Ormolu Vases

An Exceptionally Fine Pair of Chinese Cantonese Hand Decorated Porcelain Vases of traditional baluster outline, of unusually quite good size proportions, (see last image in situ) mid...

Stunning Pair Traditional Japanese Imari Bulbous Form Porcelain Vases of medium to large proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped ci...

An Exquisite Pair of French 19th Century Ormolu and Champleve Enamel / Centerpieces Jardinieres, circa 1875   Rendered in the sophisticated style of the celebrated Ferdinand Barbedie...

A rare and important French "Japonsime" Emile Galle Ormolu-Mounted Double Carp Fish Pink-Glass vase, circa 1879, retailed by L'Escalier De Cristal, Paris ...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 This important and monumental vase was done by four different artists in the late 19th century: Alphonse Adolphe Lamarre, French, 1837 - 1912 (Artist who designed the vase) Paul Louchet, French (founder of bronze mounts) (Founder) Charles Pillivuyt Porcelain Manufactory, French, Paris, 1853 - 1922 (Manufacturer) Louis Chalon, French, born 1866 (modeler of mounts) (Modeler) "An Art Nouveau Collaboration" The vase in this case is an exceptional example of the collaboration between numerous artists during the late 19th century. The ceramic was made by Alphone Adolphe Lamarre (1837-1922) for the Charles Pillivuyt Porcelain Manufactory; the gilded bronze mounts, modeled by sculptor Louis Chalon and cast by Paul Louchet. Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

Stunning and very large Chinese Canton famille verte ormolu mounted porcelain vase of museum quality, from the city of Canton, is decorated in the so-called Famille Verte manner, mid...

A wonderful pair french ormolu pierced bronze crystal/glass neoclassical lion filigree swag vases.

An Exceptionally Fine Quality Pair of Miniature Japanese Meiji Period Cloisonne Enamel Vases of unusually small proportions, early Meiji period (1868-1912) and of Museum quality, com...

A wonderful pair of French ormolu pierced bronze swags and crystal / glass neoclassical vases with elongated fluted necks over a cylindrical waist on a knopped...

Large antique porcelain and ormolu vase painted with a genre scene French, Late 19th Century Height 158cm, width 65cm, depth 46cm This remarkable antique vase, inspired by the icon...

Stunning Pair Traditional Japanese Imari Bulbous Form Porcelain Vases of medium to large proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped ci...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Vase, C. 1870 In the Islamic / Alhambra taste. The two handled vase in Alhambra form, enameled in rich yellow throughout ...

An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...

Pair Louis XVI Style Cobalt Sevres Style Ormolu Mounted Vases France, circa 1900s This elegant pair of Louis XVI-style cobalt Sevres-style ormolu-...

Elegance in Stone and Gilt: A Large Pair of French Ormolu-Mounted Egyptian Porphyry Vases, The gilt mounts 19th Century, the Porphyry, circa 1700's. Embark on a journey through time with this exceptional pair of Large French Ormolu-Mounted Egyptian Porphyry Vases – a harmonious union of history and artistry. The gilt mounts, crafted in the 19th century, pay homage to the opulence of the era while cradling the true treasures within – the Egyptian porphyry vases dating back to the 1700s. The porphyry, sourced from the enigmatic lands of Egypt, lends an air of ancient mystique to these majestic vases. Its rich, royal purple tones and intricate natural patterns echo the grandeur of ancient civilizations, infusing each piece with a palpable sense of history. The ormolu mounts, delicately worked and emblematic of 19th-century French craftsmanship, serve as a bridge between antiquity and the refined tastes of the Belle Époque. As you gaze upon these vases, you are invited to appreciate the confluence of two distinct epochs – the timeless allure of Egyptian antiquity...

Paul Milet for Sevres Red Flambe Ormolu Mounted Neoclassical Vase Designed by Paul Milet (1870-1950) Executed by Sevres Porcelain A beautiful Paul Milet for Sevres red flambe ormo...

A very Fine pair of Sèvres style ormolu-mounted gilt bronze cobalt blue porcelain bases. Each with waisted neck decorated with gilt on cobalt blue and above a tapering ovoid body pa...

Highly important pair of royal Vienna painted porcelain urn and cover Painted with two large allegorical scenes. Cobalt blue ground with gold raised decoration and two handles. Sign...

A pair of gilt bronze Grand Tour urns mounted on marble bases.

Large pair of Sèvres-style porcelain Napoleonic vases with ormolu mounts French, Late 19th Century Height 96cm, diameter 33cm Standing just below a metre in height, these impressive...

