Adaa Art Dealers Association Of America Paintings
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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The Race
By William John Hennessy
Located in New York, NY
William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class.
Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...
Category
19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Dover
By James Twitty
Located in Dallas, TX
Signed "Twitty" at lower right
Category
1960s Abstract Geometric Adaa Art Dealers Association Of America Paintings
Materials
Acrylic, Linen
$4,000
Peek-a-Boo
By Seymour Joseph Guy
Located in New York, NY
In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world.
Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...
Category
19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
$110,000
Duck and Dolphin
By Francesca Fuchs
Located in Houston, TX
Francesca Fuchs
Duck and Dolphin, 2018
acrylic on canvas over board
30 x 41 1/2 in (76.2 x 105.4 cm)
This work is part of a series currently on view...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Acrylic, Board
The Writer
By Edmund Quincy
Located in New York, NY
Signed (lower right): Quincy
Category
20th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Angels
By Ike Edward Morgan
Located in Dallas, TX
signed "Ike Edward Morgan" at lower left
Category
Late 20th Century Outsider Art Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil, Panel
$3,000
Excavation
By Charles Houghton Howard
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux Arts in Paris, and apprenticed in Boston with H. H. Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals and reliefs at the Coit Tower and in buildings on the Berkeley campus.
Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major, and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39, no. 2 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist.
Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time.
In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category
20th Century American Modern Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Self-Portrait as Mad Queen
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
East Woods Park
By John Cobb
Located in Dallas, TX
“What he has learned from the art of the museums, Cobb has fully assimilated and modified in the development of his own personal vision. And while enriched by these historical perspe...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Acrylic, Panel
Figure in a Landscape
By David Johnson
Located in New York, NY
Signed (at lower right): DJ [monogram]; (on back): David Johnson 1865
Category
Mid-19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Board
A Ballet
By Otis Huband
Located in Dallas, TX
Otis Huband begins his work with no preconceived ideas, but rather to discover what will reveal itself. He states, "I work from the inside out rather than from the outside in. I do n...
Category
2010s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Golden Rod and other Wildflowers
By John Ross Key
Located in New York, NY
Signed (at lower right): John Ross Key 1882
Category
Late 19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Saint-Malo, Brittany
By William Stanley Haseltine
Located in New York, NY
The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved.
Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University.
After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf.
The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life.
At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome.
Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...
Category
19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Distant Voices
By John Moore
Located in New York, NY
John Moore was born in St. Louis, MO in 1941. He received a BFA from Washington University in St. Louis (1966) and an MFA from Yale University (1968). Over a career spanning forty ye...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
The Circle is Cast, We Are Between the Worlds
By Angela Fraleigh
Located in New York, NY
In Angela Fraleigh’s dynamic paintings, female subjects culled from art history become active protagonists in newly imagined spaces. In their original contexts, these figures were largely painted as docile objects for the male gaze...
Category
2010s Adaa Art Dealers Association Of America Paintings
Materials
Oil, Acrylic
"Upstream"
By Max Hammond
Located in Scottsdale, AZ
From the time he was four years old Max Hammond was destined to paint, as he began on the walls of his home, a budding muralist. As he ran along the edges of the salt marshes of the ...
Category
2010s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
$24,000
Self-Portrait as Throne
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard.
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty.
Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.”
This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them.
Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists.
During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Category
20th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Table by the Window
By Edmund Quincy
Located in New York, NY
Estate stamp (on back, on original stretcher): Estate of/ Edmund Quincy/ 1903-1997 ///
Category
20th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
September
By Randall Exon
Located in New York, NY
Oil on panel
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
$18,000
Snag
By Allison Gildersleeve
Located in Dallas, TX
Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Self-Portrait with Sanctuary
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Joyce Ann
By Otis Huband
Located in Dallas, TX
Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...
Category
2010s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Low Humm
By Darren Waterston
Located in San Francisco, CA
Darren Waterston b. 1965
Low Humm, 2024
Watercolor and gouache on rag paper
29 1/4 x 22 inches (74.3 x 55.9 cm)
Framed: 36 1/4 x 29 inches
From the 2024 exhibition at Berggruen Gall...
Category
2010s Adaa Art Dealers Association Of America Paintings
Materials
Watercolor, Gouache
Japanese Children with Tortoise
By Harry Humphrey Moore
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...
Category
Late 19th Century Adaa Art Dealers Association Of America Paintings
Materials
Oil, Wood Panel
Chestnut Racehorse with a Jockey Up On a Training Strap
By Henry H. Cross
Located in New York, NY
It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world.
Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...
Category
19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Dealing with Death
By Miles Cleveland Goodwin
Located in Dallas, TX
Working in his open-air studio, Miles Cleveland Goodwin is deeply in touch with the rural landscape. Goodwin’s ruminative portrayals, full of earthy metaphor and soulful intuition, e...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel, Wood
Isadora
By Barnaby Fitzgerald
Located in Dallas, TX
A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Linen, Oil, Acrylic
Spill (The Fall)
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Still Life with Rocks
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Clouds Came In
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil, Panel
A Mythology
By Otis Huband
Located in Dallas, TX
Born in 1933, and reared in Virginia, Otis Huband began his formal art education after 4 years in the Navy. He earned his BFA and MFA at Richmond Professional Institute of the Colleg...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
New York from Hoboken
By William Rickarby Miller
Located in New York, NY
Signed (at lower left): W.R. Miller/ 1851
Category
Mid-19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Yellow without Dots
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Les Champs à Picardie
By Trish Nickell
Located in Dallas, TX
For artist Trish Nickell, life took a dramatic turn when she and her husband moved to Paris in 1996. Their planned year in France extended to a stay of 12 years. When they returned i...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Clearing
By John Moore
Located in New York, NY
John Moore was born in St. Louis, MO in 1941. He received a BFA from Washington University in St. Louis (1966) and an MFA from Yale University (1968). Over a career spanning forty ye...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
$115,000
From Sunset to Sunrise
By Angela Fraleigh
Located in New York, NY
Signed and dated (on verso): Angela Fraleigh 2021
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Linen, Oil
Orchids and Lilies
By John Moore
Located in New York, NY
Signed and dated (at lower right): MOORE 21
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil
"Cactus Moon"
By Claudia Hartley
Located in Scottsdale, AZ
"The comment I hear most often about my paintings is 'happy'". I've loved art all of my life and it warms my heart to know that I'm able to pass that love and joy on to others. I use...
