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Klimt 1931

Italian Garden Landscape, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Italian Garden Landscape, oil on canvas, 1913
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Portrait of Charlotte Pulitzer, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Portrait of Friederike Maria Beer, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Friederike Maria Beer, oil on
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Houses at Unterach on the Attersee, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Houses at Unterach on the Attersee, oil on
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Bust of an Unknown Woman by Georg Klimt, from 1915
By Georg Klimt
Located in Praha, CZ
Georg Klimt 1867-1931 Unglanized porcelain Signed Good Original condition.
Category

Vintage 1910s Czech Art Deco Sculptures and Carvings

Materials

Porcelain

Secessionist Pair of Reliefs "Sappho" Georg Klimt ca. 1900 Patinated Copper
By Georg Klimt
Located in Klosterneuburg, AT
Pair of Reliefs, "Allegory of Sappho", Georg Klimt (1867 - 1931), patinated copper, ca. 1900
Category

Antique Early 1900s Austrian Vienna Secession Decorative Art

Materials

Copper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Gastein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Serena Lederer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Lady in a Feathered Hat" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Baby" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “House in a Garden” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
). By 1931, when Max Eisler published Gustav Klimt: An Aftermath, the printer had undergone the name
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Allegory of Life and Death” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Friederike Marie Beer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Adam & Eve” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “The Bride” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
). By 1931, when Max Eisler published Gustav Klimt: An Aftermath, the printer had undergone the name
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Hygieia” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “The Embrace (Fulfillment)” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Expectation” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Recent Sales

GUSTAV KLIMT "The Girl Friends"
Located in Chicago, IL
From the folio Gustav Klimt: An Aftermath, printed in Austria, 1931. Gustav Klimt was a master of
Category

Early 20th Century Austrian Prints

Materials

Lithograph

"Detail of Jurisprudence" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from a detail of Jurisprudence (oil on canvas, 1903-07). Published
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

"Church at Unterach on Lake Attersee" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Church at Unterach on Lake Attersee, oil on
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Secessionist panel "Poetry" Georg Klimt ca. 1900 Patinated Copper Art Nouveau
By Georg Klimt
Located in Klosterneuburg, AT
Panel, "Poetry", Georg Klimt (1867 - 1931), patinated copper, ca. 1900, Jugendstil, Vienna
Category

Antique Early 1900s Austrian Vienna Secession Decorative Art

Materials

Copper

Secessionist Pair of Reliefs Georg Klimt ca. 1900 Patinated Copper Art Nouveau
By Georg Klimt
Located in Klosterneuburg, AT
Pair of Reliefs, Georg Klimt (1867 - 1931), patinated copper, ca. 1900, Jugendstil, Vienna
Category

Antique Early 1900s Austrian Jugendstil Decorative Art

Materials

Copper

Pair of Reliefs Dionysus and Demeter Georg Klimt ca. 1900 Patinated Copper
By Georg Klimt
Located in Klosterneuburg, AT
Pair of Reliefs, Dionysus and Demeter, Georg Klimt (1867 - 1931), patinated copper, ca. 1900 Georg
Category

Antique Early 1900s Austrian Jugendstil Decorative Art

Materials

Copper

Pair of Copper Reliefs Dionysus and Demeter Georg Klimt ca. 1900 Silver-Plated
By Georg Klimt
Located in Klosterneuburg, AT
Pair of Reliefs, Dionysus and Demeter, Georg Klimt (1867 - 1931), patinated copper, silver-plated
Category

Antique Early 1900s Austrian Jugendstil Decorative Art

Materials

Copper

"Portrait of Baroness Wittgenstein" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Baroness Wittgenstein (oil on
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

"Portrait of Baroness Bachofen-Echt" Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Elisabeth Lederer (formerly titled
Category

1930s Vienna Secession Prints and Multiples

Materials

Paper

Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
By (after) Gustav Klimt
Located in Chicago, IL
choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Church on Lake Wolfgang” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Chicago, IL
). By 1931, when Max Eisler published Gustav Klimt: An Aftermath, the printer had undergone the name
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Max Eisler Eine Nachlese folio “Church on Lake Wolfgang” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Max Eisler Eine Nachlese folio "Gastein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Chicago, IL
). By 1931, when Max Eisler published Gustav Klimt: An Aftermath, the printer had undergone the name
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Figurative Prints

Materials

Archival Paper

Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Wally" (Girl in Profile) collotype
By (after) Gustav Klimt
Located in Chicago, IL
were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It
Category

1930s Vienna Secession Figurative Prints

Materials

Paper

Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Chicago, IL
Das Werk Gustav Klimts portfolios (1908-1913). By 1931, when Max Eisler published Gustav Klimt: An
Category

1930s Vienna Secession Landscape Prints

Materials

Paper

Rooster Parade from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State Printing Office
Category

Vintage 1930s Austrian Expressionist Prints

Bridal Progress from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate# 30/30.From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

Adam and Eve from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate: #20/30.From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

Portrait of Marie Beer from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate #24/30. From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

Church on Lake Wolfgang from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate # 28/30. from Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

The Allegory of Death and Life from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate # 18/20 From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

"Maiden's Head in Profile" by Georg Klimt
By Georg Klimt
Located in Chicago, IL
Vienna, circa 1910. Georg Klimt (1867-1931). Chased copper relief. Green, light blue and
Category

Early 20th Century Austrian Vienna Secession Wall-mounted Sculptures

GUSTAV KLIMT "Hygeia"
Located in Chicago, IL
From the folio Gustav Klimt: An Aftermath, printed in Austria, 1931. Gustav Klimt was a master of
Category

Austrian Prints

Materials

Lithograph

GUSTAV KLIMT "Hygeia"
H 18 in W 19 in
Girl in Profile from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
Plate #27/30. From Gustav Klimt An Aftermath Vienna, 1931 Max Eisler, Editor Austrian State
Category

Vintage 1930s Austrian Prints

"Unterach on Lake Attersee", from the Portfolio Aftermath after Gustav Klimt
By Gustav Klimt
Located in New York, NY
. Plate 8/30 Aftermath by Gustav Klimt ,Vienna, 1931. Gustav Klimt An Aftermath appeared as a final
Category

Vintage 1930s Austrian Vienna Secession Prints

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By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water Snakes II relates to Freund...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

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Klimt 1931 For Sale on 1stDibs

Surely you’ll find the exact klimt 1931 you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Making the right choice when shopping for a klimt 1931 may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 20th Century. When looking for the right klimt 1931 for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of beige and white. Creating a klimt 1931 has been a part of the legacy of many artists, but those crafted by (after) Gustav Klimt are consistently popular. These artworks were handmade with extraordinary care, with artists most often working in paper and archival paper.

How Much is a Klimt 1931?

A klimt 1931 can differ in price owing to various characteristics — the average selling price for items in our inventory is $3,875, while the lowest priced sells for $250 and the highest can go for as much as $21,000.

A Close Look at Expressionist Art

While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared. 

Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.

Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.

Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.

​​Find a collection of authentic Expressionist paintings, sculptures, prints and more art on 1stDibs.