English School Art

A fine & important oil on canvas maritime ship's painting by Thomas Buttersworth (1768-1842), "A French Frigate Driven Ashore in the Gale after Trafalgar, 22nd October, 1805". This c...

Cottage in a Lush Garden with Hens in the English Countryside by 20th Century British Artist, Terry Heath (1943-2011) Art measures 20 x 16 inches Frame measures 26 x 22 inches S...

This charming mid-19th-century oil painting depicts a river landscape with a thatched cottage, boatmen, and windmill. It’s reminiscent of works by English artist Edward Williams (178...

Huntsman on Horseback English Sporting Artist, early 20th century oil painting on canvas, framed framed: 22 x 26 inches canvas: 17 x 21 inches condition: slightly scruffy surface but...

Portrait of Catherine Parr (1512-1548) English School, 20th century after the earlier painting oil painting on canvas, framed framed: 37.5 x 31.5 inches canvas: 30 x 24 inches condit...

The Barrister (the sitter is James Guy Baker, the artists brother). by Gladys Marguerite Baker (British, 1889-1959) signed oil painting on canvas, framed framed: 146cm x 101cm canva...

This idyllic scene with the reflections in the water is of Rye Windmill in East Sussex, an area which was frequented by Duncan Grant and his Bloomsbury friends and associates. Circl...

Title: Historic Miniature Watercolor of Historic Toll Bridge at Bathampton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This evocative watercolor by Jack Grunwell captures the Bathampton Toll Bridge, a charming historic landmark nestled along the Kennet and Avon Canal near Bath, England. Bathampton, a picturesque village, is known for its scenic waterways, Georgian heritage, and tranquil rural charm. Grunwell’s use of warm golden hues for the tollhouse and the reflective shimmer of the water creates a sense of nostalgia and serenity. The architecture, with its distinctive red roof and Georgian-style windows, showcases the character of 18th and 19th-century buildings that once served as essential river crossings for travelers and traders. Bathampton is steeped in history, with connections to Jane Austen, the Kennet and Avon Canal, and the grandeur of Bath’s Georgian architecture. This scene perfectly encapsulates the timeless beauty of the English countryside, making it an ideal piece for collectors who appreciate historic British landscapes, waterways, and heritage architecture. Key Features: Historical Significance: Depicts Bathampton’s Toll Bridge and historic tollhouse, an important local landmark. Rich Color Palette: Warm ochres, deep greens, and soft blues create a beautifully balanced composition. Architectural Charm: The traditional riverside building with Georgian influences adds to its period authenticity. Tranquil Setting: A peaceful riverside view, ideal for lovers of English countryside art...

Circle of A J Munnings c1910 “Hunt Servant” Oil Painting A stylish depiction of a hunt servant astride his hunter painted with confidence and spontaneity....

The English Rural Landscape by Charles Collins (British, circa 1870's) signed & dated oil on canvas, framed framed: 17 x 24 inches canvas: 12 x 18 inches Provenance: private collecti...

Ginger & White Cats English School, 20th century signed with artists monogram oil on board, framed framed: 17 x 26 inches board: 12.5 x 21.5 inches Provenance: private collection, ...

Set of 12 Botanical Watercolors, framed in oak wood frames English School, circa 1830's-1840's period 12 x watercolors on artist paper mounted ont...

The Bank Manager by Stuart Scott Somerville (1908-1983) signed oil on canvas, framed Framed: 56 x 47 inches Canvas: 50 x 40 inches Provenance: private collection, UK Condition: very ...

The Farmers Dog English School, early 20th century signed oil on board, framed framed: 23 x 29 inches board : 18 x 24 inches Provenance: private collection, UK Condition: very good c...

A fine & important oil on canvas maritime ship's painting by Thomas Buttersworth (1768-1842), "A French Frigate Driven Ashore in the Gale after Trafalgar, 22nd October, 1805". This c...

This exceedingly charming mid-18th-century English oil painting depicts a girl wearing a red gown with a train over a white petticoat. She’s holding a posy or nosegay. Evidently once commissioned for an English country house, the identity of this young lady remains a mystery. Her gown appears to be inspired by the popular ‘robe à la française...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

This charming mid-19th-century watercolour by British artist Thomas Sidney Cooper RA (1803-1902) depicts two sheep and a cow in a landscape. Cooper was a distinguished British painte...

Military Portrait of a British Officer English School, mid 19th century oil on canvas, framed Framed: 33 x 28 inches Canvas : 24 x 20 inc...

