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Decor Art

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Art Subject: Decor
Pichet dit chouette
Located in PARIS, FR
Georges JOUVE (1910-1964) Earthenware zoomorphic pitcher, decorated with black and gray plumage on a white ground, black metallic interior, opening border animated by a green fillet....
Category

1950s French School Figurative Sculptures

Materials

Ceramic

Sittin' Pretty
Located in Atlanta, GA
My floral paintings consider the same elements as when painting an abstract painting. I put paint on the canvas and push and pull with the paint: addressing value, color, shape and m...
Category

2010s Still-life Paintings

Materials

Canvas, Acrylic

Large Cala Lily
Located in Burlingame, CA
'Large Calla Lily' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. In...
Category

21st Century and Contemporary Contemporary Still-life Drawings and Water...

Materials

Paper, Watercolor

Tea with Lemon, Painting, Oil on Canvas
Located in Yardley, PA
I have been an artist for most of my life. Throughout my creative journey, I have had the pleasure of studying with many established artists. My current studies are under private men...
Category

21st Century and Contemporary Realist Paintings

Materials

Oil

A Rat With A Tit - Unique Handmade Glazed Ceramics Sculpture, Animals Portrait
Located in Salzburg, AT
The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...
Category

2010s Contemporary Figurative Sculptures

Materials

Ceramic

Picador, 1953 A.R. 200
Located in Palo Alto, CA
Capturing the moment in which the picador stabs the charging bull with his lance, Picasso creates an image of action and suspense in Pablo Picasso ceramic Picador...
Category

1950s Modern Figurative Sculptures

Materials

Earthenware

Myth of Progress (AI) No. 8
Located in New York, NY
David Richardson Myth of Progress (AI) No. 8, 2023 Oil on canvas 61 x 48 in David Richardson’s paintings reinforce myth as the universal blueprint we all live by. His work is a visu...
Category

2010s Paintings

Materials

Oil

''Cherry Blossom'', Contemporary Still Life Painting with Porcelain and Blossom
Located in Utrecht, NL
When you look at this painting ''Cherry Blossom" by Dutch artist Sasja Wagenaar (1959) from a distance you see a perfectly painted image, but up close a generous paint streak is visi...
Category

2010s Contemporary Figurative Paintings

Materials

Acrylic, Canvas

''Step into the Light'', Contemporary Still Life Painting with Porcelain Bowls
Located in Utrecht, NL
When you look at this painting 'Step into the Light" by Dutch artist Sasja Wagenaar (1959) from a distance you see a perfectly painted image, but up close a generous paint streak is ...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Acrylic

"Cup Composition & Orange Ball" Elegant Stacked Gold/White Cups on Pale Aqua
Located in Wellesley, MA
Olga Antonova’s subject is compositions of extraordinarily elegant, beautiful and whimsical cups, plates, teapots, vases and dishes, but there is something playful about these paintings. Stacked teacups are also amusing, having a kind of jaunty and upbeat personality of their own. Polka dots are as endearing to adults as to children, and everyone responds to the bling and sparkle of gold and silver while marveling at Antonova’s seemingly effortless ability to paint these radiant details. Olga Antonova "Cup Composition with Gold and White Cups...
Category

2010s Realist Still-life Paintings

Materials

Canvas, Oil

Rest and Revere - Colorful Abstract Feminine Figurative Still Life Painting
Located in Los Angeles, CA
Southern California native Courtney Simone seamlessly blends her passion for abstract art with the exploration of everyday beauty, resulting in exuberantly inspired abstract figurati...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Mixed Media, Acrylic

Pablo Picasso 'Joueur de diaule et faune' (A. R. 342) Madoura Plate 1956
Located in Miami, FL
PABLO PICASSO (1881-1973) Joueur de diaule et faune (A. R. 342) Terre de faïence plate, 1956, with the workshop numbering, aside from the edition of 100, with the Empreinte Origin...
Category

1950s Prints and Multiples

Materials

Ceramic

Blue Diamond Dust Tuesday
Located in Cleveland, OH
Blue White Outline Bunnies with Blue Diamond Dust
Category

2010s Contemporary Animal Paintings

Materials

Oil

"Roses and Plums" 2023 oil painting, flowers, fruits, and mirror on pale pink
Located in Sag Harbor, NY
A classic Amy Florence still life with broad impressionist strokes creating an inviting space that makes you want to enter into her world. Framed Dimensions: 33.6 x 41.4 inches Artist Bio: Amy Florence is a London born artist working out of her studio in Florence, Italy. She trained at the Charles H...
Category

2010s Impressionist Still-life Paintings

Materials

Canvas, Oil

''A Boys Best Friend'' Dutch Contemporary Bronze Sculpture of Boy with Dog
Located in Utrecht, NL
Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday ...
Category

