Winter Art

Sentinel (Joshua Tree) - 2022 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Certificate. Not mounted. Erin Dougherty...

Venice II (Stranger than Paradise) - 1999 43x59cm, Edition of 3/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Certificate. Artist Invent...

Plein air

During heavy snowfall, snow-covered branches of bushes stick to the ground under the weight of snow. Sometimes small branches and trees are broken, although it would seem that the sn...

A contemporary realist oil painting by American artist A.J. Fries. Artist’s Statement: My paintings are less about the images or scenes that they depict and more about my state o...

House up in the Mountains -- what can I say - (Wastelands) - 2003 Edition of 5 , 57x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the ...

Cities 12 – February in Prague by Susan Brown. Discover limited edition giclée prints by Susan Brown online with Wychwood Art and in our Oxfordshire art gallery. Susan Brown (BAHons HonDArts. MCSD) is an interior architect and a painter, and has been involved in both disciplines for many years. The paintings are held in many collections including, The Royal Bank of Canada, HBOS, Universities of York and Sheffield, and the National Trust. The work has been represented and shown by many galleries throughout the UK, has been represented internationally in New York, Hong Kong and Singapore, the paintings have been included in many open exhibitions including the Royal Academy Summer Exhibition, and the Scottish...

Snowy Roofs is a color vintage photo, realized in 1940s. Good conditions and aged. It belongs to a historical and nostalgic album including ...

Desert Living (California Dreaming) - 2017 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 21292. Not mounted. The simplicity of 'flawed beauty' comes from the expired film I use to create a reflection of love and loneliness.
 The dream is actually turning into a nightmare. It's easier to deny than to utter the truth of defeat. (ruin). 
That we are all finite is irrefutable but we just don't want to believe it. I chose Polaroid film because it portrays color like candy making...

Palm Springs Palm Trees (California Dreaming) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Arti...

House of Tomorrow (Californication) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Deserted Bee Boxes (California Dreaming) - 2017 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Sign...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

Wastelands, 2003 Edition of 1/10, 38x37cm, digital C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No 864.01 Not mounted. Offered is a piece from th...

Winter - everything (Wastelands) - 2003 Edition 3/5, 57x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper based on the Polaroid. Artist inventory Numb...

Approaching Train (Wastelands) - 2003 Edition 4/10, 43x59cm. Analog C-Print, hand-printed and by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory...

Desert Living (California Dreaming) - 2017 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory ...

Palm Springs Palm Trees (Californication) - 2021 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certif...

Forgotten Land (California Badlands) - 2010 20x24cm, Edition of 10, digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 10907. Not mounted....

'Magic Mountain' (California Badlands), 2016, 24x20cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 19398.08, not mounte...

A charming 20th century watercolour of an Edwardian street covered in snow by Stephen Garbutt. A number of figures can be seen in winter clothing conti...

Amboy Road (California Badlands) - 2010 20x24cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 1090...

Squaw Valley Snow 1961 by Slim Aarons Slim Aarons Limited Estate Edition Snow covers the deserted cafe in Squaw Valley, California, January 1961. unframed c type print printed ...

Midnight Observatory [2012] limited_edition etching and aquatint Edition number 69 Image size: H:20 cm x W:13.5 cm Complete Size of Unframed Work: H:37.5 cm x W:27.5 cm x D:.03cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look An etching and aquatint depicting the Royal Observatory at midnight in winter, printed from a copper plate in deep blue. This view of the Royal Observatory in Greenwich Park as seen from One Tree hill...

Serve (Ghost Town) - 2021 Sketches of a downtown disappearing. 20x20cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with...

In this work, the artist returns to a favorite spot in Alley Pond Park, Queens, to memorialize the ever-evolving carved names and glyphs in this majestic trunk. She is documenting no...

Sailing in the Mist Nils Obel, Danish/American (1937–2018) Date: 1981 Lithograph, signed and numbered in pencil Edition of 200 Image Size: 18 x 24.5 inches Size: 22 in. x 30 in. (55....

Hacienda Mobile Park (Oxana's 30th Birthday) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. ...

In this piece, I've poured my love for the whimsical dance of winter. Using expressive brushwork, I've materialized two joyful figures against a tapestry of icy blues and frosty whit...

In this oil painting, I've captured a moment of pure, childlike wonder—a cheerful snowman set against a winter twilight. Its bright, lively colors evoke innocence and nostalgia, invi...

Deserted Bee Boxes (California Dreaming) - 2017 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signatu...

Desert Living (California Dreaming) - 2017 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory ...

29 Palms, CA - 2010 40x40cm, Edition of of 10, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Certificate and signature label. Artist Inventory # 1897. Not mounted....

Am I Dreaming? (Till Death do us Part) - 2005 20x20cm, Edition 2/10, digital C-Print print, based on a Polaroid. Certificate and Signature label, artist Inventory No. 9023.02, No...

A picturesque winter landscape showing a well worn path leading into the distance amongst the trees with a view of the mountains ahead. Well presented in a wooden frame and slip. Sig...

'Untitled' (Oilfields) 2004, 60x60cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory No 119...

Molly’s current photographic work explores themes of memory, the passage of time, a sense of place, and the natural world, using both painting and photography. Her unique silver gela...

Please be aware that all prints are produced to order and lead times are between 5-10 days. This is a 30x30cm Digital print on 50x50cm Cotton Paper. Edition of 9 plus 2 Artists’ Pr...

Stefanie Schneider's Minis Summer Snow (Sidewinder), 2005 Signed and signature brand on verso. Lambda digital Color Photographs based on a Polaroid. Sandwiched in between Plexiglass...

Salton Sea Beach (California Badlands) 2016, 20x24cm, Edition 1/10, Digital C-Print, based on an original expired Polaroid, Certificate and Signature lab...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

Untitled (29 Palms, CA), 2009, 39x38cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on a Polaroid, Signed on back and ...

Edward Alfano is a contemporary photographer working in Southern California. Alfano photographs all across the world, his most photographed regions are ...

Stuckrosette, 2010, Acrylic and Egg Tempura on Canvas and Deco Fabric, 40x35 cm, 2.600 € INSTANTDREAMS Gallery presents Fides Becker The leading theme of the artist’s interventio...

Landscape in the winter 1969, paper/watercolor, 20x22.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and ...

Winter landscape 1965, paper/watercolor, 20x25.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mi...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Am ethereal and dream like painting in the using the unusual technique of encaustic painting. The scene shows two lost looking children wandering through the snowy night in a Russian...

In the 1980s when I was in medical school there were 500,000 people with dementia in this country. Now there are nearly 6 million people and that number will triple by mid-century. T...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...

Ice breaker 1965, paper/watercolor, 16x21 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...

In the Dare alla Luce series, I initially responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Adrift is a project that uses a visual language as a means of polar comparison. By pairing photographs of Antarctic icebergs and empty In~upiat Eskimo...