Abstract Prints

Vladimir Veličković Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradise I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et L...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu IX (Blue Nude IX), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Rev...

Untitled after Paul Klee, 1879 – 1940 Original work : Klee, Paul; Swiss artist; 1879–1940. Untitled. Drawing, 1914. Watercolour on paper mounted on cardboard, 15.6 × 15.6 cm. Inv. ...

Color etching on wove paper Pencil signed and numbered 19/39 on the verso This work has been elegantly framed in a museum quality handmade wood frame by the prestigious fine art fram...

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

Monument im Fruchtland (Monument in the Fertile Country) 1929. after Paul Klee, 1879 – 1940 Original work : Pastel, 47.5 × 34.8cm. Bern, Zentrum Paul Klee. (Photograph via Archiv...

Engraving by Louise Bourgeois, 2002, hand signed, numbered and inscribed to her longtime printer Judith Solodkin of Solo Impressions, accompanied by an actual horseshoe gifted by the...

This exquisite lithograph by Kees van Dongen (1877–1968), titled Montmartre (Montmartre), from Regards Sur Paris (Views of Paris), originates from the January 22, 1963 issue publishe...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu XII (Blue Nude XII), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: R...

This unique monotype cyanotype explores rhythm and transparency through layered organic forms set against deep ultramarine fields. Soft, overlapping shapes create a fluid geometric s...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Regards Sur Paris (Views of Paris), originates from the January 22, 19...

This exquisite lithograph by Marc Chagall (1887–1985), titled Bateau-Mouche au Bouquet (Excursion Boat with Bouquet), from Regards Sur Paris (Views of Paris), originates from the Jan...

Herve Telemaque Untitled Composition (Poligrafa, Redfern, French Modern Art) from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edi...

This exquisite engraving by Pablo Picasso (1881–1973), titled Pour Roby, Etat noir (For Roby, black state), from L’Age de Soleil (The Age of the Sun), originates from the 1950 editio...

Valerio Adami Untitled Composition II from "DLM No. 220" Original Color Lithograph on Vellum Year: 1976 Edition: 2,000 Size: 14.9 x 22 inches (37.8 × 55.9 cm) Unsigned and not indiv...

Joan Miro (1893–1983) Maravillas con Variaciones Acrosticas en el Jardin de Miro, 1975 Medium: Lithograph in Colors on Arches Paper Edition: 24/75 Artwork Size: 23.25 x 29.5 in ...

Roy Lichtenstein Next Wave Festival Poster (Hand signed, warmly inscribed and dated), 1983 Offset lithograph (hand signed, uniquely inscribed, and dated by Roy Lichtenstein) Signed, ...

In Nine Lives, a unique monotype cyanotype, layered organic forms unfold across a diptych in a measured sequence of repetition and variation. Soft transitions of blue and white gener...

Laura Moriarty's Ex Uno Plures 7 is a contemporary encaustic monotype on Japanese kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition sugges...

