Silk Paintings

A set of four fine hand painted botanical watercolour studies on silk by La Roche Laffitte. The works are signed bottom right and titled below three of the watercolours in Latin and ...

Colorful Floral Abstract Painting Acrylic on Silk 56" x 75 3/4" Housed in a Black Metal Frame Overall Size: 56 1/2" x 76 1/4" This monumental painting was recently discovered...

Painting on silk enhanced with embroidery, Japan, 20th century. Very light stains at the bottom, good general condition. 158 x 69 cm.

Framed vintage Chinese landscape/portrait paintings on silk paper. All three paintings are in great condition, unframed they measure 6 in x 5 in, with framing the entire piece measur...

A pair of fine hand painted botanical watercolour studies on silk of anemones by La Roche Laffitte. The works are signed bottom right. Both are titled. The silk has been mounted on h...

Tactile memory #134, by Natasha Zupan Mixed media: acrylic, silk, pigments on Canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. canvas on a stretcher Natasha Zupan beautifully unites th...

Eric Blum Untitled No. 1013, 2023 ink, silk, and beeswax on panel 60 x 48 in. (blum098)

You might assume that this is a watercolor work. But that's not true! "This painting was painted with acrylic paints directly on silk, which I later stretched on a plywood board and...

Eric Blum Untitled No. 1036, 2025 ink, silk, and beeswax on panel 59 x 47 in. (blum102)

18th century silk embroidered art work. Depicting children and fairy tales. It is very rare for works from this time period to depict a black...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Chinese School, 20th century; After Ren Renfa (Qinglongzhen, 1255-1328). Signed center right in Chinese with artist chop mark for 'Yueshan Daoren' 月山道人, brush name for Ren Renfa. (Qinglongzhen [now Qingpu, Songjiang, Shanghai Municipality], b.1255; d. 1328). Chinese painter. Under the Yuan dynasty (1279–1368) he became an official, rising to the level of Vice-President of the River Conservation Bureau. He was famous for his paintings of horses, which were much admired by both his Mongol and Chinese patrons. In horse painting he followed in the tradition of the Song-period (960–1279) artist Li Gonglin, which was characterized by use of the ‘iron-wire’ line and a minimum of shading. Ultimately, however, Ren’s style can be traced to the Tang (ad 618–907) painters Yan Liben and Han Gan. Ren’s earliest surviving painting is dated 1280, indicating that he was a mature artist by his mid-twenties. Although he worked as an official under the alien Mongol emperors, he was capable of paintings that incorporated clear political messages. The most famous is Fat and Lean Horses (Beijing, Pal. Mus.), in which, according to his inscription, the fat horse...

Artist: Unknown, Chinese Title: Tiger Year: Late XIXth - Early XXth Century Medium: Painting on Silk, Signed u.l. Size: 38 x 32 inches Frame: 41 x 35 inches

Eric Blum Untitled No. 1040, 2024 ink, silk, and beeswax on panel 48 x 48 in. (blum097)

Eric Blum Untitled no. 972, 2022 ink, silk & beeswax on panel 59 x 47 in. (blum075) In Eric Blum’s mostly monochromatic paintings, ink permeates silk in soft gradients, which abrupt...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

越波飛翼 (Yuè bō fēi yì) by 朱永 Surmounting Waves Flying Wings by ZhuYong Image, 26.5"H x 40.5"W Frame, 35.5"W 49.5"W . 1.5"D A Chinese painting featuring two cranes in flight against a backdrop of stylized waves. The painting is rendered in traditional Chinese style, with flowing brushstrokes and a muted color palette dominated by blues, whites, and earth tones. The cranes are depicted with detailed plumage, their wings outstretched as they soar through the air. The waves are represented in a swirling, abstract manner, suggesting movement and energy. Chinese painting is known for its emphasis on capturing the essence of the subject matter rather than a literal representation, and this piece exemplifies that approach. The use of ink and color on silk or paper is typical of this art form, as is the focus on natural themes such as birds and landscapes. he style is reminiscent of traditional Chinese ink wash painting, which emphasizes brushwork and capturing the spirit of the subject. The swirling water and mountain details could also be interpreted as fractal art...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

A set of three fine hand painted botanical watercolour studies on silk of tulips by La Roche Laffitte. The works are signed bottom right. Some are titled and numbered (see photos) Th...

Silk elements, oil and acrylic on linen create a dynamic surface in this contemporary geometric abstract painting in shades of dark blue from navy to deep cobalt. Variations of soft ...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom left. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

19th Century large Thangka depicting Buddha. Framed.