Portrait of a Collie Dog English School, 20th century signed oil on board, framed framed: 19 x 15 inches board: 16 x 12 inches Provenance: private collection, England Condition: very...

A finely detailed silhouette of a Victorian lady Attributed to Peter Skeolan (1815-1871) Portrait of a lady, profile to the right Watercolour with gold highlighting on paper/card 3¼...

Sailing Ships at Sea English School, late 20th century oil on board, unframed board : 12 x 16 inches provenance: private collection, UK condition: very good and sound condition

Title: Historic Miniature Watercolor of John Wesley’s School in Kingswood by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3 in...

Title: Historic Miniature Watercolor Triptych of Coastal Vessels by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (h...

The Jack Russell Terrier Dog English School, late 19th century circle of Frank Paton (British 1856-1909) oil on canvas, unframed Canvas: 18 x 22 inches Provenance: Private collection...

A finely detailed silhouette of a Victorian gentleman. Attributed Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the left, wearing coat and cravat wate...

The Cardinal English artist, 19th century watercolor on board framed framed: 11 x 9.5 inches board: 8 x 7 inches provenance: private collection, Norfolk, England condition: very good...

"Dangerous" Portrait of the 1833 Derby racehorse winner by John Frederick Herring Snr (1795-1865) British signed lower left, titled lower right oil painting on canvas: 10 x 14 inches...

Portrait of an English Gentleman English School, circa 1830's period oil on canvas, unframed Canvas: 30 x 24.5 inches Provenance: Private collection, UK Condition: relined canvas, ov...

Sweet Dreams - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 Gold leaf gilded wooden frame cm. 134x94 The painting by Eugenio De Blasi is inspired by the painting "Sweet Dreams" by John William Godward, a neoclassical Victorian painter...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

The Young Officer English School, 19th century oil painting on board, framed in very fine quality antique gilt frame framed: 17 x 14.5 inches board: 12 x 9 inches condition: very goo...

An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...

A Day on The Green St. Andrews Golf Course, Scotland by R. Todd, Scottish late 20th century signed oil on board, framed framed: 20 x 24 inches board: 17 x 21 inches inscribed verso p...

King Henry VIII English artist, circa 1840's oil on paper laid on board, framed framed: 10.5 x 10inches board: 8 x 7.5 inches inscribed verso provenance: private collection, UK cond...

A finely detailed silhouette of a Victorian young man. Circle of Hinton Gibbs (1783-1839) Portrait of a young man, bust length, turned to the right, wearing coat and cravat watercol...

Jockey on Horseback British School, 20th century painted after an earlier style oil on canvas, framed framed: 31 x 35 inches canvas: 20 x 24 inches provenance: private collection, UK...

"Snowy" English School, 20th century signed oil on board, framed framed: 15.5 x 19.5 inches board: 12.5 x 16 inches Provenance: private collection, UK Condition: very good condition ...

Portrait of a Pomeranian Dog English artist, late 19th century oil on canvas, framed Framed: 14.5 x 12.5 inches Canvas: 10 x 8 inches Provenance: Private collection, Surrey, England ...

A finely detailed silhouette of a Victorian young lady. Attributed to Hinton Gibbs (1783-1839) Portrait of a young lady, bust length, turned to the right watercolour, reverse painte...

English Countryside painting with Thatched Cottage, River & Cows Grazing by British Artist Art measures 24 x 18 inches Frame measures 29 x 23 inches This captivating original paint...

"Extensive Early Industrial Landscape with Mill" by John Pennington (1773-1841, British) subsidiary buildings, bleaching fields and a country house beyond, three children with a bir...

"Barron" Portrait of a Boxer Dog English artist, mid 20th century oil on board, framed Framed: 18 x 14 inches Board: 16 x 12 inches Provenance: private collection, England Condition:...

A finely detailed silhouette of a Victorian gentleman. Hinton Gibbs (1783-1839) Portrait of a gentleman, bust length, turned to the left, wearing coat and cravat watercolour, revers...

‘Tombs of the Sultans’ by Frank Dillon R.I. R.O.I. (1823-1909). The painting – which depicts the ancient Egyptian “City of the Dead” outside the old walls of Cairo – is signed by th...

Herbert Gustave Schmalz Anyone for Croquet, circa 1898 Signed lower right Oil on canvas 47 5/8 x 31 3/4 inches Provenance Anthony Mitchell, Nottingham Burlington Gallery Ltd., Londo...

