Blackboard Art

Offset lithograph poster featuring Mark Rothko’s Untitled (1950), exemplifying the artist’s iconic color field style and emotive abstraction. The piece is framed in a black wood fram...

For Canada’s beloved pop artist, Charles Pachter, the barn reimagined in graphic form is a reminder of Canada’s early rural history and the pioneers that helped shape this country. T...

This is an exclusive handprinted limited edition cyanotype. Contemporary linear cyanotype showing a 3D mountain terrain. Details: + Title: 3D Render Mountain + Year: 2021 + Edition ...

Horses in the Lush Green English Countryside by 20th Century British Artist Art measures 20 x 16 inches Frame measures 25 x 21 inches John Haskins is a ...

Charles Pachter returns to the Canadian wilderness for this painting. The internationally recognized pop artist has chosen to celebrate the sumach, a tree that is native to North America. Pachter’s sumach frames an orange harvest moon which appears in the fall. Farmers often use the light of this full moon to harvest their crops late into the night. Pachter’s moon is small and distant and the thin line of a lake and mountain in the background give the painting a greater depth of perspective. A painter, printmaker, sculptor, designer and author Pachter is a graduate of University of Toronto...

Charming little 19th century oil on board. I am not sure if it’s European or American. The painting measures 12 inches wide by 6 inches high. The frame is 3/4 of an inch around. Pain...

Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

Artist: Basquiat, Jean Michel Title: A Panel of Experts Series: Superhero Portfolio Date: 1982-1987/2022 Medium: Screenprint Unframed Dimensions: 40" x 40" Framed Dimensions: ...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Oil on canvas 20 x 37 ¼ inches; 50.8 x 94.6 cm Framed dimensions: 67.5 x 110.5 cm Not signed c.1744-1745 Collections: Possibly John Charles Middleton (1757-1793); Revd Frederick M...

A finely detailed etching of Isfield Place in East Sussex by Marcel Schuette. Signed, dated, and titled in graphite below the plate line. Smartly presented in a black frame. On paper.

PaperLandscape Mixed-media painting on Cotton Canvas One of a kind artwork Size: 90 x 110 x 2 cm (unframed) Ready to hang Signed certificate of authenticity Style: Abstract Marili...

Stunning large floral still life of tulips, roses and lilacs by Marie-Clair Delaunay (French, 20th Century), 1987. Signed lower right corner and on verso. Presented in gilt-toned wood frame. Image size: 32"H x 32"W, Marie Claire Delaunay, born in Paris, is of Flemish and Breton origin. She studied in Paris then at the Ecole du Louvre, Artist studio of la Grande Chaumière, she deepened her technique in water-colour, oil painting, lithography and fresques and took inspiration in various painters creative course and works : Atelier of Baignol with its rigorous technical teaching, working trips with Jean Rigaud focused on the subject, work with Louis Süe architect as an other dimension of art. In Olso, Norway, training in Hans Klemensrüd Artist's Studio, abstract painter. Later, work with Sofia Vari, a Greek artist who also made her discover her country. And in the Cyclades islands again, study of the abstract technique with Sergio de Castro, the Argentinian painter...

Le Corbusier The Architect's Tools, 1964 Original lithograph Printed signature in the plate Limited to 250 copies On Arches vellum 42.5 x 35.5 cm (c. 16.5 x 13.7 in) Edited by Forc...

This charming 19th century still life painting features an elegant arrangement of objects on a table, including a glass of wine, a halved lemon, ornate vessels, and decorative items ...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) P.A I/III (Proof of Artist) ID: HER-157-1"

Carl Frederik Aagaard, Sunset over Dyrehaven. Signed C.F. Aagaard. Oil on canvas laid on card box panel. 22×32 cm without frame. A tergo written:...

Banksy, Banksquiat (Grey), 2019 Screenprint on grey card, hand-signed in white crayon 70 x 75 cm (27.6 x 29.5 in) Edition 52 of 300 Mint condition, accompanied with a COA from Pes...

This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...

Wonderful 1940's Swiss winter scene with snow covered chalet in valley, by an unknown artist, c.1940's. Signature illegible lower right. Presented in period rustic frame. Image size...

In “Timeless Silhouette,” Judith Williams explores the beauty of form with her signature gestural touch. Charcoal and acrylic blend across the canvas to create a contemplative female...

Diasec-mounted Giclee print on aluminium panel Edition 14 of 100 Signed and numbered on the back Mint Published by HENI

Pattern Field George Chemeche, Israeli/American (1934) Date: 1979 Screenprint, signed and numbered in pencil Edition of 250, AP 30 Image Size: 20 x 28 inches Size: 22 in. x 30 in. (5...

Summer Moon White House oil/panel 12 x 16 unframed, 18.25 x 22.25 framed pictured both silver or black. Summer Moon White House is an oil painting on canvas panel that showcases the ...

This stunning Scottish Impressionist Victorian landscape oil painting is by noted Glasgow Boy artist Robert Macaulay Stevenson. Painted circa 1899 the composition is a rising moon ov...

This painting is a still-life composition featuring an arrangement of books and other objects on a table. The focal point is an open book, its pages splayed out as if it was recently...

