Gianni Celada Mirror

Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus — at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulenti’s tenure, Fontana Arte remained true to its long-held commitment — creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.

Vintage and antique wall mirrors add depth and openness to a space — they can help create the illusion that a narrow hallway isn’t so narrow. But you don’t need hundreds of enormous arched French or Italian mirrors framed in gilded bronze to dress up your home (maybe just a few).

A few well-placed large wall mirrors and other types of mirrors can amplify lighting and help showcase the decorative and architectural features of your home. For the Palace of Versailles during the 17th century, French King Louis XIV ordered the construction of the Hall of Mirrors after spending millions of dollars importing expensive Venetian mirrors from the revered glass-blowing factories on the island of Murano. A mirror-manufacturing rivalry between Paris and Venice took shape, and soon, across from 17 large windows that open out over the adjacent Palace Gardens on one side of the Hall, more than 350 mirrors — large mirrors made of groupings of small panes — were installed, effectively bringing the radiant colors of the outdoors into the opulent corridor.

Wall mirrors for your living room can work miracles — pull your landscaping’s colors and textures indoors, Louis XIV–style, by covering the length of an interior wall across from your living-room windows with wall mirrors.

For a similar effect, surrounding your mid-century modern wall mirror with leafy air plants and fern floor plants can amplify the sense of serenity that greenery offers in your home. Choose wall mirror frame styles to match your home’s decor, or shop for a frameless, organically shaped mirror that’s cut or beveled for a clean yet distinctive showpiece. For a free-spirited Bohemian feel, create a cluster of mismatched antique wall mirrors — an arrangement of circular Art Deco wall mirrors, Rococo-style silver leaf mirrors and decorative oval Victorian mirrors could add spice to an otherwise unadorned dining-room wall.

Elsewhere, there’s nothing vain about buying a full-length mirror for your bedroom, bathroom or walk-in closet to help you perfect your look for the day. Another may be needed in your entryway for a last-minute ensemble inspection. In fact, a shimmering 18th-century hall of mirrors awaits visitors behind the steel door of Stephen Cavallo’s atelier in Manhattan.

“We like to see the look on people’s faces when they walk in,” says Cavallo.

Decorating your home and office with wall mirrors is an art form in and of itself — get started today with the variety of antique and vintage wall mirrors on 1stDibs.