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Ifpda Print Fair 2014

Printed Matter: IFPDA Print Fair 2014
Printed Matter: IFPDA Print Fair 2014

    This week at New York's Park Avenue Armory, prints are allowed a rare moment in the spotlight. Amidst a larger week-long program of print-related events, lectures and exhibitions throughout the city, the International Fine Print Dealers Association’s annual fair (November 5 to 9) presents more than half a millennium of printmaking history.

    Here our editors have selected their favorite prints and drawings from 1stdibs’ participating IFPDA galleries. The collection highlights such techniques as woodcutting, etching, lithography, silk-screening and digital printing across various motifs and palettes, including Andy Warhol’s vibrantly screen-printed Flowers from 1970 and Henri Matisse’s thinly drawn flower petals from the mid-1940s. Note that this particular Matisse, Branche de Fleurs, boasts a “verso,” or reverse side, that the artist used as a study for one of his “cut-outs,” a selection of which are on view at New York’s Museum of Modern Art. The same gallery, David Tunick, also has an exceptionally rare and early impression of Albrecht Dürer’s Four Horseman of the Apocalypse from 1498 — likely the most famous woodcut in both Dürer’s prolific career if not in the history of fine art, posits Tunick — that appears to predate any other example of this print in any American museum collection.

    Beyond the earliest forms of printmaking, the fair also covers such key 19th- and 20th-century art movements as Realism, Art Nouveau, Abstract Expressionism, Pop Art and Minimalism. Says Michele Senecal, the executive director of the IFPDA, "Beyond being beautiful and easy to navigate, this fair is marked by the extraordinary caliber of works on offer. There are discoveries to be made in every booth."

to
4,748
28,374
21,045
10,765
12,686
19,860
Overall Width
to
Overall Height
to
20
480
35,322
57,410
20
62
303
998
724
5,974
7,027
5,782
4,543
3,960
10
47,125
17,369
3,030
2,924
1,337
797
572
280
213
126
117
92
46
27
41,459
35,104
15,823
46,221
23,112
18,031
15,663
15,103
12,666
12,210
11,076
7,184
6,598
6,066
5,231
4,517
4,466
4,322
4,053
4,011
3,609
3,573
3,523
34,348
33,239
30,171
25,816
19,520
7,815
5,179
2,505
1,297
1,188
9,445
31,691
60,489
28,584
Autobahn - abstract birds eye view of freeway intersection traffic at night
By Frank Schott
Located in San Francisco, CA
Autobahn by Frank Schott 48 x 48 inches / 122cm x 122cm signed edition of 7 42 x 42 inches / 107cm x 107cm signed edition of 7 30 x 30 inches / 76cm x 76cm signed edition of 25 ...
Category

21st Century and Contemporary Contemporary Ifpda Print Fair 2014

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Broken Groyne, Beach, black and white landscape photograph, limited edition
By Gerald Berghammer
Located in Vienna, Vienna
Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...
Category

2010s Abstract Ifpda Print Fair 2014

Materials

Digital Pigment, Archival Ink, Archival Paper, Archival Pigment

Untitled / 1004
By John Casado
Located in Burlingame, CA
An indication that we have entered a new era of creativity, are the photographs of John Casado. “His nudes reveal new attitudes and visions that stamp him firmly as an artist who differs from his predecessors of the past 170 years. In the past two centuries, the nude has evolved slowly, but there is now a decided change.” David Leddick...
Category

20th Century Contemporary Ifpda Print Fair 2014

Materials

Silver Gelatin

Hide
By Ellen von Unwerth
Located in New York, NY
All editions signed by the photographer.
Category

2010s Ifpda Print Fair 2014

Sangria
By Ellen von Unwerth
Located in New York, NY
All editions signed by the photographer.
Category

2010s Ifpda Print Fair 2014

Gaga Incognito
By Ellen von Unwerth
Located in New York, NY
All editions signed by the photographer.
Category

Early 2000s Ifpda Print Fair 2014

Halskrause
By Ellen von Unwerth
Located in New York, NY
All editions signed by the photographer.
Category

2010s Ifpda Print Fair 2014

Gaga
By Ellen von Unwerth
Located in New York, NY
All editions signed by the photographer.
Category

Early 2000s Ifpda Print Fair 2014

Memories (Oxana's 30th Birthday)
By Stefanie Schneider
Located in Morongo Valley, CA
Memories (Oxana's 30th Birthday) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist Inve...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Strange Math (The Princess and her Lover)
By Stefanie Schneider
Located in Morongo Valley, CA
Strange Math (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Certif...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Impregnable - Heavenly Falls
By Stefanie Schneider
Located in Morongo Valley, CA
'Impregnable' (Heavenly Falls) - 2016 50x50cm, Edition of 10, Lambda Print based on the Polaroid Certificate and signature label artist inventory num...
Category

2010s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Strangers (Deconstructivism) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Strangers (Deconstructive) - 2022 Edition of 10, 49x48cm. Archival C-Print, based on the Polaroid. Artist inventory number: 18894. Signature label and certificate. Not mounted. ...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Slim and Sphinx, Estate Edition: New York DJ Slim Hyatt at Shepheard's
By Slim Aarons
Located in Los Angeles, CA
circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...
Category

1960s Realist Ifpda Print Fair 2014

Materials

Lambda

High Fidelity
By Jason Chen
Located in Philadelphia, PA
This piece titled "High Fidelity" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.
Category

21st Century and Contemporary Contemporary Ifpda Print Fair 2014

Materials

Archival Pigment

No more goodbyes (Stranger than Paradise) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
No more goodbyes (Stranger than Paradise) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 851. Si...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Interdimensional Aberation
By Jason Chen
Located in Philadelphia, PA
This piece titled "Interdimensional Abberation" is an original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.
Category

