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Style: Abstract Expressionist
Cross Hatch (Untitled ULAE S.13), Abstract Screenprint by Jasper Johns
Located in Long Island City, NY
This work is from the edition of 3000 printed by Simca Print Artists, Inc., New York and published by Brooke Alexander Editions, New York as a catalog cover for Jasper Johns Screenpr...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Screen

Shanidar, Abstract Expressionist Screenprint by Dan Christensen
Located in Long Island City, NY
Dan Christensen, American (1942 - 2007) - Shanidar, Year: circa 1980, Medium: Screenprint, Signed and numbered in Pencil, Edition: 175, Size: 29.5 x 43 in. (74.93 x 109.22 cm)
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

After Turner-One Off, Proof No 1-British Awarded Artist-Seascape-river Thames
Located in London, GB
This is a large Artist's Proof with original oil and gesso paint highlighting; it is the No 1 of the only 3 Proofs; the colours of the painting and Shizico's expressive brushstrokes ...
Category

2010s Abstract Expressionist Abstract Prints

Materials

Archival Ink, Acrylic, Oil, Gesso, Archival Paper, Giclée

Sans titre (ULAE S13), Jasper Johns, Screenprints, Jasper Johns
Located in Southampton, NY
Silkscreen on Patapar printing parchment paper. Paper Size: 10.125 x 10.125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Jasper Johns, Screenprints...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Screen

Large Abstract Expressionist Color Monotype Oil Painting Tom Lieber Mixed Media
Located in Surfside, FL
Tom Alan Lieber, (American, born 1949), Untitled Monotype oil painting on paper 1984 Hand signed TL and dated '84 in the lower margin. Measurements: 47 X 63 inches This was probab...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Mixed Media, Oil, Monotype

Spanish Elegy (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Sculptures (M. 950), Abstract Expressionist Lithograph by Joan Miro
Located in Long Island City, NY
Joan Miro, Spanish (1893 - 1983) - Sculptures (M. 950), Year: 1974, Medium: Lithograph on BFK Rives, signed in the plate, Image Size: 16.25 x 24 inches, Size: 20.5 x 29 in. (52.0...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Micmac I, Abstract Expressionist Screenprint by Dan Christensen
Located in Long Island City, NY
Dan Christensen, American (1942 - 2007) - Micmac I, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 43/100, Image Size: 38.25 x 27 inches, ...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

Untitled, 1982 by Joan Thorne (abstract with bright colors)
Located in New York, NY
The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

Spring 69
Located in San Francisco, CA
This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...
Category

Early 20th Century Abstract Expressionist Abstract Prints

Materials

Lithograph

Hand-painted Aluminium Limited Edition#3-Summer Night-British Awarded Artist
Located in London, GB
"Day For Night-Summer Night" captures a view from the east side of Shizico Yi's long garden, looking towards the west gate where the 130-year-old lime trees canopy frames her summer ...
Category

2010s Abstract Expressionist Abstract Prints

Materials

Giclée, Archival Pigment, Digital Pigment

Lithographie Originale (Cover)
Located in Kansas City, MO
Joan Miró Lithographie Originale (Cover) Color Lithograph Year: 1981 Size: 15.6 × 12.75 inches Catalogue Raisonné: Cramer 177, Der Lithograph IV, 1969-1972, Ref.: 1255, p.178 Publisher: Maeght Editeur, Paris, France With coverfold, recto - as issued Recto, right: Typographically annotated: 'Lithographie Originale' Unsigned, Unknown Edition Size COA provided --------------------------------------- Joan Miró i Ferrà was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981 Surrealism, Fauvism, Cubism, Abstract expressionism, Naive art, Expressionism, Suprematism Pablo Picasso, André Breton, Hans Arp, André Masson, Hieronymus Bosch, Tristan Tzara, Modest Urgell
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Silkscreen from the estate of Stephen Poleskie, Berggruen 11, Clark 12 Harrison
Located in New York, NY
Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Screen

Giuseppe Capogrossi Iconic Comb Design "Superficie 324" Serigrafia
Located in Detroit, MI
"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...
Category

1950s Abstract Expressionist Abstract Prints

Materials

Screen

Lee Krasner: A Retrospective - The Museum of Modern Art (Celebration) Poster
Located in Saint Augustine, FL
Artist: (after) Lee Krasner (American, 1908-1984) Title: "Lee Krasner: A Retrospective - The Museum of Modern Art (Celebration)" *Signed and dated in the plate (printed signature) lo...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

Untitled - Expression no. 2 - Screen Print After Jackson Pollock - 1964
Located in Roma, IT
JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Screen

Frank Stella, Whitney Museum exhibited graphic work with Label, Signed/N, Framed
Located in New York, NY
Frank Stella (Whitney Museum Exhibited) Shards IVA (Axsom 151), 1982 Lithograph & Silkscreen on Arches Cover Paper (Whitney Museum exhibition label verso of frame) 45 1/2 × 39 1/...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Mixed Media, Lithograph, Screen