2010s Contemporary Figurative Sculptures

Materials

Bronze

French Contemporary Art by KEJ - Aenigma Machina
By Kej
Located in Paris, IDF
KEJ is a French artist born in 1959 who lives & works in Paris, France. He is considered to belong to the movement of Figuration Libre & Outsider Art. His works are referenced in the...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Canvas, Acrylic

Monumental Chinese Ancestor Portrait, c. 1900
Located in Chicago, IL
Reflecting the role that ancestor worship played in Chinese culture, this Qing-dynasty painting depicts several generations of family, dressed in intrica...
Category

20th Century Qing Figurative Paintings

Materials

Linen, Wood, Paint, Pigment

Von Der Pflanze Zum Ornament
Located in Wilton, CT
30 plates of floral designs from the Jugendstil period
Category

Early 1900s Jugendstil Interior Prints

Materials

Lithograph

"Tea and Cookies" (2014) by Sarah van Der Helm, Oil Japanese Still-Life Painting
Located in Denver, CO
"Tea and Cookies" by Sarah van der Helm is an original oil painting depicting tea kettle, three fortune cookies, and a traditional Japanese motif in the b...
Category

21st Century and Contemporary Photorealist Interior Paintings

Materials

Oil, Panel

Red Pot Floral, Painting, Acrylic on Canvas
Located in Yardley, PA
Beautiful floral varnished with a semi-gloss finish, sides painted to match art, and wired to hang. :: Painting :: Contemporary :: This piece comes with an...
Category

2010s Contemporary Paintings

Materials

Acrylic

French Contemporary Art by KEJ - Anthropophages II
By Kej
Located in Paris, IDF
KEJ is a French artist born in 1959 who lives & works in Paris, France. He is considered to belong to the movement of Figuration Libre & Outsider Art. His works are referenced in the...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Canvas, Acrylic

Qing Dynasty Floral Bed Canopy Painting
Located in Chicago, IL
Thoughts of a long, happy life greeted the young couple who gazed up from their bed on this canopy panel. Adorned with chrysanthemums and peaches, both symbols of longevity, the lyri...
Category

19th Century Qing Figurative Paintings

Materials

Paint, Wood Panel, Lacquer

Blushing Bouquet
Located in Sag Harbor, NY
An oil painting of a group of roses in a slender glass vase; a black background. Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received ins...
Category

2010s American Realist Still-life Paintings

Materials

Canvas, Oil

"Ravanna's Palace Burning, " Woodcut Landscape signed by Carol Summers
Located in Milwaukee, WI
"Ravanna's Palace Burning" is a woodcut signed by Carol Summers. The image combines landscape and architecture, which is typical of the works Summers produced during the 1980s and '90s. In the image, a dark building stands burning, bright red flames licking from the windows and rooftop. It stands beside an orange field framed in pink, probably representing a plaza. Beyond the plaza are multicolored trees, their branches reaching upward like the flames on the building. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Art: 24.5 x 37.25 in Frame: 30 x 42.75 in Numbered 53 of the edition of 125 Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MOMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and nonwestern as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...
Category

1980s Contemporary Landscape Prints

Materials

Woodcut

Composition (Vallier 153), Le Tir à l'arc mis en lumière par Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Garden Maze, Painting, Oil on Canvas
Located in Yardley, PA
Oil on canvas inspired by nature. My abstract paintings are all about creating excitement for the viewer through concentrated exploration. Each painting is inspired by nature, trave...
Category

Early 2000s Pop Art Paintings

Materials

Oil

The Ballerina - Original B/W Etching by Auguste Legrand - 1900s
Located in Roma, IT
The Ballerina is a black and white etching realized by Auguste Legrand (French artist active between 1825 and 1860). In very good conditions. This modern artwork represents a balle...
Category

Early 1900s Modern Figurative Prints

Materials

Etching

Trompe-l'oeil Style Still Life Oil Painting
Located in Palm Beach, FL
Trompe-l'oeil style still life oil painting on burlap with a pleasing monotone palette and a classical mediterranean composition. Featuring a contrived weathered background and gold ...
Category

20th Century Other Art Style Still-life Paintings

Materials

Oil

Smiling Cat
Located in Philadelphia, PA
Artist: Karel Appel Title: Smiling Cat Suite: Cats Portfolio Year: 1979 Medium: Original lithograph in colors on Japon paper Edition: From the limited edition of LXV Size: 24 5...
Category

