Electronics Art

The Beatles were an English rock band formed in Liverpool in 1960. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are regarded as the mo...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

SMS, New York: William Copley. The Letter Edged in Black Press, 1968. Original Cardboard boxes. A complete set of SMS portfolios volumes 1-6. Collecti...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Justin Wheatley's (US based) "The Failed Attempt at Avoiding the Inevitable" is an acrylic painting that depicts a small white house-like object with red roof pierced by a black pain...

In The Spyfrost Project, photographer David Trautrimas hypothesizes the origins of iconic modern appliances by reassembling them into top secret, Cold War era military outposts. Thes...

Raoul UBAC Surrealist Figure Original lithograph Handsigned in pencil On Japan paper, 40,5 x 31,5 cm (c. 15,9 x 12,4 inch) Excellent condition

Artist: Invader, Title: Invaded Cube Series: Rubikcubism Date: 2023 Medium: Diasec-mounted Giclée on aluminium composite panel Unframed Dimensions: 39.37" x 39.37" Signature: ...

Sepia Toned Still Life of Wooden Antique Headrest from Tonga 17 x 17, edition 5 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of antique objects from Tonga, a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. Tonga was once at the center of a vast trading empire stretching...

The muted colours of yesteryear on show at an old forecourt in the South of France – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfort...

Large, vertical photo-realist painting on canvas of industrial red ball and steel grey crane on a sky blue background by Joseph Richards oil on canvas,...

Contemporary pastel toned hyperrealist still life painting of an electric outlet plug by Texas-based artist Michael J. Abraham. Recently featured in "Michael J. Abraham: Quasi-Realis...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

This still-life is an acrylic on canvas work that depicts a jar full of various paint brushes bunched together brushes up. In contrast to many still-lifes that depict the setting tha...

Title: Black Delight Date: 2020 Technique: Recycled Resin (PETG), Chrome Spray Paint Dimensions: 150 x 93 x 20 cm Signature: Engraved Signature (Back side of head) Conditions: Excell...

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

Rembrandt Bugatti's Elephant Serigraphy edited by Silvio Zamorani stands as a poignant tribute to the famed Italian sculptor. This serigraphy, far remo...

Biet Abba Libanos is a modern artwork realized by Lino Bianchi Barriviera in the 1930s. Black and white etching. Signed on plate. Plate n.37 (as reported on the higher margin). T...

Pragnesh Patel - Untitled - 5 x 5 inches & 5 x 6 inches Oil & Acrylic on Canvas with Fiber Glass ( Set of 12 works ) Inclusive of shipment in Stretched ...

For artist Trish Nickell, a native of Dallas, life took a dramatic turn when she and her husband, David Szafranski, co-founder of Gray Matters Gallery, moved to Paris in 1996. Their ...

Bronze cast mask, created by casting decorative escutcheons used in furniture at the turn the 19th century, and combining them into a mask that challenges both traditional ideas of t...

Artwork sold in perfect condition, print on baryta paper 310 grs pigment inks of museum quality, limited edition of 5 copies New York, January 1956. All’ombra del gigante, in the shadow of the giant, the Empire State Building seems to watch over the liners that connect the city to all the ports of the globe. Back to Genoa, Fabrizio La Torre...

WRDSMTH is a published author, screenwriter, former advertising copywriter, and emerging street artist. Born and raised in the Midwest, he relocated to LA and started doing time in H...

"Shoe Phone," 2019. Acrylic on paper. Figurative, cap toe dress shoe, rotary telephone, cartoon, sign painting, blue, teal, tan, red, brown, black, and white. ...

Paper Size: 33 x 23 inches ( 83.82 x 58.42 cm ) Image Size: 33 x 23 inches ( 83.82 x 58.42 cm ) The first edition exhibition poster titled "Hammer" by Jim Dine, published for Gale...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

11 x 14" vintage silver gelatin photograph of artist Red Grooms with his installation "Chicago" in 1968. Signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitc...