Musee Dynamique - Dakar by Pierre Soulages, 1974 - Original Lithograph Poster
Located in New York, NY
Medium: Original Lithographic Poster, 1974 Classic Poster Paper - Perfect Condition A+ This original composition used exactly the same plates for the poster and for the Lithograph ...
Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Lithograph

Untitled
Located in Wilton Manors, FL
Untitled, ca. 1960. Lithograph on paper, sheet measuring 18.5 x 26.5 inches Measuring 27 x 35 inches in original mid-century beveled oak frame. Signed and numbered in pencil by ...
Category

Mid-20th Century Abstract Expressionist Abstract Prints

Materials

Lithograph

James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster)
Located in New York, NY
James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

Deluxe Hand Signed & Numbered 25/30 Cat: Lembark 155 Carnegie Museum lithograph
Located in New York, NY
Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Nantucket Sailing
Located in Washington, DC
Artist: LeRoy Neiman Title: Nantucket Sailing Medium: Serigraph Year: 1980 Edition: 168/300 Frame Size: 30" x 35" Sheet Size: 25 5/8" x 30 7/8" Image Size: 20" x 24" Signed: Hand sig...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

WORKING ON IT INCESSANTLY
Located in Santa Monica, CA
CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Screen

Abstract Lithograph by Rolando De Juan
Located in Long Island City, NY
Abstract Blue Square Rolando de Juan, Argentine (1931–1989) Date: 1971 Lithograph, signed and numbered in pencil Edition of 120 Size: 30 in. x 23 in. (76.2 cm x 58.42 cm)
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Abstract Expressionist Lithograph for the Carnegie Museum of Art, Lt Ed. of 1000
Located in New York, NY
Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Montezuma, Abstract Expressionist Etching by Robert Savoie
Located in Long Island City, NY
Robert Savoie, Canadian (1939 - ) - Montezuma, Year: 1975, Medium: Etching on BFK Rives, signed, numbered, titled and dated in pencil, Edition: 43/60, Image Size: 17.5 x 17.75 inch...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Etching

Fields I /// Joan Mitchell Large Diptych Etching Aquatint Female Abstract Artist
Located in Saint Augustine, FL
Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint, Intaglio, Handmade Paper

Variation II on Mauve Corner (Harrison, 17), Color Lithograph, Signed/N, Framed
Located in New York, NY
Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Untitled, Abstract Expressionist Silkscreen by Raymond Parker
Located in Long Island City, NY
Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 4 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 20 Size: 22 x 30 in. (55.88 x 76.2 cm)
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

Christopher Wool 'Untitled' Abstract Expressionist Signed and Numbered Print
Located in San Rafael, CA
Christopher Wool (b. 1955) Untitled, 2006 Screenprint in colors on Rives BFK paper 30 x 22 inches (unframed) P.P. 2/4 (A printer's proof aside from an edition of 40) Signed, numbered...
Category

Early 2000s Abstract Expressionist Abstract Prints

Materials

Screen

Joan Mitchell, Sans titre, In Memory of My Feelings (after)
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Untitled (One Cent Life) /// Joan Mitchell Female Artist Abstract Expressionism
Located in Saint Augustine, FL
Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled" (Page 92-93) Portfolio: One Cent Life *Unsigned edition Year: 1964 Medium: Original Lithograph on wove paper Limited edi...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Blue Composition by Andre Lanskoy
Located in New York, NY
This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Nocturne III (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Sam Francis, Karel Appel & Walasse Ting, lithographs, hand signed, 85/100 Framed
Located in New York, NY
Sam Francis, Karel Appel and Walasse TIng Signed Sam Francis lihograph, with signed prints by Karel Appel and Walasse Ting verso, from the Estate of Robert Indiana, 1964 Two-sided co...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Rose Art Museum (Open Wall) Poster /// Helen Frankenthaler Female Abstract Art
Located in Saint Augustine, FL
Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Li...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

Untitled 20, Large Abstract Screenprint by Raymond Parker
Located in Long Island City, NY
Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Size: 23 x 30 inches
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

Hyde Park I, Abstract Expressionist Screenprint by Dan Christensen
Located in Long Island City, NY
Dan Christensen, American (1942 - 2007) - Hyde Park I, Year: circa 1981, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 175/175, Image Size: 28 x 38 inches,...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Screen

Black Sun (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Miro melodie acide. original lithograph painting
Located in CORAL GABLES - MIAMI, FL
La melodie acide. original lithograph painting. signed on the stone and numbered 384/ 1500
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Helen Frankenthaler, Air Frame (Harrison 6) her first silkscreen Signed AP 1965
Located in New York, NY
Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Screen

Emil Schumacher Limited Edition Serigraph Terraraph Print Abstract Art Informel
Located in Surfside, FL
Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...
Category

20th Century Abstract Expressionist Abstract Prints

Materials

Screen

Untitled Abstract Picture (one plate) - artist authorized print on GardaMatt Art
Located in New York, NY
Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Limited Edition edition of 3433 12 1/2 × 16 3.5 inches Unframed Accompanied by gallery issued Certificate of Guarantee Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category