Pair of very large Chinese cloisonné enamel vases with French ormolu mounts Chinese and French, 20th century Height 215cm, diameter 78cm These superb vases bring together exceptional Chinese enamelling with ornate French ormolu mounts, combining the complex cloisonné technique with sumptuously detailed gilt-bronze additions. The ovoid-form vases are applied with lavish natural designs on the main body, decorated with eye-catching birds and butterflies amongst flowers and shrubbery. The animal and foliate motifs are set on top of a cream ground with intricate geometric patterning that emphasises the elaborate design of the vases. The necks of the vases are similarly decorated with birds and greenery. The necks and feet also feature ornate geometric patterns that complement the natural colour palette of the main body, adding further intricacy to the enamelled designs. Surmounting the vases is a pierced ormolu rim, which features acanthus-style and pineapple designs which complement the foliate imagery on the vases below. Each vase is mounted on four gilt-bronze feet cast in the shape of Chinese 'Foo' winged lions, combining impressive Chinese motifs with exceptional French craftsmanship. Cross-cultural pieces like these vases were highly popular decorative wares in late 19th century Europe; likewise, this pair effortlessly synthesise the design styles of the East and the West into monumental items with ornate and colourful designs. Provenance: From the collection of Larry Flynt...

Pair of very large malachite and ormolu vases French, 20th Century Height 140cm, diameter 91cm Of impressive size and quality, the vases are ma...

Large antique French ormolu mounted porcelain vase French, Late 19th century Height 138cm, width 59cm, depth 46cm This exceptional 19th-century porcelain vase, in a rare white colou...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

Decorated with Insects From our Decorative collection, we are delighted to offer a pair of French Aesthetic Movement Bronze Vases. The Frenc...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

Set of three large Sèvres style porcelain vases with gilt bronze pedestals. French, Early 20th Century Large Vase: Height 162cm, width 63cm, depth 48cm. Large Vases Pedestal: Heig...

A pair of ormolu mounted malachite Ekaterinburg vases after a design by I.I. Galberg French, 20th century Height 51cm, diameter 32cm Crafted to a design by the prestigious architect...

A large pair of ormolu-mounted Se`vres Porcelain Bleu Celeste '1867 Exhibition' vases and covers (‘Vase Paris de Milieu Garnis’), ‘l’Abreuvoir’ and ‘Le Retour’ De Champs’ 1860, one ...

Hand painted porcelain, gilt-bronze mount (ormolu) This French Sèvres porcelain centrepiece dates from 1771 and is set in a gilt-bronze mo...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

This extraordinary Art Nouveau vase attibuted to Wilhelm Kralik Sohn is a stunning example of Bohemian craftsmanship from the late 19th century. Crafted from iridescent green glass...

Each cobalt ground with gilding, trumpet-form neck over baluster form body decorated with a figural scene in the garden, reverse with a garden folly, gilt...

Pair of large Chinese Canton famille verte ormolu mounted porcelain vases Chinese, 19th century Measures: height 107cm, diameter 37cm This magnificent pair of Chinese vases, fro...

A wonderful rare French Dore Bronze Ormolu & crystal / glass basket form centerpiece vase in the manner of baccrat.

Pair of lapis lazuli and ormolu mounted 'Medici' vases after Galberg French, 20th Century Height 52cm, diameter 32.5cm These stunning vases are made from lapis lazuli and ormolu: an exceptional and precious combination of materials, appropriate for the superb design by the Russian maker Galberg, which is known from a variety of famous examples, including the monumental vase in the Grand Reception Hall of Windsor Castle. They are in Campana form, in the so called 'Medici Vase' design: bell-shaped bodies which are reminiscent of Ancient Classical vases, especially calyx kraters...

A pair of large ormolu mounted Sèvres style porcelain vases. French, late 19th century. Measures: height 130cm, width 45cm, dept...

A fine and important Sèvres style bronze mounted and cobalt porcelain with hand painted courting figures in landscapes. Origin: French Date: 19...

A Pair of Large Louis XVI Style Gilt-Bronze Mounted Rouge Griotte Vases and Covers. Designed in the Neoclassical Style with intwined serpent handles above ram’s masks joined by aca...

A large Russian neoclassical malachite, Campana shaped urn or Vase, the ormolu twin handles modeled with acorns, on a circular spreading foot with square stepped plinth, 19th centu...

Monumental Sèvres style ormolu mounted porcelain vase of the Four Seasons French, c.1895 Height 152cm, diameter 45cm Set on a polychrome ground, dominated by a rare and fitting beige ground, which is accentuated and banded with strips in green, this beautiful and monumental porcelain vase...

BELLE EPOQUE CIRCA 1890 From our Glassware collection, we are delighted to offer this beautiful pair Antique French Opaline Glass Vases. The Antique French Vases with splayed feet u...