Debra Smith Shifting Vision #4, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features bold red silk squares carefully stitched with with layers ...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

This framed 24" x 23" watercolor on silk by an Unknown Chinese artist depicts a coastal mountain landscape. This work features several mountain clus...

Eric Blum Untitled No. 1005, 2023 ink, silk, and beeswax on panel 60 x 48 in. (blum096)

Eric Blum Untitled No. 1064, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum099)

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

A late 20th century watercolour painting on silk laid on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. Thi...

Eric Blum Untitled No. 1065, 2025 ink, silk, and beeswax on panel 72 x 48 in. (blum100)

Framed work On a white background, JonOne interprets dense, modern calligraphy in black. The repetition of free-form shapes and the dripping effect create a dense, expressive motif....

Eric Blum Untitled No. 1001, 2024 ink, silk, and beeswax on panel 60 x 48 in. (blum101)

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom right. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Japanese Botany, Original Contemporary Abstract Mixed Media Textile Wall Hanging Artist Commentary: INSPIRED IN JAPANESE AESTHETICS Keywords: Abstract, Nature, patterns, circles, ovals, white Artist Biography: My artwork is engaged to nature and its recurrent patterns and rhythms. I use them as a base in order to create my compositions. I´m attracted to repetitive sequences, combining separate elements to form a cohesive group. It isn’t a strict conceptual idea of repetition on itself; my work doesn’t seek to impose an order or structure, but rather to enjoy the rhythm of repetition. Silk and paper have the softness and malleability that I need in order to create my desired forms, shapes and even shadows. The process to carry out my work is thorough and methodical. I choose as materials small and simple elements; such as feathers made out of paper and silk and then organized in a precise order. This allows me to build a group of entities that end up being the final artwork. My goal is to create projects that inspire, connect and touch people emotionally, taking the viewer on a journey through different ethereal, botanical and peaceful landscapes. I was Born in Santiago, Chile in 1973. I grew up surrounded by Chilean...

Historically in Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. This 19th-century Tibetan Thangka, painted in rich red, green, and blue pigments, still maintains incredible vibrancy. The central figure is the Sakyamuni Buddha, seated in the diamond position with alms bowl...

A set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Two are signed by the artist to the bottom righ...

This 24" x 36" oil and silk on canvas painting created in 2015 by artist Diane Coady, depicts an abstracted environment with boats and rabbits in a palette...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Ode to our Heroes - yellow, green, purple and blue 4 panels each 12 X 12. The panels are aluminum with acrylic, wire grid, silk, ink, soldering wire. Jose Castro was born in Matanza...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Debra Smith Seeing Red Series, 5, 2019 pieced vintage silk 28 x 19 in. This large abstract textile collage by Debra Smith features bold patte...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom right. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

A late 20th century watercolour on silk on handmade paper of an antique Caucasian 'Kuba' rug by French artist La Roche Laffitte. Faintly signed to the bottom right. This is one of a ...

Salomè is an original mixed colored painting realized by Anonymous artist in the XIX century. Tempera on silk. Bearing embroidered border and iscribed 'Ricordo dell’ultimo anno di ...

This intricately detailed composition is a late-Qing dynasty ancestor portrait depicting several generations of a family's male ancestry. Or...

Tactile memory #136, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, glass, pigments Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautiful...

Modern Geometric Green & White Kimono, Abstract Expressionist Collagraph Plate #3 Stunning modern minimalism meets abstract expressionism with green, white and black in this unique ...

Artist: Nina Aghavelyan Work: Original painting, handmade artwork, one of a kind Medium: Batic, Acrylic on Silk Year: 2005 Style: Contemporary art Title: Ararat, Size: 21" x 23" inc...

Debra Smith Shifting Vision #5, 2017 pieced vintage silk 18 x 15 in. This original textile collage by Debra Smith features graphic shapes crafted with layers of vintage silk in vari...

Separate Me from the Earth is 2023 work of Maki Kuchida. The painted size of the work is approx. 24x57cm, while the framed size is approx. 45 x 75cm. It is framed with archival gra...

Debra Smith Seeing Red Series, 6, 2019 pieced vintage silk 28 x 19 in. This large abstract textile collage by Debra Smith features bold patte...

Modern Green, White & Black Abstract Geometric Kimono Collagraph, Masterplate #1 Unique mixed media work created from a Master plate for collagraph printmaking, featuring a bold and...

Tactile memory #133, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, glass, pigments, lashes Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Mounted on a str...

Tactile memory #122, by Natasha Zupan Mixed Media on Wood, silk petals, eyelashes, glass, acrylic, and oil Size: 18 in. H x 15 in. W x 3 in D. Mounted on a stretcher Natasha Zupan b...

Tactile memory #135, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, pigments Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautifully unit...