1970s Prints and Multiples

Materials

Lithograph

Daffodil Sunset (Yellow Daffodil Still Life in Blue Vase against Moody Sunset)
Located in Hudson, NY
Daffodil Sunset (Realistic Bright Yellow Daffodil Still Life in Blue Vase against Moody Sunset) Made is 2021, by Berkshire based artist Ann Getsinger oil on linen, 20 x 16 inches Si...
Category

2010s Realist Still-life Paintings

Materials

Linen, Oil

Oiseau sur fond de X (Vallier 122), Société internationale d'art XXe siècle
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Vallier, Dora, et al. Braque, the Complete ...
Category

1950s Cubist Figurative Prints

Materials

Lithograph

Georgian Contemporary Art by Natia Sapanadze - Melancholy Trees
Located in Paris, IDF
Oil on canvas
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Canvas

"Liliana" Large original color serigraph
Located in San Francisco, CA
This artwork titled "Liliana" c.1990 in an original color serigraph by Bolivian artist Marion Ferrer (Mario) Cespedes, b.1942It is hand signed, titled and numbered 157/290 in pencil ...
Category

Late 20th Century Modern Figurative Prints

Materials

Screen

"CELERY & TOMATO"
Located in New York, US
Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...
Category

1970s Pop Art Still-life Paintings

Materials

Silk, Paper

Italian Contemporary Art by A. Vandoni - Italic Still Life After Eating Fruits
Located in Paris, IDF
Oil on canvas Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the Schoo...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Canvas

Untitled (Roi David)
Located in Palo Alto, CA
Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...
Category

1950s Modern Figurative Sculptures

Materials

Glass

Matisse, Le Lagon (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...
Category

1980s Fauvist Landscape Prints

Materials

Lithograph

Matisse, Le Lagon (after)
Matisse, Le Lagon (after)
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Pewter
Located in Fairfield, CT
Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein air landscape painting, Vadnais finds an interesting ...
Category

21st Century and Contemporary Realist Still-life Paintings

Materials

Egg Tempera, Panel

Still life with a vase of red flowers.
Located in Naples, Florida
Andre (Gittelson) Gisson (American, 1921-2003), Still life with a vase of red flowers,
Category

20th Century Still-life Paintings

Materials

Oil

"Breath of spring"
Located in Edinburgh, GB
Tulips are recognized worldwide as harbingers of spring. Their widespread popularity has led to them becoming a perennial muse for artists, a symbol of spring, and the subject of vib...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Canvas, Oil

1930's Interior Still Life with Potted Plant and Draped Fabric on Ornate Chair
Located in Cirencester, Gloucestershire
Interior Still Life Simone Forge 1930's French Impressionist oil on board unframed board: 9.5 x 7.5 inches Provenance: private collection Condition: great condition For more any m...
Category

Early 19th Century Impressionist Interior Paintings

Materials

Oil

Italian Contemporary Art by Andrea Vandoni - Suburdan Idyll
Located in Paris, IDF
Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Acrylic

Italian Contemporary Art by Andrea Vandoni - Let’s Put Flowers In Our Chimneys
Located in Paris, IDF
Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...
Category

2010s Contemporary Figurative Paintings

Materials

Acrylic, Canvas

Hatter Teapot
By Ahrong Kim
Located in Fairfield, CT
Represented by George Billis Gallery, NY & LA -- Humans are emotional creatures. Individuals feel a diverse range of emotions even during a short time or on a small occasion. Emotion...
Category

21st Century and Contemporary Sculptures

Materials

Luster, Stoneware

"Loosening Sky", oil paint, contemporary, abstract landscape, 2021
Located in Basalt, CO
This is a 60" tall by 48" wide contemporary original oil painting in an abstract landscape style, typical of the artist's Anthropocene body of work. A realistic landscape was painte...
Category

2010s Contemporary Landscape Paintings

Materials

Oil

“Vetri d'Arte”
By Seguso
Located in Warren, NJ
Lady carrying a bowl of tomatoes On a clear swirling base. Green dress , gold bodice, red scarf, sleeves in clear glass, hair in gold fleck. just over 11 inches high sculpture is uns...
Category

20th Century Sculptures

Materials

Blown Glass

Sea of life II
Located in Fairfield, CT
I was born in Manhattan, but the most important places in my life have been here on Long Island by the ocean and in the mountains and forests of Vermont. I love to surf, I love to sk...
Category

2010s Contemporary Figurative Drawings and Watercolors

Materials

Paper, India Ink

Harem " Exemplaire d'Auteur "
Located in CANNES, FR
Jean Cocteau (1889-1963) Signé Jean Cocteau.sample « Exemplaire d’auteur. « . Conçu en 1958. Partially glazed white earthenware plate. From an edition of 20. Littérature : Annie Guéd...
Category