This exquisite engraving by Pablo Picasso (1881–1973), titled Pour Roby (For Roby), from L’Age de Soleil (The Age of the Sun), originates from the 1950 edition published by Aux Depens de L’Auteur, Paris, under the direction of Robert-J. Godet, Paris; printed by Atelier Lacouriere-Frelaut, Paris, under the direction of Georges Leblanc, Paris, July 21, 1950. This compelling composition reflects Picasso’s mastery of intaglio technique, where incisive line and expressive distortion converge to translate poetic and symbolic subject matter into a powerful and evocative graphic language. Executed as an engraving on velin du Marais paper, this work measures 11.125 x 9.125 inches (28.26 x 23.18 cm). Signed in reverse in the plate and unnumbered as issued. The impression exemplifies the technical excellence and material sensitivity characteristic of Atelier Lacouriere-Frelaut’s celebrated editions. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Pour Roby (For Roby), from L’Age de Soleil (The Age of the Sun) Medium: Engraving on velin du Marais paper Dimensions: 11.125 x 9.125 inches (28.26 x 23.18 cm) Inscription: Signed in reverse in the plate and unnumbered as issued Date: 1950 Publisher: Aux Depens de L’Auteur, Paris Printer: Atelier Lacouriere-Frelaut, Paris Catalogue raisonne references: Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 680; Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 57. Condition: Well preserved, consistent with age and medium Provenance: From the folio L’Age de Soleil (The Age of the Sun), 1950 Notes: Excerpted from the folio (translated from French), This edition, constituting the original edition of the the work, has been limited to MCXIV examples, as follows: IV nominative examples on Arches, hand reserved for collaborators of the work; X examples on hand-made Arches with five states in black and color of the engraving, marked from A to J; C examples on velin du Marais with the black state of the engraving and numbered from I to C; M examples on velin including the rendering of the engraving and numbered from I to M. Printing was finished on July 21, 1950, under the direction of the author, on the presses of E. Durand, master printer in Paris for typography, and G. Leblanc, master engraver in Paris for engraving. About the Publication: L’Age de Soleil (The Age of the Sun), published in Paris in 1950 by Aux Depens de L’Auteur under the direction of Robert-J. Godet, is a distinguished illustrated edition that reflects Pablo Picasso’s continued engagement with poetic text, symbolic imagery, and the livre d’artiste tradition in the postwar period. Conceived as a highly refined collaboration between artist, author, printer, and engraver, the publication integrates original engravings by Picasso with a carefully structured typographic program executed by master printers in Paris. The edition was produced in multiple tiers on fine papers including Arches, velin du Marais, and velin, with select examples featuring additional states and variations of the engravings, demonstrating the technical and aesthetic ambitions of the project. Printed under the direction of Georges Leblanc for the engraving and E. Durand for typography, the publication exemplifies the highest standards of mid twentieth century French printmaking. Through its synthesis of text and image, L’Age de Soleil stands as an important example of Picasso’s contributions to illustrated editions, embodying his ability to translate poetic and symbolic themes into a compelling visual language while maintaining exceptional technical precision. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Pour Roby...

Maravillas con variaciones acrósticas en el jardín de Miró IV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In very good con...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

This rare X-large Limited Edition is 80% hand painted and highlighted with original paint and brushstrokes painted by artist Shizico Yi. Only 10 Limited Edition has been made, last ...

Marc Chagall Original 1960 Stone Lithograph CREATION Bible Series. In good condition measures 19x16

Offset lithograph postcard Boldly signed by Keith Haring on the front• The piece is part of Haring's "Andy Mouse" series, which features a character that is a whimsical blend of Mickey Mouse and his friend and mentor, Andy Warhol. By combining these icons with the New Coke...

This gorgeous, large vintage lithographic print, is a rare hand signed and numbered print from the limited edition of 150, the present work numbered 61/150. (There was, separately, a...

This unique cyanotype monotype diptych explores repetition and subtle variation through layered blue fields and softly undulating white forms. Evoking both modernist abstraction and ...

Werner Bronkhorst Let's Clay, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-ce...