Early 2000s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

Hand-Gilded-Constant Gardener-Artist Proof-Rare X-Large-British Awarded Artist
Located in London, GB
This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qua...
Category

2010s Abstract Expressionist Abstract Prints

Materials

Gold Leaf

Antoni Tàpies 'Grand Central' Limited Edition, Signed Lithograph
Located in San Rafael, CA
Antoni Tàpies (1923-2012) "Grand Central," circa 1982 Etching and aquatint in colors on wove paper Edition: 91/99 Signed and numbered in pencil in the lower margin: Tapies Plate: 19....
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

abstract composition
By Marie Raymond
Located in Belgrade, MT
This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...
Category

Mid-20th Century Abstract Expressionist Abstract Prints

Materials

Color, Lithograph

Miro Little La melodie acide. original lithograph painting.
Located in CORAL GABLES - MIAMI, FL
La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

1979 POP ART Original HAND PENCIL SIGNED 1/10 Lithograph “Why You Can't Tell #1”
Located in New York, NY
Robert Rauschenberg (1925-2008) Why you can't tell # 1, from Suite of Nine Prints offset lithograph in colours with collage, 1979, on wove paper, from the set of nine, signed and dat...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Solar Imp
Located in New York, NY
Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...
Category

Early 2000s Abstract Expressionist Abstract Prints

Materials

Screen, Color

Monoprint with screenprint collage acrylic, stitching & embossing Signed, Framed
Located in New York, NY
Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 1994, signed, dated, titled, and numbered 10/40 (each unique) in black and silver i...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Thread, Mixed Media, Acrylic, Rag Paper, Screen

Joan Mitchell, Untitled, from The Poems, 1960
Located in Southampton, NY
This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Screen

Untitled
Located in Toronto, Ontario
Willem de Kooning (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. With a career spanning nearly ...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Paper, Screen

Frank Stella Hand Signed 93/100 Whitney Museum Lithograph Abstract Expressionist
Located in New York, NY
Frank Stella Large Limited Edition Hand Signed Whitney Museum Print, 1985 Offset Lithograph Hand signed, dated and numbered 93 from the edition of 100, lower left front 75 7/10 × 52 ...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset

Otono Floral (Sexual Spring-like Winter)
Located in New York, NY
Otono Floral, 1995 Hand-painted, 15-color screenprint with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 signed in pencil and stamped on verso "Sexual Spring-like Win...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Screen

Untitled (SF-348) (Fresh Air School) /// Abstract Expressionist Sam Francis Art
Located in Saint Augustine, FL
Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Original Lithograph on white ...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Invisible Flying Object 1977 Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Pierre Alechinsky Invisible Flying object - 1977 Print - Lithograph on Arches Archival Paper   25.75'' x 19.5'' Edition: Signed in pencil and marked 10/100 After completing his studies at the École Nationale des Arts Décoratifs in 1947, Pierre Alechinsky immediately became one of the founders and most active members of the CoBrA group . He began working with other members 'four-handed', especially with Appel and Dotremont, producing oil paintings filled with a multitude of small figures; his taste for ironical titles and curved lines was already becoming evident. After Cobra disbanded, Alechinsky moved to Paris where he studied printmaking and moved in Surrealist circles. His work contains residual figurative motifs, such as goblins, reptiles of every description, volcanoes, and rushing streams. The beasts and geographical elements arouse disquiet as well as smiles of complicity. The recipient of the Andrew Mellon...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Lithograph

Oiseau Entre deux Astres
Located in New York, NY
A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Color, Etching, Aquatint

Sérigraphie No. 18
Located in New York, NY
A superb impression of this color screenprint on white wove paper. Signed and numbered XC/CCC in pencil by Soulages. Published by the Olympic Games Committee, Lausanne. From the "Off...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Color, Screen

Liberation, Abstract Expressionist Color Etching by Mark Tobey
Located in Long Island City, NY
Mark Tobey, American (1890 - 1976) - Liberation, Year: 1973, Medium: Color Etching on Richard de Bas, Image Size: 10.75 x 9.25 inches, Size: 26.25 x 20 in. (66.68 x 50.8 cm)
Category

1970s Abstract Expressionist Abstract Prints

Materials

Etching

VILLA NEUVE Signed Lithograph, Modernist Abstract, City Landscape, Collage, Flag
Located in Union City, NJ
VILLA NEUVE is an original limited edition lithograph printed using hand lithography techniques on archival printmaking paper 100% acid free. VILLA NEUVE is an imaginative modernist ...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Abstract Expressionist abstract prints for sale on 1stDibs.

Find a wide variety of authentic Abstract Expressionist abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, red, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Robert Motherwell, Sam Francis, Joan Miró, and Helen Frankenthaler. Frequently made by artists working with Lithograph, and Screen Print and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract Expressionist abstract prints, so small editions measuring 0.02 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $60 and tops out at $96,000, while the average work sells for $1,451.

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