Art Dealers Association of America Tables

A nicely diminutive Philadelphia card table with rectangular top which opens up. Drop pendant in the front on the apron with cabriole legs term...

This is a highly desirable Philadelphia candle stand form. This candle stand has a dish top over a bird cage, suppressed ball pedestal and cabriole legs terminating in snake feet.

Two mahogany boards joined together by polychrome painted blocks in a whimsical pop-art design. Signed by the artist "John Gwinn 1969".

Excellent Philadelphia mahogany Chippendale tea table with dish top suppressed ball pedestal acanthus carved legs and terminating in claw and bal...

Center Table, about 1818–20 Attributed to Thomas Seymour (1771–1848), working either for James Barker or for Isaac Vose & Son, with Thomas Wightman (1759...

This American Queen Anne maple candle stand has a nicely patinated original amber finish, which is particularly pleasing in color, and is in unaltered condition. It is from new Engla...

American three-piece ice cream parlor suite, consisting of a table and two chairs. The table has three steel metal legs ending in an iron ball and claw fo...

18th century Philadelphia mahogany Chippendale tea table with beautiful figured grain on top bold suppressed ball pedestal cabriole legs terminat...

Highly figured top, unusual reeded drawer, splayed legs. Delaware Valley.

Highly figured top, unusual reeded drawer, splayed legs.

Candlestand with circular top, turned pedestal, three turned legs and ball feet. Black paint is not original.

One board top with great figure and a dish top, bird cage, urn pedestal, cabriole legs terminating in snake feet.

A well conceived dressing table with nicely molded top with four notched corners. The drawer formation is one drawer over two. Scalloped aprons add elegant form associated with the Q...

RECORDED: cf. Anna Tobin D’Ambrosio, ed., Masterpieces of American Furniture from the Munson-Williams-Proctor Institute (Syracuse University Press, Utica, New York, 1999), pp. 85, 86, 87 illus. the Munson-Williams-Proctor tables // cf. The Metropolitan Museum of Art, New York, 19th Century America–Furniture and Other Decorative Arts (1970), exhib. cat., [n.p.] no.133 This table is identical to a pair of card tables bearing the stenciled label of Charles A. Baudouine of 335 Broadway, New York, which were acquired by James and Helen Munson Williams of Utica, New York, in May 1852 for their home, Fountain Elms, which is where they remain today as part of the Munson-Williams-Proctor Art Institute collection. The Williams tables were billed as “1 Rosewood Multiform Table” at $160 for the pair, and they were indeed “multiform” in that they could be used separately and folded as a pair of console tables, opened as a pair of card tables, or joined together as a center table. The present table varies essentially in the fact that it does not include the mechanism that would have allowed it to be attached to another to form a center table. Of French descent, Baudouine was born in New York in 1808. He made his debut as a cabinetmaker in the New York directory of 1829/30, where he is listed at 508 Pearl Street. By 1839/40 he relocated to Broadway, where he remained in business at various addresses until about 1854. A sense of the scale of Baudouine’s operation is given by German immigrant cabinetmaker Ernest Hagen...

Bird cage support, urn pedestal, and cabriole legs terminating in snake feet. Nice old patina.

Scalloped aprons, turned legs and ball feet.

This is a very unusual candle stand made from maple and oak. It has a stationary oak dish top, maple turned urn shaped pedestal with three maple tu...