These truly exceptional and rare antique Louis XVI period vases have been sculpted from agate, a precious and highly sought-after stone. The vases are set on square agate bases with gilt bronze laurel wreath socles. The burgundy and claret agate bodies of the vases are mounted with gilt bronze acanthus leaf ornamentation, and twin lion masks joined by draped swags above. The lids of the vases are mounted with gilt bronze, surmounted by pine cone finials. The vases' design is attributed to the late 18th century, French clockmaker Martin Baffert. Baffert worked with a number of Parisian bronziers including Jean-Nicholas Fremont, Nicolas-Guillaume Jourdan and Francois-Robert Leguel, who assisted in the creation of his designs. This pair of vases is very similar to another pair of vases which Baffert designed, which form part of a clock garniture currently in the Rothschild collection at Waddesdon Manor. The Rothschild vases...

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One painted to the front with Louis XV a...

This is a beautiful antique pair of French Louis Revival Sèvres "Bleu Celeste" porcelain and ormolu mounted twin handled vases, circa 1880 in date. They are superbly decorated in ...

This exquisite, three-piece garniture will make a wonderful addition to a mantelpiece, niche or table, where its fine design and craftsmanship can be properly enjoyed. The garnitur...

A Rare and Palatial Pair of Mid 20th Century Gilt Bronze and Malachite Six Light Torcheres The body of baluster form above a gilt bronze mounted circular and square base, the neck mounted with flowers and foliage leading up to seven tiered bronze acanthus arms. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone with irregular black banding. It is easily recognized by its color, green streak, and silky or velvety luster. It was used to make beautiful jewelry and to adorn only the finest pieces of furniture. In the 18th and 19th centuries malachite was popular with Russian Czars...

Pair of important Russian gilt bronze and metal vases Russian, circa 1820 Dimensions: Height 98cm, width 43cm, depth 38cm This monumental pair of vases are exquisitely crafted in gilt bronze and metal. They both feature twin scrolled handles, which are decorated with leaves and foliate patterns, as well as classical profiles at the top. These touch the ormolu rims, which feature an egg and dart pattern. The body of each vase is of ovoid form and features further ormolu mounts, including a thick band underneath the waisted neck, twin dog heads at the base of the handles, flowers, stars and more Classical masks with foliate scrolls. The vases are supported by square plinths, with socle form bases and decorations of fluted ribbing and scrolled foliate forms. Heavily inspired by the neoclassical style, which was popular in Russia in the late 18th and 19th centuries, the vases are decorated with gilt bronze relief scenes which allude to motifs in classical mythology. On a rich burgundy ground, the metal body of the vases show figures flanked by palm trees. One vase shows a woman dressed in a classical draped fabric garment playing two flutes and leaning on a pedestal with twirling ivy, while a baby stands...

Each krater form vase in this pair is made of gilt bronze mounted lapis lazuli. The vases stand on square gilt bronze bases which attach to the feet of the vases with acanthus leaf g...

A beautiful pair of late 19th century gilt bronze and champlevé enamel mounted white Sèvres style vases Gilt bronze tops above a long neck with raised gold designs. The painted fr...

A good quality pair of late 19th century, Louis XVI style rouge marble, lidded urns each with classical gilded ormolu mounts of scrolling foliate and floral swags, ribbons and swans ...

Dimensions - H: 21 1/4 in W: 5 1/2 in D: 5 in This Antique 19th Century Sèvres Royal Blue Porcelain Vase Made in France is an exquisite representation of the unparalleled craftsman...

A fine pair of Sèvres-style napoleonic gilt bronze mounted cobalt-blue ground porcelain vases. Signed by the artist 'H. Desprez Sevres'. Each vase is of inverted ovoid form finely painted all-over with Napoleonic battle...

Pair of very large French Sèvres style porcelain and ormolu vases French, Late 19th Century Height 151cm, width 45cm, depth 39cm Executed in the style of Sèvres, one of the bes...

A Fine Quality Pair of Very Large French Ormolu-Mounted Cut Crystal Vases Origin: French Date: Early 20th century Dimension: 28 in. x 17 1/2 in.

A fine pair of Louis XVI style chinoiserie gilt-bronze mounted Chinese export famille rose porcelain vases. The ovoid hand painted porcelain body with dual scenes of a sword presenta...

A pair of gilt bronze and porcelain vases. Rising from a rounded cut-corner square marble base, the miniature blue de roi-glazed porcelain ewers dressed with gilt bronze mounts; t...

Pair neoclassical Paris Porcelain gilt vases. Exceptional pair of large white and gilt painted campana form urns with strigilated patterning on body dow...