Mombasa Ettore Sottsass

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.

Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Is it a commode or a chest of drawers?

Commode is the French term for a low chest of drawers, but it is also sometimes used to denote a piece with a particularly intricate design. The commode dates to circa 1700 France, where it was used as an alternative to a taller cabinet piece so as to not obscure paneled, mirrored or tapestried walls. Coffers, or chests, which were large wooden boxes with hinged lids and sometimes stood on ball feet, preceded chests of drawers, a fashionable cabinet furnishing that garnered acclaim for its obvious storage potential and versatility.

As time passed, French and British furniture makers led the way in the production of chests of drawers, and features like the integration of bronze and ornamental pulls became commonplace. Antique French commodes in the Louis XV style were sometimes crafted in mahogany or walnut, while an Italian marble top added a sophisticated decorative flourish. This specific type of case piece grew in popularity in the years that followed.

So, what makes a chest of drawers different from a common dresser? Dressers are short, and chests of drawers are overall taller pieces of furniture that typically do not have room on the top for a mirror as most dressers do. Tallboys and highboys are variations of the dresser form. Some chests of drawers have one column of four to six long drawers or three long drawers in their bottom section that are topped by a cluster of small side-by-side drawers on the top. To further complicate things, we sometimes refer to particularly short chests of drawers as nightstands. 

Even though chests of drawers are commonly thought of as bedroom furniture to store clothing, these are adaptable pieces. A chest of drawers can house important documents — think of your walnut Art Deco commode as an upgrade to your filing cabinet. Nestle your chest near your home’s front door to store coats and other outerwear, while the top can be a place to drop your handbag. Add some flair to your kitchen, where this lovable case piece can hold pots, pans and even cookbooks.

When shopping for the right chest of drawers for your home, there are a few key things to consider: What will you be storing in it? How big a chest will you need?

Speaking of size, don’t dream too big. If your space is on the smaller side, a more streamlined vintage mid-century modern chest of drawers, perhaps one designed by Paul McCobb or T.H. Robsjohn-Gibbings, may best suit your needs.

At 1stDibs, we make it easy to add style and storage to your home. Browse our collection of antique and vintage commodes and chests of drawers today.