment from the International Exhibition of Moder...

This is an original drawing of Wile Coyote and Road Runner. The drawing is signed by Virgil Ross, an American artist and cartoonist lower right Graphite, colored pencil on animation...

Lithograph on vélin paper. Paper Size: 8 x 6 inches, image; 15 x 11 inches, overall. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Marc Chagall, The Jerusal...

Acrylic paint on canvas Signed Unique work Julien CALOT Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal exhibition "Passenge...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Inscription: Unsigned and unnumbered, as issued. Paper Size: 12.5 x 9.5 inches; image size: 6.69 x 9.05 inc...

Contemporary, Pop, Surrealistic, Figurative, Nude

Austrian oil painting of a dream wedding by Zatzka Austrian, c. 1910 Canvas: Height 54cm, width 79cm Frame: Height 67cm, width 94cm, depth 6cm T...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

By Gustav Likan 7" x 7" Ink on Paper 1944 Framed Size: 16" x 15.5" This intimate piece depict a mother nursing her infant. This piece is part of Likan's portrayals of his wife Barb...

This supremely elegant photograph illustrates why Imogen Cunningham’s botanical pictures are a keystone of modernist photography. In the 1920s, Cunnin...

Printer's Proof /2 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. H...

Colonial School, Mexico, XVIII Century "Virgen del Carmen" Oil on canvas 70 x 40 in

China ink drawing realized by Mino Maccari in 1930s. Not signed. Very good condition.

Author: Rosendo González Carbonell Title: Mother and Child Technique: Oil on canvas Style: Figurative with elements of Romanticism and Reali...

America Martin "Woman with Blossoms" Ink on Paper 33.75” x 31” Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America ...

Oil Pastel on cardboard realized by Mino Maccari in 1960s. Not signed. Very good condition.

Watercolor on paper realized by Mino Maccari in the early 1930s. Probably a study for a woodcut realized for the illustrated book "Bestie del 900". Very good condition.

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

"Group of Women" is an original drawing in pencil on paper, realized by Gabriel Guèrin. The state of preservation of the artwork is very good. Sheet dimension: 14.6 x 19 cm. The artwork represents beautiful group of nude women in a forest. Hand-signed "G.G", on the lower left. GUERIN GABRIEL (1869 - 1916, Paris): Born in 1869 in Boubonne-les-Bains (Haute-Marne). Died in 1916 in Paris XIX-XX centuries. French. Painter. He was educated by Bouguereau, Gabriel Ferrier...

Watercolor on heavy paper realized by Carlo Ravagnan in 1971. Hand signed.Hand signed, titled and dated also on rear. Excellent condition. Carlo Ravagnan was born in Udine on Sept...

Está firmado a plancha en la parte inferior y fechado del año 1931 El estado del grabado es bueno Se presenta bien enmarcado Medidas del grabado: 12 cm. x 12,5 cm. Medidas del ma...

Pair of reproductive prints after Jean le Pautre’s engravings after Claude Ballin, 1670s, heightened with gouache and gold, on Fabriano wove paper, a deckle edge at bottom. 22 x 14 3...

this is a soft pastel on red toned heavyweight archival paper , framing under glass recommended for display. full figured women like Botero theme: circus, food, cake, relationships,...

Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...

Spanish painting from the mid-20th century. Oil on canvas, glued on masonite, painting depicting Maternity, Woman with child in her arms of excellent pictorial quality. Painting of great pleasantness and good brightness, characterized by bright colors, for antique dealers, interior designers and collectors. Painting signed lower right (see photo) attributable to the Spanish painter Rosendo Gonzalez Carbonell...

"The Artist" by Maurice Mazeilie (French) watercolor painting on paper, unframed stamped verso Measures: painting: 5.25 x 7.75 inches A delightful original painting by the 20th cent...

"Mother & Child" by Carlos Carnero (Uruguay/ French 1922-1980). watercolour painting, on very thin paper, unframed. Paper: 10.75 x 8.25 inches. Provenance: the artists estate, Par...

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 18.75 inches Beautifully decorative, mid 20th century French ori...

Artist: Quinn, Marc Title: At the Far Edges of the Universe IV Series: At the Far Edges of the Universe Date: 2010 Medium: pigment graphic prints Unframed Dimensions: 27....

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco in the fabrics to communicate clarity and rebirth. Cohete frequently p...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Acrylic on archival quality paper. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Y...

Reed, Doel (American, 1894-1985). UNTITLED (RESTING WOMEN; SLEEPING WOMEN). Etching and Aquatint, 1940. Signed in pencil, lower right. 10 1/2 x 15 inche...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour / gouache size: 11 x 7.5 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French painte...

Approximate Date: Apr 23, 1903 Medium: Gouache on Board Signature: Signed Lower Right Dimensions: 22.50" x 15.50"

Cohete's ritual with movement and the male dancer formations, inhabits his black and white theater-like habitat. Like light; always in motion. The harsh lights and shadows in the wa...

Paco Rabanne ( 1934-2023 ) " Christ Roi " is an original and rare drawing , signed , dated . " succession Paco Rabanne " framed with museum glass : 38 x29 cm drawing : 29 x 21 cm ...

Portrait sketch original drawing by Jean-Paul LE VERRIER (1922-1996) studio stamped ink on paper, unframed Double sided 10.5 x 8.25 inches provenance: private collection of the arti...

Lithograph in colors on Arches paper Published by George J. Goodstadt, Inc., Ridgefield, Connecticut (with their blindstamp) 29.5 x 41.3 inches Signed and numbered in pencil, editio...

Through his exploration of bodily movement, with modern and ballet dancers, and with particular attention to the male physique, the artist has focused on the curves and lines of thei...