National Geographic Cabinet

“An object shall stand the wear of the eye!” proclaimed Swedish entrepreneur Sven Lundh (1925–2015), who took over operations at revered furniture company Källemo in 1971. For decades, the innovative brand has accomplished just that with a range of original and unconventional pieces that draw on — and regularly push the boundaries of — Scandinavian modern and postmodern design.

Based in Vänamo in southern Sweden, Källemo was originally established in 1947 before it was taken over by Lundh in 1971. Lundh’s vision for Källemo was to evolve the company and to create sustainable furniture that would be both functional and wholly sculptural. The interest in creating forward-looking seating, case pieces, tables and more that are as much furniture as they are art deepened for Lundh during the 1980s, when Swedish designers began to explore the ideas that underpin postmodernism in their work. 

Lundh sought to secure long-term partnerships with modernist and postmodernist Swedish and European artists and designers such as Jonas Bohlin, the creator of the scandalous Concrete chair, which caught Lundh’s attention at Konstfack’s student exhibition in 1982. Bohlin’s minimalist armchair, featuring an angular steel frame and concrete seat and headrest, was meant to be presented as a sculpture, but it fit Lundh’s idea of “artistic furniture.” Källemo produced the Concrete chair as a limited-edition series, and it became one of the company’s best known pieces. 

Over the years, Källemo has collaborated with Gustav Persson — designer of Källemo’s Bank bench — Mats Theselius, John Vedel-Rieper, Jens Harald Quistgaard, Gunnar Myrstrand and numerous other artists and designers to create its unique collection of furniture. In 1996, Lundh’s son Erik and daughter Karin took the helm at Källemo, which remains a family-owned firm. Today Källemo pieces are held in permanent museum collections throughout Sweden and Europe. 

Find Källemo seating, tables, case pieces and storage cabinets on 1stDibs.

Scandinavian modernism is perhaps the warmest and most organic iteration of modernist design. The work of the designers associated with vintage Scandinavian modern furniture was founded on centuries-old beliefs in both quality craftsmanship and the ideal that beauty should enhance even the humblest accessories of daily life.

ORIGINS OF SCANDINAVIAN MODERN FURNITURE DESIGN 

• Emerged in the 1930s 
• Scandinavian design and Nordic design originated primarily in Denmark, Sweden, Finland, Iceland and Norway
• Introduced in the United States in mid-20th century
• Informed by the Bauhaus; influenced American mid-century modernism  

CHARACTERISTICS OF SCANDINAVIAN MODERN FURNITURE DESIGN

• Bold, clean lines and simple, sturdy symmetries
• Use of natural materials — native woods such as pine, ash and beech
• Open, airy spaces
• Promotion of functionality
• Emphasis on craftsmanship; rooted in cabinetry profession and traditional construction techniques
• Minimal ornamentation (little to no embellishment)
• A neutral or light color palette owing to prominence of light woods

SCANDINAVIAN MODERN FURNITURE DESIGNERS TO KNOW

• Alvar Aalto
• Hans Wegner
• Kaare Klint
• Arne Jacobsen
• Greta Magnusson Grossman 
• Finn Juhl
• Arne Vodder
• Verner Panton

ICONIC SCANDINAVIAN MODERN FURNITURE DESIGNS

• Ant chair
• Grasshopper table lamp
• Wishbone chair
• Stool 60
• Artichoke lamp

VINTAGE SCANDINAVIAN MODERN FURNITURE ON 1STDIBS

The gentle, organic contours that are typical of Scandinavian design appear in the furnishings and decor created by Danish, Finnish and Swedish designers not as a stylistic gesture, but rather as a practical, ergonomic — and, as importantly, elegant — response to the human form.

Each nation produced exceptional talents in all areas of the applied arts, yet each had its forté. Sweden was home to Greta Magnusson Grossman and Bruno Mathsson — creators of the classic Grasshopper lighting series and Berlin daybed, respectively — but the country excelled most notably at ceramics. In the 1920s at the great Gustavsberg porcelain manufactory, Wilhelm Kåge introduced pieces in the Scandinavian style based on influences from folklore to Cubism; his skills were passed on to his versatile and inspired pupils Berndt Friberg and Stig Lindberg.

Likewise, Finland produced a truly ingenious Scandinavian modern furniture designer in the architect Alvar Aalto, a master at melding function and artistic form in works like the Paimio chair, created in collaboration with his first wife, Aino. Yet Finnish glassware was pre-eminent, crafted in expressive, sculptural designs by Tapio Wirkkala and Timo Sarpaneva.

The Danes excelled at chairs. Hans Wegner and Arne Jacobsen were exemplars of the country’s facility with wood, particularly teak. 

Wegner created such iconic pieces as the Round chair and the Wishbone chair; Jacobsen — while the revolutionary architect and furniture innovator produced the best-selling plywood Ant chair — designed two classic upholstered pieces of the 1950s: the Swan chair and Egg chair. The list of great Danes could go on and on, including Finn Juhl, a stylistic maverick and maker of the bold Chieftain chair; Poul Kjaerholm, with his lean metal-and-rattan aesthetic; and Verner Panton, who introduced a vibrant Pop note into international design.

Today, decades after their heyday, the prolific, ever-evolving Scandinavian modernists continue to amaze and delight, and interior designers all over the world use their pieces to bring warmth to any given space.

On 1stDibs, you will note both instantly recognizable vintage Scandinavian modern chairs, sofas, rugs and tables — those that have earned iconic status over time — and many new discoveries.