Winter Art

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

This acrylic and alkyd canvas painting by Paul Micich features a large ethereal clown figure in white against a blue sky balancing a paper airplane on the...

Title: French Impressionist Watercolor of Sunlit Parisian Street Scene By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5 x 6.5 inches (Height x Wid...

Edition 1/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020. Mat size: 20 x 16 in., Image size: 7 3/4 x 8 in. Micha...

Johann Berthelsen (1883 - 1972) Flatiron, Union Square, Broadway New York City Oil on Board 15 x 11inches 19 X 15 inches with frame Signed lower right: Johann Berthelsen; Original frame Painting is very good original condition Notice All the Beautiful Flags in the Painting! Berthelsen painted landscapes of New York City ''poetic'' by contemporary critics. Ironically though, it was music not art, to which Berthelsen originally aspired to. A native of Copenhagen, Denmark, Berthelsen's family immigrated to the United States in 1890. When he was 18, Berthelsen studied music and voice for four years at the Chicago Musical...

Artwork #1 / 5 sold in perfect condition printed on baryta heavyweight paper & framed (black metal border) From the collection called "Art 2014", format 30x42 cm. SERIES OF 5 PRINTS...

"The Gates Skyline in the Snow" is a 2005 limited-edition original photograph. It is hand signed by Christo in the lower right hand corner. It depicts his Central Park Project in Ne...

Winter road in the forest. 2023, oil on canvas, 60x80 cm "I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel...

Artist: Stuart Klipper (American, 1941-) Title: Ross Ice Shelf, Near ‘Willy’ Field Year: 1989 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted. Unframed Signature: Signed, titled, dated, artist’s stamp on reverse Condition: Very good This photograph depicts the Ross Ice Shelf near ‘Willy Field.’. It is a chromogenic print, also called a C-print on Kodak paper. Klipper traveled to Antarctica in 1989 under the aegis of the National Science Foundation. Some of his photographs from this trip were later included in a New York MoMA exhibit titled “Projects 26 – Stuart Klipper On Antarctica 1989.” The three-foot-wide color panoramas in this exhibition were selected from the series On Antarctica, which comprised more than 1,000 pictures made in 1989. In the exhibition brochure, curator Peter Galassi writes that the artist’s panoramas present “a landscape that is ravishing in its barren beauty, in its inhospitable grandeur, and in the delicacy of its ever-changing hues. The photographs seem to fuse the epic swoon of romanticism with the impersonal rigor of science.” The photograph is in very good condition. The mat is in very good condition. Unframed. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

Mark Harrison’s “Home Sweet Home” (2024) is a masterful oil on canvas capturing a winter forest scene steeped in quietude and solitude. Measuring 15.75 x 39.37 inches (40 x 100 cm) a...

Oil on canvas. This "snowscape" is a study of light and shadow. CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. He...

In his oil painting, “The Flat Iron Building,” Cecil Chichester paints a snowy New York city scene, with the titular landmark center-left.

In this painting, I sought to capture the serenity and immensity of a snow-covered forest. Using oil paints, I layered textures and hues to recreate the quiet and chilly atmosphere. ...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Silverwood [2022] limited_edition Screen print Edition number 50 Image size: H:56 cm x W:25 cm Complete Size of Unframed Work: H:56 cm x W:25 cm x D:0.1cm Sold Unframed Please note ...

Visitor At No 10 Snowman By Arthur Steel Paper size: 54 x 41" / 137 x 104 cm Silver Gelatin Print 1968 (printed later) unframed hand signed edition of 20 note other print sizes...

Red Umbrella is an archival digital pigment print on canvas made with serigraph texture plates, signed ‘Kondakova’ in the right corner and numbered 129/295 in the left corner. From t...

Signed lower right: Gustave Wolff

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...

In this artwork, I've sought to capture the serene essence of a snow-covered architectural landscape. The tranquil mood and muted palette evoke a pang of nostalgia and quiet reverenc...

Familiar II (ii) by Henry Walsh [2023] original Acrylic on wooden board Image size: H:10 cm x W:10 cm Complete Size of Unframed Work: H:10 cm x W:10 cm x D:1cm Frame Size: H:19.5 cm ...

Squaw Valley Snow Snow covers the deserted cafe in Squaw Valley, California, January 1961. 40x60” / 101 x 152 cm - paper size Estate Stamped Collectio...

