After the Muslim conquest of the Iberian Peninsula in the eighth century, Islamic Spain became a cultural mix of influences that shaped both private homes and religious spaces. Moorish design was the name given to this style, which evolved through the 15th century with vibrant tile work, horseshoe arches and lavish ornamentation, most visible at sites such as Granada’s Alhambra and the Mosque-Cathedral of Córdoba. Moorish furniture was often similarly ornate, and featured pieces inlaid with wood, ivory and bone.

When European designers began studying Moorish art and architecture in the early 19th century, it led to a Moorish Revival. Appropriating the style’s decorative flourishes and architectural elements, it promoted a romantic view of Islamic design. Travelers could bring home a memento of what they witnessed in the Middle East, a trend that aligned with a fad for themed interiors. Men’s smoking rooms arranged with ottomans, divans and settees and inlaid tables were especially popular, as were cafés where coffee was served amid bead curtains and colorful floor mats. (Handwoven rugs are a centerpiece of Moorish interiors.) Octagonal rooms with domed ceilings were created for wealthy homes, frequently with furnishings like pipe stands, filigree plasterwork and arched doorways. The horseshoe arch is an iconic attribute of Moorish architecture that, in addition to Spain, can be found in Sicily, Morocco and elsewhere.

Several late 19th to early 20th-century movements featured Moorish touches. The American and English Aesthetic Movement, for example, borrowed liberally from global decorating styles, as seen in furniture designed by Lockwood de Forest, a New York-born artist who mixed Eastern and Western forms. The visual vocabulary of Art Nouveau also references the elegant use of geometry in Moorish design, with Milanese Art Nouveau furniture designer Carlo Bugatti drawing inspiration from the style. The Arts and Crafts movement, which prized expressive yet simple design, incorporated Moorish influences; hand-painted furniture and tile work created by William De Morgan, a British designer and potter who made furnishings for the likes of Morris & Co., were informed by techniques from Moorish Spain.

Find a collection of Moorish lighting, decorative objects, folk art and more furniture on 1stDibs.

Finding the Right armchairs for You

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.