John Wootton (1686 - 1764) The Bloody-Shouldered Arabian Oil on canvas Inscribed below, 'Bred by Lord Oxford in 1755 & Sire of many famous Racers, including the Duke of Bolton's 'Swe...

Thomas Burford (British, c. 1710-1779) Hare coursing outside a country house Oil on canvas Property of a gentleman From the collection of Peter Roe Dimensions: (Frame) 12.5 in. (H)...

Dutch Vessels Morning Light by C.W. Smith (British, early 20th century) signed oil on canvas, framed framed: 15.5 x 21.5 inches canvas: 12 x 18 inches inscribed verso Provenance: pr...

L.W.Fraser English, mid 20th century Terrier Dogs Original pastel drawing, signed on artist paper Glass covering Framed: 16 x 11 inches Provenance: private collection, England Cond...

‘Vale of the Conwy’ by Samuel Lines (1778-1863). The painting – which depicts a single female figure in Welsh dress walking with a goat in an extensive mountain landscape – is signed...

Pastoral Landscape English School, late 19th century signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Condition: the painti...

Cottage in a Lush Garden with Hens in the English Countryside by 20th Century British Artist, Terry Heath (1943-2011) Art measures 20 x 16 inches Frame measures 26 x 22 inches S...

Title: Miniature Watercolor Paintings of Bristol Cathedral and School from Canons Marsh by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Summer Meadow Scene with Wildflowers & Trees in a serene English Countryside by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14 x 9 inches Frame measures 18.5 x 13.5 inches Vintage British 20th Century Oil Signed, unique original, entitled "Heaven in a Wild Flower" Presented in the original vintage frame This original painting by Pamela Derry beautifully captures the serenity of a summer meadow in bloom...

‘The Baron’s Charger’ by John Frederick Herring Jr. (1815-1907). The painting – which depicts the Cromwellian nobleman with his battle horses and attendant hounds – is signed by th...

Charles Jervas Possibly Frances Thynne, Lady Worsley 1673-1750 Oil on Canvas Picture Size: 50 x 40" Outside Frame Size: 58 x 48" 1675 – 1739 Charles Jervas, who was born in Clonli...

This charming mid-19th-century oil painting depicts a river landscape with a thatched cottage, boatmen, and windmill. It’s reminiscent of works by English artist Edward Williams (178...

Title: Historic Miniature Watercolor of Christmas Steps and St Bartholomew’s Hospital by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

The Bluebell Woods by Paul Morgan, English 20th century signed oil on board, framed framed: 22.5 x 30.5 inches board : 17.5 x 26 inches Provenance: private collection, Surrey, Englan...

This fine early 19th-century watercolour by British artist Amos Green (1735-1807) depicts an asperous gorge near Ingleton in Yorkshire. On either side of a shallow river, trees clin...

Sea Battle - John Stevens Italia 2007 - Oil on canvas cm.50x130. In this precious oil painting Stevens is inspired by the naval battles of the English painter Derek George Montague Gardner who, after a career as a civil engineer...

Richard Roper (British, c. 1730-c. 1775) Grey stallion held by groom in the Duke of Grosvenor’s colours Oil on canvas Old chalk inscription '22 Mar 74' verso Property of a gentleman...

English Coastal Scene with Boats, Clam Waters, Sunlight & Peaceful Seaside Life by 20th Century Artist, Nancy Bailey (British, 1913–2012) Art measures 36 x 20 inches Frame measures...

A finely detailed silhouette of a Victorian clergyman. Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the right, wearing coat and cravat Inscribed to t...

"Touch it if you dare!" English artist, signed and dated 1927 oil on canvas, framed framed: 25 x 31 inches canvas: 18 x 24 inches provenance: private collection, England condition: v...

The Legal Gentleman portrait of a lawyer/ barrister by Victor Hume Moody (British 1896-1990) *see notes below signed and dated 1974 oil on canvas, unframed canvas: 36 x 28 inches pro...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

Title: Historic Miniature Watercolors of Abbey Gate of Bristol Cathedral by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.25 i...

A very skillfully painted ink on paper silhouette, unusually with the sitter appearing to be dress in her nightcap. Very Dickensian! English School, 19th Century Portrait of a lady ...

In Full Pursuit by B. Smith, English 1985 signed oil on board, framed dated 1985 framed: 12 x 15 inches board: 8 x 11 inches Provenance: private collection, England Condition: very g...

‘Summer Shade’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts cattle in the shade of a large tree on the river Ribble in North Yorkshire – is signed by the artist...