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Alfred MANESSIER On Sale

FLAMME VIVE
By Alfred Manessier
Located in Portland, ME
Manessier, Alfred. FLAMME VIVE. Lithograph in colors, 1959. Artist's Proof in addition to the edition of 175. Inscribed "Epreuve d'Artiste" and signed in pencil. 20 x 13 1/2 inches, ...
Category

Mid-20th Century Abstract Abstract Prints

Materials

Lithograph

Recent Sales

Collines - Lithograph by Alfred Manessier­ - 1960
By Alfred Manessier
Located in Roma, IT
Collines is an original litograph realized by Alfred Manessier in 1960. Good condition. Hand-signed with pencil by the artist. Alfred Manessier (5 December 1911, Saint-Ouen – 1 Au...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Abstract Composition, 1946 - oil paint, 90x72 cm., framed
By Alfred Manessier
Located in Nice, FR
Oil on canvas, signed lower left Manessier was born among fishers and masons in the Picardy province of Northern France. There was a family precedent for creative work, as the grand...
Category

Mid-20th Century Abstract Abstract Paintings

Materials

Oil

Orange Suns - Original handsigned etching - 80 copies
By Alfred Manessier
Located in Paris, IDF
Alfred MANESSIER Orange Suns Original etching & aquatint Handsigned in pencil Limited to 80 copies On vellum 15 x 11" (38 x 28 cm) Excellent condition
Category

1970s Abstract Abstract Prints

Materials

Aquatint, Etching

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Alfred Manessier for sale on 1stDibs

Alfred Manessier was born on 5 December 1911 in Saint-Ouen in the Somme. Trained at the Ecole des Beaux-Arts in Amiens (1924 - 1929), he completed his training at the Ecole des Beaux-Arts in Paris and spent a brief period in the studio of the painter Roger Bissière, who introduced him to frescoes and to whom he took refuge in Boissiérettes in the Lot at the beginning of the war. From 1947 onwards, stained glass occupied a large part of his work, which was now based on abstraction. He carried out about twenty projects in France, including the stained glass windows for the church of Saint-Michel des Bréseux (Doubs), his first commission (1948 - 1950), those in the church of Saint-Pierre de Trinquetaille in Arles (1953), and the chapel of Sainte-Thérèse de l'Enfant Jésus et de la Sainte Face in Hem (Nord - 1957). The stained glass windows of the Church of the Holy Sepulchre in Abbeville, one of his last commissions carried out between 1982 and 1993, are considered his masterpiece. He also executed a dozen stained glass projects in Switzerland, Germany and Spain. As an abstract painter of the Ecole de Paris, Manessier frequently tackled subjects related to the Catholic religion. His paintings are often inspired by the landscapes of Northern France, but also by his travels. From 1956 onwards, he produced a large number of political paintings entitled "Hommage", which echoed the violence in the world. The dissemination of his artworks in the public space through these stained glass windows gave him great notoriety during his lifetime, and his paintings were awarded numerous international prizes (such as the Grand Prix of the Venice Biennale, which he received in 1962, alongside Albert Giacometti, who received the Grand Prix for sculpture). He died on 1er August 1993 as a result of a car accident, shortly after the completion of the stained glass windows in Abbeville.

A Close Look at Abstract Art

Beginning in the early 20th century, abstract art became a leading style of modernism. Rather than portray the world in a way that represented reality, as had been the dominating style of Western art in the previous centuries, abstract paintings, prints and sculptures are marked by a shift to geometric forms, gestural shapes and experimentation with color to express ideas, subject matter and scenes.

Although abstract art flourished in the early 1900s, propelled by movements like Fauvism and Cubism, it was rooted in the 19th century. In the 1840s, J.M.W. Turner emphasized light and motion for atmospheric paintings in which concrete details were blurred, and Paul Cézanne challenged traditional expectations of perspective in the 1890s.

Some of the earliest abstract artists — Wassily Kandinsky and Hilma af Klint — expanded on these breakthroughs while using vivid colors and forms to channel spiritual concepts. Painter Piet Mondrian, a Dutch pioneer of the art movement, explored geometric abstraction partly owing to his belief in Theosophy, which is grounded in a search for higher spiritual truths and embraces philosophers of the Renaissance period and medieval mystics. Black Square, a daringly simple 1913 work by Russian artist Kazimir Malevich, was a watershed statement on creating art that was free “from the dead weight of the real world,” as he later wrote.

Surrealism in the 1920s, led by artists such as Salvador Dalí, Meret Oppenheim and others, saw painters creating abstract pieces in order to connect to the subconscious. When Abstract Expressionism emerged in New York during the mid-20th century, it similarly centered on the process of creation, in which Helen Frankenthaler’s expressive “soak-stain” technique, Jackson Pollock’s drips of paint, and Mark Rothko’s planes of color were a radical new type of abstraction.

Conceptual art, Pop art, Hard-Edge painting and many other movements offered fresh approaches to abstraction that continued into the 21st century, with major contemporary artists now exploring it, including Anish Kapoor, Mark Bradford, El Anatsui and Julie Mehretu.

Find original abstract paintings, sculptures, prints and other art on 1stDibs.