Design Gestalt
Opposites Attract
Explore this outstanding selection of furniture, lighting and art that unites two distinct styles in perfect harmony.
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Cubes Divided Equally into Three #16: geometric abstraction w/ very peri & blue
By Benjamin Weaver
Located in Bryn Mawr, PA
Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...
Category
2010s Abstract Design Gestalt
Materials
Canvas, Acrylic
Cubes Divided Equally into Three #15: abstract geometric painting w/ pinks
By Benjamin Weaver
Located in Bryn Mawr, PA
This painting would make a lovely Valentine's Day gift, order today in time for holiday delivery! This geometric abstract acrylic on canvas Op Art painting is part of Weaver's "Cubes...
Category
2010s Abstract Design Gestalt
Materials
Canvas, Acrylic
1600s Baroque Spiritual Ghosts Supernatural Intense Figures Medieval Old Masters
By Abraham WIllemsens
Located in Milwaukee, WI
"The Fortune Teller" is an original oil painting on canvas by Abraham Willemsens, Maitre aux Beguins (Master of the Hats). It depicts a fortune tell...
Category
Mid-17th Century Old Masters Design Gestalt
Materials
Oil, Canvas
An Architectural Capriccio with the Preaching of an Apostle
By Giovanni Paolo Panini
Located in New York, NY
Provenance: Santambrogio Antichità, Milan; sold, 2007 to:
Filippo Pernisa, Milan; by whom sold, 2010, to:
Private Collection, Melide, Switzerland
De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by:
Private Collection, Connecticut (2011-present)
Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini
Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary.
This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor.
The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...
Category
18th Century Old Masters Design Gestalt
Materials
Canvas, Oil
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