'California Badlands III' (California Badlands), 2016, 20x24cm, Edition 9/10, Digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 19333.16 not...

In this oil painting, I've captured a whimsical snowman, the embodiment of winter joy. The expressive strokes and vibrant palette evoke the crisp, enlivening air of a snowy forest. T...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Original collotype created from Gustav Klimt’s Schloss Kammer on Lake Attersee II (Das Werk Gustav Klimts), originally painted in 1909. Publishe...

By Fannie Lou Spelce Oil on Canvas 14" x 18" Framed Size: 18.5" x 22.5" About the artist: Fannie Lou Bennett Spelce (1908–1998) was an American folk artist from Dyer, Arkansas, who ...

Untitled - Winter in Central Park (children in snow) by John Albok is a black and white photograph of children playing in a snowy Central Park, with a large barren tree in the foregr...

The Gapstow Bridge in a snow blizzard in Central Park. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Ot...

"Whiteout" Greenland 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 50 x 75 in / Edition of 6 - $15,500 Archival Pigment Print printed on...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Constantin Alexandrovitch Westchiloff (American/Russian, 1877-1945), untitled scene of a snowy far off meadow in the moon light. Oil on canvas, signed lower right Measures: Canvas: 20.85 x 27.75 inches Framed: 29 x 35.75 inches Condition: Excellent with no inpaint. Provenance: Christies Live...

Hailing from the picturesque city of Zaragoza, nestled near the Pyrenees, Carlos Blanchard's journey into the realm of photography was influenced by the rich tapestry of his upbringi...

In this oil painting, I encapsulated the serene embrace of winter. The impressionistic strokes and tinges of realism create a vivid scene—a hushed garden where each snowflake tells a...

Artist: Vahe Yeremyan Title: Winter Valley Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 9.5" x 26.5" x 0.8" (24 x 67 x 3 cm) Presentation: Unframed, Gallery Wrap...

Archival pigment print Signed and numbered on label, verso 16 x 20 inches, sheet (Edition of 10) 30 x 40 inches, sheet (Edition of 10) 50 x 60 inches, sheet (Edition of 10) This ...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

John Little, Canadian, b. 1928 Rue des Seigneurs, Montreal Oil on canvas panel 12 x 16 in Signed lower right ; signed and titled verso framed John Little RCA is a Canadian artist, ...

In this oil painting titled "Snowy Path," a snow-covered path invites the viewer to immerse themselves in its winter serenity. The texture of the snow is depicted with remarkable rea...

Winter Snow Scene

'Waterfall 3 - Blue and White On Black' is an original Abstract Expressionist painting using Acrylic paints on black printed high quality paper and including an array of blues. Th...

A Nelson White plein air painting from a bleak January in 1988. Framed dimensions: 18.5 x 22.5 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White ...

Winter landscape 1965, paper/watercolor., 20.5x27.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many...

Autumn Snow - Central Park  (Plaza Hotel)

Signed and numbered in excellent condition minor frame wear Measures 37x33

David Burdeny December Snow, Central Park, New York City, NY, 2017 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Artist: Vahe Yeremyan Title: Winter Silence Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 29.5" x 30" x 1" inch (75 x 76 x 2cm) Presentation: Unframed, Gallery Wr...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. His...

12" x 16" Unframed Original - Acrylic on Canvas Hand Signed by Andre Philibert

The city painting, made in the author's watercolor technique, resonates with its colors. Contrasting, bright watercolor with an urban landscape, painted on cotton paper 40x60cm. The ...

This piece, titled "Snowy Field," captures the serene beauty of a snow-covered plain in the heart of winter. The scene depicts snow gradually melting under the influence of sunny ye...

This painting is characterized by a cool, turquoise sky that contrasts against snow-covered hills and trees. The artist Harald Gallén has painted the snow in flowing, almost sculptur...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Driving night rain fashions a network of translucent pointelist dots in front of a glowing Chrysler Building Crown. The work is signed dated and numbered 3/15 lower right recto, with...

Nathan Durfee's (USA) "Encroaching on the Fishing Spot" is an original, mixed media painting with acrylic and vintage postcard that depicts a snow covered landscape with a white bea...

Acrylic on wood panel. There is snow, and then there is snow....After a major storm the city awakes to snow-filled streets and buried cars. But life goes on. Some people get up, trud...

The Games we played (Till Death do us Part) - 2005 50x50cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label, art...