Light Art

Artist : Helen Graham Title : Hair Whisp'r Materials : 35mm Film iso 400 Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotio...

Artist : David K. Pugh Title : Pattern Series No.1 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia t...

Artist : David K. Pugh Title : Pattern Series No.9 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia t...

Artist : David K. Pugh Title : Pattern Series No.5 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia t...

Edition of 150 Offset lithograph

Fluorescent fixtures and filters

Artist : Gary Hodson Title : Do Not Go Quietly Into the Night (color) Materials : Archival Pigment Print Date : 2018 Dimensions : 13 x 19 in. Gary Hodson’s subject matter remains ...

Other Editions: 15 x 15" Edition of 20- Price Upon Request 22 x 22" Edition of 10- Price Upon Request 36 x 36" Edition of 9- Price Upon Request After completing her prodigious serie...

After completing her prodigious series of illustrations for Lewis Carroll's Through the Looking-glass, a project spanning more than three years, Maggie Taylor continues to create whi...

Night and Light and the Half Light, LTD edition photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influ...

Headlamp, limited edition pigment ink photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas root...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

Signed and numbered. Caption: "Grandpa and I went to visit his friend, Turney, at the Millionaire's Rest Home"

Chicago, 1963 / Printed 2009 Gelatin silver print (Edition of 100 + 5 APs) Signed and numbered by the artist 11 x 14 inches, sheet size 7.75 x 11.75 inches, image size This photograph is offered by ClampArt, located in New York City. In 1963, Danny Lyon spent time in a poor white area of Chicago called Uptown. Nicknamed ‘hillbilly heaven’, it was a very tough and deprived neighborhood. With a borrowed Rolleiflex camera...

Angie Jennings "Walk to the Moon II", 2010 Archival Pigment Print Year: 2019 Dimensions: 23" x 24" inches Unframed “Shanghai Blue” is a chapter in Angie Jennings’ series “Modern Streets of an Ancient Empire...

Helen Graham "The Dating Game", 2018 Inkjet Print on Museo Silver Rag Year: 2019 Dimensions: 20" x 13" inches Unframed Photography has always been a way ...

Asleep until we fall in love. Two-part portrait of a model and a Asian neon sign in red shades. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography rep...

Signed by the photographer

Actress #5, 2012 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print Available in two sizes: 26 1/2 x 40 inches, from an edition of 10 33 1/4 x 5...

Chromo Thriller #2, 2012 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print Available in two sizes: 15 ½ x 21 inches, edition of 10 55 ½ × 75 inches, edition of 6 Miles Aldridge (born 1964) is one of Britain’s most celebrated fashion photographers, who has worked for a number of international publications, including American and Italian Vogue, The New Yorker and The New York Times. Stark studio...

Female nude in a baroque italian palace, touched by the light of two chrystal chandeliers. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography represen...

Chromogenic print Signed, titled, and dated in ink, verso 6.75 x 6.75 inches, image This photograph is offered by ClampArt, located in New York City. Inez van Lamsweerde (b. 1963) ...

Vintage chromogenic print (negative sandwich) Estate stamp in black ink, verso 14 x 11 inches, sheet 11.75 x 10.5 inches, image This artwork is offered by ClampArt, located in New ...

Digital C-print (Edition of 3) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. In he...

Two-part picture of a model and the neon sign of a motel in red/green shades. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most...

Two-part picture of lips and a neon sign in red/green shades. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contempo...

Chromogenic LightJet print (Edition of 5) Signed and numbered, verso 20 x 16 inches, sheet This artwork is offered by ClampArt, located in New York City. Robert Flynt...

Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 26 x 30 inches, overall mat size 20 x ...

Animal interpretation of a last supper with turtles. Surreal fairytale scenery in green shades. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography rep...

Portrait of the supermodel in lingerie, gloves and knee-length boots on the phone. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the...

This photo of Sunset Boulevard captures a time when gas was 28 cents a gallon and clubs like The Trocadero, The Mocambo, The Brown Derby, and The Roman...

Visually I try to construct my images in a metaphorical and abstract way so that the viewer’s imagination is free to explore and derive their own thoughts and conclusions independent...

Sofia Borges Before Cave of Plato, 2014. Pigment print on cotton paper mounted to Sintra 18 1/2 x 27 1/2 inches Edition 5 of 5 + 2 AP Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...

This is a site-specific installation and dimensions are variable.

Monocled Miss, 1964: Renata Boeck enjoying breakfast in bed at the Regency Hotel in New York Staley-Wise Gallery offers photographic prints from the Sli...

Staley-Wise Gallery offers photographic prints from the Slim Aarons Archive, owned and housed by Getty Images Archive in London. All photographs are printed and authorized by the Get...

Pigment print, diasec mounted

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Oil on Board

Signed in pencil on recto; dated and titled in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work features the architectural and industrial motifs that identify American society. His black-and-white photographs often engage a fascination in the understated beauty of the mundane. This platinum print photograph, from the Lancaster, Pennsylvania series, concentrates on the daily life of the Amish people and their integration with the landscape around them. The image captures a car driving down...

Chris McCaw’s ongoing project ‘Sunburn’ has caught fire in recent years, and McCaw’s work exhibits internationally, including: the Getty museum in LA, the Somerset House Trust in Lon...

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...

Artist: Mark Kostabi, American (1960 - ) Title: Balancing the Budget Year: 1988 Medium: Oil on Canvas, signed l.l. and verso Size: 60 x 84 in. (152.4 x 213.36 cm)

Palacio Nacional de Queluz, Sintra, 1992 Chromogenic print 180 x 225 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his nativ...

Chromogenic print.

Andrew Blauschild is an artist who began photographing the New York surf, seascape and art cultures in the late 80s accumulating one of the richest archives of New York's underground...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

This photograph is in an edition of 70 and is signed by the photographer.

Villa I Berroni, Torino, 2004 Lambda print Signed, titled, dated and numbered (edition of 5) on artist's label on verso. The photographer is based in Florence, and is fascinated...

metallic pigment print

Beatles, Boston, 1966

John Lennon, Chicago, 1966

Fan Mail, 1952: Marilyn Monroe sorts out her fan mail shortly after her film "The Asphalt Jungle" had been released. Staley-Wise Gallery offers photographic ...

Fan Mail, 1952: Marilyn Monroe sorts out her fan mail shortly after her film "The Asphalt Jungle" had been released. Staley-Wise Gallery offers photographic ...