Category
2010s Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Acrylic
Marina Grande, Capri
By Charles Temple Dix
Located in New York, NY
Charles Temple Dix was born in Albany, New York, the youngest son of the distinguished statesman and soldier, General John Adams Dix. Having already visited Europe as a child, Dix re...
Category
19th Century American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Fruit and Glass Still Life
By Donald S. Vogel
Located in Dallas, TX
Donald S. Vogel's work has entered the collections of the following institutions:
Art Institute of Chicago, Chicago, Illinois
Beaumont Museum of Fine Art, Beaumont, Texas
Charle...
Category
1950s Post-War Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Two Nudes with Still Life
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category
1950s American Modern Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Still Life
By Pierre Bisiaux
Located in Dallas, TX
Signed "P. Bisiaux" at lower right
The overall dimensions, including the frame, are 29 x 34 7/8 inches
Category
Mid-20th Century Modern Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Lost Vegas
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Buddies in the house
By Lindy Chambers
Located in Dallas, TX
This painting is from Lindy Chambers' 2023 series "Animal Love."
Born in Tennessee, Lindy Chambers, an identical twin, spent her youth drawing and riding horses with her twin sister LeeLee Brazeal before moving to Texas in 1972.
Lindy has loved animals forever, and her favorite paintings and drawings are of animals. However, she has avoided painting horses until now because she knows horses so well. Lindy's new series includes all variety of animals, including horses.
Lindy Chambers says:
"When I start to paint, the color is intuitive, and the process is spontaneous. I try to listen to the canvas and react to it. I follow the river of the subconscious - it is all about exploration and revelations along the way. My attention is drawn to the relationship of forms - and to unrecognizable shapes that are thought provoking and unworldly."
Lindy Chambers has had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas; Women & Their Work, Austin, Texas; Fort Worth Community Arts Center, Fort Worth, Texas; and Pelham Art...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
"Twilight, East River"
By Brad Aldridge
Located in Scottsdale, AZ
Walking down a forgotten country lane, littered with stones and broken limbs, carpeted with the new growth of spring, I am exhilarated by warm days and the end of a long winter. I’m ...
Category
2010s Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Aspinall
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Masonite, Oil
Mountains
By Miles Cleveland Goodwin
Located in Dallas, TX
Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Berkeley House
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Melted Gas Can
By Miles Cleveland Goodwin
Located in Dallas, TX
Miles Cleveland Goodwin says, "I don’t like to do things I don’t know." Not unlike the spirit of Southern literature and Delta blues music, there is an autobiographical nature to his...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Lunar Wisdom
By Robert Cocke
Located in Dallas, TX
ARTIST STATEMENT
"Since I began painting more than 30 years ago, my work has evolved dramatically in terms of style and subject matter. Underlying all the changes has been a consi...
Category
21st Century and Contemporary Surrealist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Mississippi Burning
By Miles Cleveland Goodwin
Located in Dallas, TX
In Miles Cleveland Goodwin’s soulful compositions, he narrates the story of his life. Goodwin responds to his environment, the lives of common folk living around him, and the mysteri...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Four Miles West of Cleburne
By Jack Barnett
Located in Dallas, TX
Jack Barnett's skyscapes and landscapes reflect the quiet sensual joy of looking at—and being in—nature. Both expansive and intimate, the paintings survey areas he explores, and thei...
Category
2010s American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
RECYCLER No. 1 BOTANICA PERSONAL
Located in New York, NY
Ruiz's Displacements series poignantly alludes to the tragedy of warfare and forced displacement in Colombia. By juxtaposing serene images of a man transporting his homeland in a can...
Category
21st Century and Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Acrylic
Sam Bass Canyon, Set Ranch
By Bob Stuth-Wade
Located in Dallas, TX
The overall dimensions, including the blond wood float frame, are 21 3/8 x 17 5/16 inches.
The painting is oil on canvaspanel.
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...
Category
2010s American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil, Panel
Mount Hardcase
By Bob Stuth-Wade
Located in Dallas, TX
The overall dimensions including the frame are 32 1/2 x 23 5/8 inches.
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...
Category
2010s American Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil, Panel
Magnolia Branch and Asian Pears
By Amy Weiskopf
Located in New York, NY
Amy Weiskopf was born in Chicago in 1957, and received her M.F.A. from the Tyler School of Art, Temple University, PA. Though Weiskopf is a master of the still life genre, her painti...
Category
1990s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Linen, Oil
Study After the Kotah Master
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a c...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Why Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1990s Abstract Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
$7,500
Interior 2
By Allison Gildersleeve
Located in Dallas, TX
"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
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