This exquisite lithograph by Christo and Jeanne-Claude (1935–2020; 1935–2009), titled Facade de magasin orange, projet (Orange Storefront, Project), from the album Ediciones Poligraf...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Corrida (Bullfight), from the folio Le Carmen des Carmen (The Carmen of Carmen), originates from the 1964 edition pu...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches, ...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Danse (The Dance), from the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), originates from the 1956 edition published by Editions du Livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and Fernand Mourlot, Editeur, Paris; printed by Mourlot Freres, Paris, October 6, 1956. La Danse embodies Picasso’s vigorous exploration of movement and mythic vitality, rendered through expressive contour and rhythmic composition that reflect his sustained reinvention of classical themes in the 1950s. Executed as a lithograph on grand velin Renage filigrane paper with la marque de l'editeur, this work measures 12.625 x 9.75 inches (32.07 x 24.77 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres and the continued scholarly collaboration between Andre Sauret and Fernand Mourlot in documenting Picasso’s graphic oeuvre. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La Danse (The Dance), from Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956) Medium: Lithograph on grand velin Renage filigrane paper with la marque de l'editeur Dimensions: 12.625 x 9.75 inches (32.07 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions du Livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and Fernand Mourlot, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Picasso, Pablo, et al. Picasso Lithographe. Andre Seuret, 1949-1964, illustration 281 Condition: Well preserved, consistent with age and medium Provenance: From the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), published 1956 Notes: Excerpted from the album (translated from French), This publication, directed by Fernand Mourlot and Andre Sauret, was printed in MMD examples, on grand velin Renage filigrane paper a la marque de l'editeur, was completed on October 6, 1956 on the presses of Mourlot Brothers and Louis Duval, master printers in Paris. The typography is from L'Imprimerie Union. About the Publication: Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), published in 1956 by Editions du Livre, Monte-Carlo, under the direction of Andre Sauret in collaboration with Fernand Mourlot, represents the culminating volume in the foundational survey of Picasso’s lithographic production. Covering a period of extraordinary experimentation, the publication documents Picasso’s sustained engagement with lithography as an autonomous and innovative medium. Printed on grand velin Renage filigrane paper bearing the publisher’s watermark, the edition exemplifies the highest standards of mid twentieth century French art publishing, uniting rigorous documentation with masterful printing. The partnership between Picasso and the Mourlot atelier played a transformative role in advancing modern lithography, and this volume stands as an essential scholarly reference for collectors, museums, and historians. As part of the broader Picasso Lithographe project, the publication solidified the importance of printmaking within Picasso’s oeuvre and reinforced the album format as a vehicle for serious modern art scholarship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version "O") achieved a record-breaking sale of $179,365,000 at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso La Danse...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Etching and aquatint, 1970 Edition : 78/125 Publisher : Galerie de Varenne (Paris) 65.50 cm. x 50.00 cm. 25.79 in. x 19.69 in. (paper) 49.00 cm. x 39.00 cm. 19.29 in. x 15.35 in. (...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeg...

Teriade, E. (director) Texts by Georges Braque, Paul Valéry, André Gide, André Malraux, James Joyce, Ernest Hemingway, et. al. Verve, Volume One No. 2; Verve for For Spring 1938 (Mar...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

Wifredo Lam Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25.4 × ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Alexander Calder sculpted holiday card 1968: Rare foldout holiday card designed and illustrated by Calder in 1968. This beautifully illustrated piece depicts one of the artist's sta...

This exquisite collotype after Georges Braque (1882–1963), titled Sans titre (Untitled), from the album Birds, Saint-John Perse, originates from the 1966 edition published by the Bol...

Joerg Reme Untitled VI from "von den Stunden" Folio Color Lithograph on handmade paper with deckled edges 1972 Size: 11.75 x 8.325 inches (29.8 × 21.1 cm) Edition: 31 of 250 Signed i...

Niki de Saint Phalle I Rather Like You A Lot You Fool, 1970 Silkscreen on wove paper Signed and numbered 74//75 in graphite pencil on the front Frame included: This work is elegantly...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Tete (Head), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Jeanne Bu...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XVIII Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations...

Gottfried Honegger Concrete Geometric Abstract Composition with Blue 3D-construction, Screenprint on Hahnemuhle Velvet 2015 Size: 20.9 × 21.1 on 24.2 × 23.8 inches Edition: E.A. of 5...

This is an One of One artits's Proof, hand painted by the artist Shizico with her hand mixed original paint. Rare Proof only one, highly collectable within an attractive offer. Abo...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Claude, from the album Picasso Lithographe II, 1947-1949 (Picasso Lithographer II, 1947-1949), originates from the 1950...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

This exquisite collotype after Georges Braque (1882–1963), titled Sans titre (Untitled), from the album Birds, Saint-John Perse, originates from the 1966 edition published by the Bol...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Sin titulo (Untitled), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, originates from the 1979 ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Nocturne at Vence (Nocturne at Vence), from Chagall Lithographe II (Chagall Lithographer II), originates from the Septem...

ABLO PICASSO (1881-1973) Femme assise au chignon, 1962 Linocut printed in four colors on vélin d’Arches paper 24 3⁄4 x 17 1⁄2 inches ; 62.8 x 44.4 cm Numbered ‘11/50’ and signed ‘Pic...

Mark Rothko at Museo d'Arte Moderna Ca' Pesaro, Venezia, 1970 Offset lithograph and lithograph on high quality lithographic paper Numbered in pencil 250/500 in the lower left front ...