1975 Sligh Oak

Sometimes called “knock-down” furniture, campaign furniture was designed to be folded, collapsed, taken apart and packed flat to load onto a ship or a camel’s back. Although mobile furniture for military campaigns dates back to the Romans, the British Army in its global conquests in the 18th and 19th centuries defined the style with sturdy and elegant pieces. Even in a tent thousands of miles from London, a four-poster bed, dining table and seating could simulate the comforts of home.

Antique and vintage campaign-style furniture was also initially designed as propaganda. The mahogany and teak structures were part of a purposeful demonstration of power in these campaigns, with the colonizing military officers imposing their culture and view of what they considered “civilized” on a given land and its peoples. Designers and manufacturers including Thomas Butler, Ross & Co. of Dublin, and Morgan & Sanders contributed to the rapid production of this furniture as the British Empire expanded through Africa, Asia and Australia.

Campaign furniture was utilitarian as well as refined, fitted with recessed brass handles and brass angles on stackable chests and other case pieces to protect vulnerable corners. The Wellington chest was one of the most famous pieces to come out of this style, named for the Duke of Wellington, who slept in his campaign bed long after his battles were over.

The flexibility of campaign-style furniture would influence 20th-century Scandinavian modernists such as Kaare Klint, Mogens Koch and Arne Norell. For his 1930s Safari chair, Klint drew on the simple Roorkhee chair, named for a town in northern India. The lightweight and adaptable campaign-style seat was created in the late 19th century and had no fixed joinery. The Roorkhee’s influence can also be seen in the Wassily chair, a pared-down work of tubular metal and durable canvas conceived by legendary Bauhaus instructor Marcel Breuer.

Now, 21st-century designers like Jomo Tariku and Dokter and Misses are creating pieces that recognize the contributions of African artisans to campaign furniture in order to reframe this style without overlooking its difficult past.

Find a collection of authentic antique and vintage campaign bedroom furniture, chairs, decorative objects and other pieces on 1stDibs.

Choosing the perfect writing desk or writing table is a profoundly personal journey, one that people have been embarking upon for centuries.

Queen Atossa of Persia, from her writing table circa 500 B.C., is said to have been the originator of the art of handwritten letters. Hers was reportedly the first in a long and colorful history of penned correspondence that grew in popularity alongside literacy. The demand for suitable writing desks, which would serve the composer of the letters as well as ensure the comfort of the recipient naturally followed, and the design of these necessary furnishings has evolved throughout history.

Once people began to seek freedom from the outwardly ornate styles of the walnut and rosewood writing desks and drafting tables introduced in the name of Queen Victoria and King Louis XV, radical shifts occurred, such as those that materialized during the Art Nouveau period, when designers longed to produce furniture inspired by the natural world’s beauty. A prime example is the work of the famous late-19th-century Spanish architect Antoni Gaudí — his rolltop desk featured deep side drawers and was adorned with carved motifs that paid tribute to nature. Gaudí regularly combined structural precision with decorative elements, creating beautiful pieces of furniture in wood and metal.

Soon afterward, preferences for sleek, geometric, stylized forms in furniture that saw an emphasis on natural wood grains and traditional craftsmanship took hold. Today, Art Deco desks are still favored by designers who seek to infuse interiors with an air of luxury. One of the most prominent figures of the Art Deco movement was French decorator and furniture designer Émile-Jacques Ruhlmann. With his use of neoclassical motifs as well as expensive and exotic materials such as imported dark woods and inlays of precious metals for his writing desks, Ruhlmann came to symbolize good taste and modernity.

The rise in appreciation for Scandinavian modernism continues to influence the design of contemporary writing desks. It employs the “no fuss” or “less is more” approach to creating a tasteful, sophisticated space. Sweden’s master cabinetmaker Bruno Mathsson created gallery-worthy designs that are as functional as they are beautiful. Finnish architect Alvar Aalto never viewed himself as an artist, but, like Mathsson, his furniture designs reflected a fondness for organic materials and a humanistic approach. Danish designers such as Hans Wegner introduced elegant shapes and lines to mid-century desks and writing tables, often working in oak and solid teak.

From vintage desks to contemporary styles, 1stDibs offers a broad spectrum of choices for conducting all personal and business writing and reading activities.