1950s Art Deco Figurative Prints

Materials

Ceramic

Bowl with Donald Duck - 21st Century contemporary Hyper realistic oil painting
Located in Nuenen, Noord Brabant
Jean Paul Marsman (Dutch artist) Dubbel D 20 x 20 cm (framed, included in price 23 x 23 cm) Oil paint on wood Craftsmanship: The work is painted so realistically that everything se...
Category

2010s Contemporary Still-life Paintings

Materials

Oil, Wood Panel

"Elegant Still Life of Many Cups, Some with Orange" Gold, Blue, White, Turquoise
Located in Wellesley, MA
"Elegant Still Life of Many Cups, Some with Orange" Oil on Canvas, 24 x 30 Inches. Exquisite, complex and joyful still life composition of multiple cups stacked, in shades of blue,...
Category

2010s Realist Still-life Paintings

Materials

Canvas, Oil

Parrot Tulips
Located in London, GB
Signed lower left. Image dimensions: 40cm x 35cm / 16 inches x 14 inches Framed dimensions: 49.6cm x 45cm / 19.5 inches x 17.7 inches Pieter Wagemans was born in 1948 in Merksem, c...
Category

21st Century and Contemporary Still-life Paintings

Materials

Oil, Panel

Beauty (Warhol Flowers), hand signed screen print
Located in Aventura, FL
Giclee with screen printed varnish on Canson Rag Photographique 310gsm paper. Hand signed, dated and numbered by Nick Smith. Edition of 66. Frame size approx 30 x 29 inches. Artw...
Category

2010s Street Art Figurative Prints

Materials

Paper, Varnish, Rag Paper, Giclée, Screen

Oil Painting Still Life on Burlap, in the Fresco Style
Located in Palm Beach, FL
Oil painting on burlap with a striking composition of a Chinese porcelain bowl. Executed in an ancient fresco style, combining modern simplicity with age old rustic texture and techn...
Category

20th Century Modern Still-life Paintings

Materials

Oil

"We, " Pointillist Woodcut
Located in Chicago, IL
Entitled "We," this exquisite woodcut by Chinese artist Ren Hui celebrates joy and the beauty of humanity with a crowd of smiling faces. Using a style he calls “uncomplicated and honest,” the artist creates beautiful compositions by carving small notches into a painted wood background. Ren Hui's artworks reflect the artist’s richness of experience - he’s been a soldier, a factory worker, and a photographer documenting life from Nanjing to Tibet. He says, “We have family, friends, ourselves, history, culture, trees, flowers, buildings, demolition—all of which are reflected in my work. This is my life.” Full of bold colors and high-contrast imagery, Ren Hui's modern pointillism...
Category

21st Century and Contemporary Pointillist Figurative Paintings

Materials

Plywood, Oil

"Great Wall, " Pointillist Woodcut, 2012
Located in Chicago, IL
This exquisite woodcut entitled "Great Wall" was made by internationally renowned Chinese artisan Ren Hui. He expertly picks out the fine details of China's greatest landmark in his ...
Category

21st Century and Contemporary Pointillist Figurative Paintings

Materials

Plywood, Acrylic

STILL LIFE IN WHITE by Hans Withoos
Located in New York City, NY
HANS WITHOOS (Rotterdam, The Netherlands) STILL LIFE IN WHITE 40 x 60 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond Mounted and Framed Hans Withoos ...
Category

2010s Contemporary Still-life Photography

Materials

Archival Pigment

"Unexpected Visitors" original acrylic on canvas painting by Anne Coe
Located in Los Angeles, CA
"Unexpected Visitors" is a classic and wonderful early example of Anne Coe's painting on canvas. Titled "Unexpected Visitors" and signed "Anne Coe" in pencil on the back of the painting, this is a gem of a wholly original work painted by Anne. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila...
Category

Late 20th Century Other Art Style Interior Paintings

Materials

Acrylic

Daniel Kramer - Bob Dylan & Joan Baez Enroute to Buffalo, 1965, Printed After
Located in Greenwich, CT
Available Sizes: 8 x 10 in $600.00 Open Edition 11 x 14 in $1,000.00 Edition of 50 16 x 20 in $3,000.00 Edition of 50 20 x 24 in $4,000.00 Edition of 50 30 x 40 in $6,000.00 Ed...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Small White Roses - Oil Painting by Elena Mardashova - 2020
Located in Roma, IT
Oil painting on canvas by Elena Mardashova, 60x25 cm. Realized In 2020. Excellent condition.
Category

2010s Contemporary Figurative Paintings

Materials

Oil

''Table'' Contemporary Oil Painting of an Empty Sunny Terrace with Pink Chairs
Located in Utrecht, NL
The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impressionist...
Category

2010s Contemporary Interior Paintings

Materials

Oil, Panel

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