À côté n°3 is a photograph by French contemporary artist Camille Brasselet. It is a pigment print on Fine Art paper technique. This photograph is sold unframed as a print only. It ...

"Snowy Owl" is an original piece by Nayan and Venus made from watercolor on layered hand-cut paper. This piece measuures 11.75”h x 9.5”w x 1"d framed, and is...

Signed, numbered (17/50), 1991, three-color lithograph by superstar American artist, Ed Ruscha (b. 1937). Printed by Hamilton Press, Venice, CA. Pop-Art sensibility and Hollywood-...

Moody skies over the sea. Richard K Blades’ To Return is a captivating artwork that captures the vastness and drama of a seascape, where earth and sky blend in a mesmerizing dance. ...

Screenprint on heavy, white wove paper , edited in 1965 Limited edition of 280 copies signed in pencil by artist in lower right corner and numbered 243/280 paper size: : 58,4 x 73,6 ...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

This oil painting presents an opulent bouquet of lilacs in full bloom, arranged in a softly rounded ceramic vase. Cascading clusters of white, lavender, and deep violet blossoms fill...

For his first time-limited sculpture, James Jean sets a ghostly figure in perpetual freefall. First seen tumbling through flowers and clouds in an epic 2019 painting, the Descendent has become a prominent motif in James Jean’s explorations of time, space and fantasy. Falling forever, yet somehow serene, the figure represents ‘caught in between' feelings of all kinds – up and down, east and west, dream and reality. Descendent - Lucid Dreamer...

Surreal depiction of a figure walking though a city by Marshall Woodall (American, b. 1958). The cityscape is represented in outlines only, creating the impression of being lit up in neon lights at night. The figure walking through the scene is an outline, reminiscent of a walk sign. Throughout the piece, there are hidden faces in the buildings. Signed, dated, and titled on verso along the stretcher: Marshall Woodall Aug 12/2019 'Abandoned by my family in Chicago' Unframed, but the edges are painted for a frame-less display. Canvas size: 16"H x 20"W Marshall Woodall (b. 1958) was born in Oklahoma City, OK. Woodall’s fascination with art began at an early age. His life has been a journey into self-expression and storytelling through music, drawing, and painting. ‘‘I am off the wall and have an unusual imagination. I think about things that people don’t always think about or notice.’’ Self-taught but inspired by Gary Larson...

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

Landscape Oil on Canvas Original Art Ready to Hang 65x50 cm 2023 ...My painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

Still Life with fruits is an original oil on canvas realized in the 16th Century by an Italian School Master. Original oil painting on Canvas. The painting represents a still life...

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

Shipped from Thailand because i am living here in 2025 Acrylic on canvas Shipped well protected, unframed

Title: Southwold Harbour Fish Market Scene with Figures and Sheds Original Watercolour By Tony Herbert (1927-2024) Signed: Bottom right Medium: Watercolor on paper, mounted Size: 16 ...

Original oil painting on linen by artist Robin Cole. Framed.

On a dark brown background, crossed by rhythmic vertical textures resembling streams of rain, an elegant relief ornament emerges. A bronze branch with graceful curls and leaf-like fo...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

America Martin "Three Listen To The Flowers And The Breeze" Acrylic on Linen 31 x 62 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draw...

From the artist: "The symbol of the Apple has held significance for humans throughout recorded history. In the bible it represents the forbidden. It was used by Newton to explain gra...

Romantic, Tonalist style landscape drawing by Sue Bryan of a lush country forest set against a serene sunset charcoal and acrylic on Arches paper mounted on wood 16 x 20 inches, unf...

Landscape mineral oxide on canvas relief paint original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

Color lithograph on Arches paper Edited in 1968 Limited edition of 150 copies
, numbered 41/150 Signed in pencil by artist in lower right corner 
Paper size: 71.5 x 46.50 cm Very go...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Lucio Fontana Untitled from The International Avant-Garde (volume I), 1962 Hand signed and numbered ‘XIV/XXV L. Fontana’. This work is number 14 of 25 examples numbered X to XXV giv...

Beautiful mid-century winter landscape of the sun rising over a forest stream covered in fresh snow by Genevieve Clibborn (American, 1892-1982). Presented in a rustic ornate, faux wood frame. Image, 12"H x 16"W. Genevieve Idell Booth Clibborn was born in Washington on January 6, 1896. She lived most of her life in Salinas, California (East of the Monterey Peninsula). She painted and exhibited widely in that area. An award-winning artist, she was primarily self-taught and was known for her tree studies. She was a member of the Santa Cruz Art League. She was also a famous evangelist who preached at revivals in the United States, Canada and Australia. Her husband was William Booth-Clibborn, grandson of the founder of the Salvation Army...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

Important contemporary modernist painting by Katherine McMahon. From a series of neon sign still lives. Acrylic on canvas. Artist Bio: Katherine McMahon is an American multidisc...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Sacrum Dulcor (Sacred Sweetness) This work captures a quiet moment where the ordinary becomes sacred. The fruit — like a heart that carries light. The taste — like a memory of love t...

Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...