The sterling reputation that Artifort enjoys isn’t limited to the innovative upholstery and fluid, organic shapes for which its products are widely known — the legendary Dutch brand’s vintage seating and other furniture is also celebrated for its embodiment of functionality, comfort and quality. These are among the principles that underpin the philosophy toward modern furniture design at Artifort, which has been at the crossroads of furniture and art for over 125 years.
Prior to 1928, the year Artifort officially became a brand, Jules Wagemans had a small upholstery business in Maastricht, the Netherlands. After setting up in 1890, his son, Henricus Wagemans, broadened the scope of the company to include furniture production. By the end of the 1920s, their showroom in Amsterdam had made them a recognizable brand across the Netherlands.
Then named H. Wagemans & Van Tuien, the company changed its name to Artifort after the economic recession. Artifort came from two Latin words meaning “art” and “strong” — a perfect description for the style of each design and the manufacturer’s intention to create sturdy furnishings. Artifort’s reputation for durable armchairs and sofas endures, and vintage editions of this seating are now family heirlooms in many homes.
Artifort became a magnet for high-profile and up-and-coming designers alike. Many furniture designers’ careers began thanks to collaborations with Artifort, such as Dutch industrial and jewelry designer Gijs Bakker and Indonesian-born designer Kho Liang Ie. Also known for designing the interiors at Amsterdam’s Schiphol Airport, Kho Liang Ie was an aesthetic consultant at Artifort and used his expertise to turn the company into a world-class brand. Perhaps his largest contribution, however, was attracting the talents of French furniture and interior designer Pierre Paulin and English furniture designer Geoffrey D. Harcourt.
Paulin’s bright and colorful lounge chairs, such as his Orange Slice chair and Mushroom chair, are still central to the Artifort identity. The revered designer not only introduced new construction techniques to Artifort furniture, but contributed fresh materials, Pop art colors and dazzling shapes to the mid-century modern era as a whole, while Harcourt deserves credit for popularizing Artifort internationally and extending their reach into foreign markets.
Another talent boom in the 1990s at Artifort yielded collaborations with Jasper Morrison, Wolfgang Mezger and René Holten. Iranian designer Khodi Feiz was named art director in 2014 and has continued the tradition of recruiting top designers such as Claesson Koivisto Rune, Ilse Crawford and Luca Nichetto.
Find a collection of vintage Artifort lounge chairs, tables and more on 1stDibs.
Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.
ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN
CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN
MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW
ICONIC MID-CENTURY MODERN FURNITURE DESIGNS
VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS
The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.
Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.
Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.
Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.
The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.
As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.
Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.
Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.
While this specific seating is known to all for its comfort and familiar form, the history of how your favorite antique or vintage lounge chair came to be is slightly more ambiguous.
Although there are rare armchairs dating back as far as the 17th century, some believe that the origins of the first official “lounge chair” are tied to Hungarian modernist designer-architect Marcel Breuer. Sure, Breuer wasn’t exactly reinventing the wheel when he introduced the Wassily lounge chair in 1925, but his seat was indeed revolutionary for its integration of bent tubular steel.
Officially, a lounge chair is simply defined as a “comfortable armchair,” which allows for the shape and material of the furnishings to be extremely diverse. Whether or not chaise longues make the cut for this category is a matter of frequent debate.
The Eames lounge chair, on the other hand, has come to define somewhat of a universal perception of what a lounge chair can be. Introduced in 1956, the Eames lounger (and its partner in cozy, the ottoman) quickly became staples in television shows, prestigious office buildings and sumptuous living rooms. Venerable American mid-century modern designers Charles and Ray Eames intended for it to be the peak of luxury, which they knew meant taking furniture to the next level of style and comfort. Their chair inspired many modern interpretations of the lounge — as well as numerous copies.
On 1stDibs, find a broad range of unique lounge chairs that includes everything from antique Victorian-era seating to vintage mid-century modern lounge chairs by craftspersons such as Hans Wegner to contemporary choices from today’s innovative designers.