This 1918 original poster, designed by Jean Fapourhaux, is a striking piece of World War I propaganda urging the French population to conserve gas during wartime shortages. Created a...

Painting-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Louise Marler Vega Chrontax Archival Pigment Print on premium luster 2022 Size: 16x20in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1416 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” film photography, film camera, film is not dead, film community, old camera...

Paper Size: 36.5 x 19.5 inches ( 92.71 x 49.53 cm ) Image Size: 20 x 19.5 inches ( 50.8 x 49.53 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shippin...

Derives from a publication of 33 first edition lithographs in four colors, all completed for the final (6th) edition of The Situationalist Times: International Parisian Edition, prod...

Acrylic glossy glass + inkjet painting Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied ...

11 x 14" vintage silver gelatin photograph of NBC Television anchor and Today Show host Jane Pauley, 1980. Signed by Jack Mitchell on the verso. Comes directly from the Jack Mitchel...

Energy saving with sensory regulators is a vintage b/w photograph realized by an Anonymous photographer. Typed notes on the rear, the description in Italian. Foto Siemens copyright...

Mid-century modern realist watercolor still-life by Claude Buck (American, 1890-1974). This highly detailed watercolor features a yellow toothbrush and set of pliers in a decorative...

David Rathman, born in 1958 in Choteau, MT, is known for his delicately rendered paintings of stereotypically male motifs from American history and contemporary culture. He focuses o...

Oil on canvas Signed, verso This artwork is offered by ClampArt, located in New York City. Born in Bologna, Italy, in 1955, Fabio Torre is an Italian photographer and painter whose...

Everyone’s Photos Any License (654 of 1,146,034 Full Moons on Flickr, November 2015), 2015 Additional information: Medium: Digital c-prints with attributions and image map Dimension...

Limited edition hand-colored Linoleum cut by George Nama from the "Catalogue of Monuments" Portfolio, printed at Monument Press on Arches Cover Stock. Only 100 portfolios were publi...

Old Days - Gas Station - Camping is a vintage photograph realized in the Mid 20th Century.  The photo belongs to Albumen of historical painting, photographs, meticulously captured. ...

Acrylic glossy glass + inkjet painting Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied ...

Recording Science Triptych by Nashville, Tennessee photographer, Michael Ray Nott portrays three framed black and white photographs of two retro speakers...

Silvana Mangano is a vintage black and white photograph realized in the 1960s. Good conditions.

I’d Really Love to Stay the Person, Who’s Sure About Her Inner Voice (The Girl Behind the White Picket Fence) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten D...

Heliotechnical Plant in S.Leone a vintage black and white photograph realized in the 1980s. Good conditions.

Solar Energy System is a vintage black and white photograph realized in the 1970s. Good conditions.

TPI 250 Personal Information Terminal is a vintage black and white photograph realized in the 1970s. Good conditions.

A fine watercolour study of a passenger steamer leaving the Bay of Naples. Well presented in a gilt-effect frame. Unsigned. On paper.

Woman from Shoulders is an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed on the lower right. Numbered edition, 2/20. In good condition ...

'Red River' photograph from Richard Heeps Dream in Colour series. The vintage television set plays Red River, set in a warm wood-panelled interior. Thi...

'The Misfits' photograph from Richard Heeps Dream in Colour series. The vintage tv plays The Misfits, set in a warm wood panelled interior. This artwork is a limited edition of 25, ...

'Without Love' photograph from Richard Heeps Dream in Colour series. The vintage tv plays Without Love, set in a warm wood panelled interior. This artwork is a limited edition of 25...

This installation imagines a dipping pot that the Radium Girls might have had at a work station. Lit by black light to highlight the neon glow, this object conveys a modern view on t...

Ex Libris - Istvan Traurig is a Woodcut print created by Michel Fingesten. Signed on plate on back. The work is glued on cardboard. Total dimensions: cm 32x24 Good conditions. ...

Lord Fauntleroy House Labels in Yellow 241206-04 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

Artist Statement: #1 My hands reach, touch, and shape. Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...