Delphine Dresser

Potter-turned-home-design guru Jonathan Adler is a man with a peripatetic mind, inspired in equal parts, it seems, by classic modern design, Surrealism and pop culture.

Although his namesake company has expanded into a mini empire touching just about every aspect of modern living — chairs and ice buckets, wallpaper and menorahs, chandeliers and rugs — made in myriad materials, Adler still creates almost every object in clay first. His guiding principle is a simple one: “I make the stuff I want to surround myself with, and I surround myself with it.”

Adler grew up in a New Jersey farm town. His grandfather became a local judge, and his father returned home after graduating from the University of Chicago. “My pop was a brilliantly talented artist. At one point, he had to decide whether to become an artist or a —,” he pauses, searching for the right word, “person.” His father became a lawyer but spent all his free time in his studio, “making art, unencumbered by the need to make money from it. It was a totally pure pursuit.” Adler’s mother, who had worked at Vogue and moved to the rural town reluctantly, was also creative, and both parents encouraged their three children’s creativity.

When he was 12, Adler went to sleepaway camp, where he threw his first pot. “And it was on,” he says. His parents bought him a pottery wheel, and he spent the remainder of his adolescence elbow-deep in clay. Even while majoring in semiotics and art history at Brown University, he hung out at the nearby Rhode Island School of Design, making pots.

Adler moved to New York City, worked briefly in entertainment, and in 1993 returned to his true love, throwing pots (in exchange for teaching classes) at a Manhattan studio called Mud Sweat & Tears. One day, at Balducci’s food market, he ran into Bill Sofield, an old friend who had recently cofounded, with Thomas O’Brien, the now-legendary Aero Studios, a design firm and shop. Sofield paid a studio visit and promptly gave him an order. Then, another friend introduced Adler to a buyer at Barneys New York, who also wrote an order.

For about three years after Adler began devoting himself to ceramics full-time. Despite the street cred of both Aero and Barneys, he also wasn’t really making enough money to live on. Then, in 1997, he teamed with Aid to Artisans, a nonprofit aimed at creating economic opportunity for skilled artisans in developing countries, and traveled to Peru to hire potters who could follow his designs, thus increasing production.

Adler’s first store opened in 1998, in the Soho shopping mecca in Manhattan. He now operates about two dozen shops, as far-flung as London and Bangkok. During Adler’s trip to Peru, he connected not only with potters but also with several talented weavers and decided to branch out into textiles. Other categories followed, leading him to travel the world in search of artisans who could execute his endless supply of ideas. In India, Adler found a man who’s expert at beadwork; he has his limed furniture made in Indonesia, his honey-colored wood pieces in Vietnam.

After a friend asked him to decorate her house, Adler expanded to interior design, taking on hotels as well as private residences — projects for which he remains “agnostic,” using pieces by other designers. “I really try to get to know my clients and then make them seem more glamorous and more eccentric than they think,” he says. “I see myself as a slimming mirror for them.”

Find Jonathan Adler seating, case pieces, decorative objects and other furniture on 1stDibs.

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Is it a commode or a chest of drawers?

Commode is the French term for a low chest of drawers, but it is also sometimes used to denote a piece with a particularly intricate design. The commode dates to circa 1700 France, where it was used as an alternative to a taller cabinet piece so as to not obscure paneled, mirrored or tapestried walls. Coffers, or chests, which were large wooden boxes with hinged lids and sometimes stood on ball feet, preceded chests of drawers, a fashionable cabinet furnishing that garnered acclaim for its obvious storage potential and versatility.

As time passed, French and British furniture makers led the way in the production of chests of drawers, and features like the integration of bronze and ornamental pulls became commonplace. Antique French commodes in the Louis XV style were sometimes crafted in mahogany or walnut, while an Italian marble top added a sophisticated decorative flourish. This specific type of case piece grew in popularity in the years that followed.

So, what makes a chest of drawers different from a common dresser? Dressers are short, and chests of drawers are overall taller pieces of furniture that typically do not have room on the top for a mirror as most dressers do. Tallboys and highboys are variations of the dresser form. Some chests of drawers have one column of four to six long drawers or three long drawers in their bottom section that are topped by a cluster of small side-by-side drawers on the top. To further complicate things, we sometimes refer to particularly short chests of drawers as nightstands. 

Even though chests of drawers are commonly thought of as bedroom furniture to store clothing, these are adaptable pieces. A chest of drawers can house important documents — think of your walnut Art Deco commode as an upgrade to your filing cabinet. Nestle your chest near your home’s front door to store coats and other outerwear, while the top can be a place to drop your handbag. Add some flair to your kitchen, where this lovable case piece can hold pots, pans and even cookbooks.

When shopping for the right chest of drawers for your home, there are a few key things to consider: What will you be storing in it? How big a chest will you need?

Speaking of size, don’t dream too big. If your space is on the smaller side, a more streamlined vintage mid-century modern chest of drawers, perhaps one designed by Paul McCobb or T.H. Robsjohn-Gibbings, may best suit your needs.

At 1stDibs, we make it easy to add style and storage to your home. Browse our collection of antique and vintage commodes and chests of drawers today.