Amy Lorimer

Amy Touchette is a photographer based in New York City. Her photographs explore themes of social connectedness by assembling documentary portrait typologies. Trained at the International Center of Photography in New York City, Touchette began her artistic career as a writer and painter, earning a BA in literature and studio art and an MA in literature. She also works as a freelance photography writer for publications such as PDNedu, Rangefinder and Emerging Photographer magazines, and writes an ongoing series about street photography for the tutorial website Envato Tuts+. Touchette’s first monograph, Shoot the Arrow: A Portrait of The World Famous *BOB*, was published and funded by Un-Gyve Press (Boston, 2013). Other publications include The New York Times (August 2016 and July 2012), The New York Observer (June 2015), Esquire magazine, Russia (May 2011) and Loudmouth Press’s fine art book, Why Are You Surprised I’m Still Here? (November 2010). Touchette's photographs have exhibited nationally and internationally, including Moscow MoMA (Russia), Leica Gallery Warszawa (Poland), Hamburg Triennial of Photography (Germany) and at the US Embassies in Vienna, Austria and Ashgabat, Turkmenistan, respectively. Touchette has given artist lectures at B&H Superstore, The School of Visual Arts and The School of the International Center of Photography, among others.

There’s a lot to love about black and white photography.

The unique and timeless quality of a black and white photograph accentuates any room. Some might argue that we’re naturally drawn to color photography because it’s the world we know best. This is a shared belief, particularly in the era of camera-phone photography, editing apps and the frenetic immediacy of sharing photos on social media. But when we look at black and white photography, we experience deep, rich shadows and tonal properties in a way that transfixes us. Composition and textures are crisp and engaging. We’re immediately drawn to the subjects of vintage street photography and continue to feel the emotional impact of decades-old photojournalism. The silhouettes of mountains in black and white landscape photography are particularly pronounced, while portrait photography and the skylines of urban cityscapes come to life in monochrome prints.

When decorating with fine photography, keep in mind that some color photographs may not be suitable for every space. However, you can be more daring with black and white photos. The gray tones are classic, sophisticated and generally introduce elegance to any corner of your home, which renders black and white prints amazingly versatile.

Black and white photography adapts to its surroundings like a chameleon might. A single large-scale black and white photograph above the sofa in your living room is going to work with any furniture style, and as some homeowners and designers today are working to introduce more muted tones and neutral palettes to dining rooms and bedrooms, the integration of black and white photography — a hallmark of minimalist decor — is a particularly natural choice for such a setting.

Another advantage to bringing black and white photography into your home is that you can style walls and add depth and character without worrying about disrupting an existing color scheme. Black and white photographs actually harmonize well with accent colors such as yellow, red and green. Your provocative Memphis Group lighting and bold Pierre Paulin seating will pair nicely with the black and white fine nude photography you’ve curated over the years.

Black and white photography also complements a variety of other art. Black and white photos pair well with drawings and etchings in monochromatic hues. They can also form part of specific color schemes. For example, you can place black and white prints in colored picture frames for a pop of color. And while there are no hard and fast rules, it’s best to keep black and white prints separate from color photographs. Color prints stand out in a room more than black and white prints do. Pairing them may detract attention from your black and white photography. Instead, dedicate separate walls or spaces to each.

Once you’ve selected the photography that best fits your space, you’ll need to decide how to hang the images. If you want to hang multiple photos, it’s essential to know how to arrange wall art. A proper arrangement can significantly enhance a living space.

On 1stDibs, explore a vast collection of compelling black and white photography by artists such as Mark Shaw, Jack Mitchell (a photographer you should know), Berenice Abbott and David Yarrow.