21st Century and Contemporary Contemporary Ifpda Print Fair 2014

Materials

Archival Pigment

SOS (Last Picture Show) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
SOS (Last Picture Show) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 20645. Signature label an...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Slim and Sphinx, Estate Edition: New York DJ Slim Hyatt at Shepheard's
By Slim Aarons
Located in Los Angeles, CA
circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...
Category

1960s Realist Ifpda Print Fair 2014

Materials

Lambda

Slim and Sphinx, Estate Edition: New York DJ Slim Hyatt at Shepheard's
By Slim Aarons
Located in Los Angeles, CA
circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...
Category

1960s Realist Ifpda Print Fair 2014

Materials

Lambda

Slim and Sphinx, Estate Edition: New York DJ Slim Hyatt at Shepheard's
By Slim Aarons
Located in Los Angeles, CA
circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...
Category

1960s Realist Ifpda Print Fair 2014

Materials

Lambda

An Out of Body Experience
By Jason Chen
Located in Philadelphia, PA
This piece titled "An Out of Body Experience" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x .31"w.
Category

21st Century and Contemporary Contemporary Ifpda Print Fair 2014

Materials

Archival Pigment

Slim and Sphinx, Estate Edition: New York DJ Slim Hyatt at Shepheard's
By Slim Aarons
Located in Los Angeles, CA
circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...
Category

1960s Realist Ifpda Print Fair 2014

Materials

Lambda

Maybe tomorrow (Stranger than Paradise) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Maybe tomorrow (Stranger than Paradise) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 20658. Si...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Showtime
By Ellen von Unwerth
Located in New York, NY
All editions signed by the photographer.
Category

2010s Ifpda Print Fair 2014

Restless
By Jason Chen
Located in Philadelphia, PA
This piece titled "High Fidelity" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.
Category

21st Century and Contemporary Contemporary Ifpda Print Fair 2014

Materials

Archival Pigment

Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print (Television) TV Head A surrealist image of a window mannequin man with a TV head. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category

1980s American Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Bonnie Berman, Palm Beach, FL, VOGUE
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1980s Ifpda Print Fair 2014

Materials

Archival Pigment

Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Connections A surrealist image of a mannequin in a store window with nude Roman figurines, a light study. Hand signed, titled and dated 1987 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category

1980s American Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Alva Chinn, Rosie Vela, and Karen Bjornson, Halston
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1970s Ifpda Print Fair 2014

Materials

Silver Gelatin

Susanne Bartsch and Company, New York City
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Silver Gelatin

Christy Turlington, New York City
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Silver Gelatin

Rei Kawakubo, Paris
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1980s Ifpda Print Fair 2014

Materials

Silver Gelatin

Gail Elliott, Yasmin Le Bon, Christy Turlington and Linda Evangelista, New York
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1980s Ifpda Print Fair 2014

Materials

Silver Gelatin

Lisa Taylor in the TWA Lounge, JFK Airport, New York City, VOGUE
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1970s Ifpda Print Fair 2014

Materials

Silver Gelatin

Rubbernecking, Giraffe Manor, Kenya, VOGUE
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

Early 2000s Ifpda Print Fair 2014

Materials

Archival Pigment

In The Studio, New York City, VOGUE
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1970s Ifpda Print Fair 2014

Materials

Archival Pigment

Claudia Schiffer, Rome, Valentino
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Silver Gelatin

Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print A Renaissance face and shadow bench A surrealist image of a Sandro Botticelli sidewalk chalk drawing in a NYC park Hand signed, titled and dated 1989 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category

1980s American Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Gia, Fire Island, NY
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1980s Ifpda Print Fair 2014

Materials

Silver Gelatin

Wycliff Gordon, New York City
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Silver Gelatin

Karl Lagerfeld, Paris
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1980s Ifpda Print Fair 2014

Materials

Silver Gelatin

Kate Moss in Nepal, British VOGUE
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Archival Pigment

Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Street Art A surrealist image of a man walking over a Sandro Botticelli chalk drawing in a NYC park Hand signed, titled and dated 1989 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category

1980s American Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Manolo Blahnik, Paris
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

Early 2000s Ifpda Print Fair 2014

Materials

Silver Gelatin

Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998) Vintage gelatin silver print Lifting Hand (Scot) Chez Moi A surrealist image of a hand with a light study Hand signed, titled and dated 1986-1988 verso image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches Provenance: From the collection of AGFA Graphics Corporation David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow. Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model. Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category

1980s American Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Lion in Africa
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Silver Gelatin

Pretty Woman (Memories of Green) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Pretty Woman (Memories of Green) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 20389. Signature...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Linda Evangelista, Scotland, VOGUE
By Arthur Elgort
Located in New York, NY
Signed by the photographer
Category

1990s Ifpda Print Fair 2014

Materials

Archival Pigment

Form, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Ifpda Print Fair 2014

Materials

Archival Pigment

Sign 82, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Sign 81, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

2010s Ifpda Print Fair 2014

Materials

Silver Gelatin

Untitled (9/11) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled (9/11) - 2001 Edition of 5, 38x37cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1546. Signature label and certifi...
Category

Early 2000s Contemporary Ifpda Print Fair 2014

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Cone 7, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...
Category

21st Century and Contemporary Ifpda Print Fair 2014

Materials

Silver Gelatin

Backbend, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

2010s Ifpda Print Fair 2014

Materials

Silver Gelatin

Bow, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Ifpda Print Fair 2014

Materials

Silver Gelatin

Cone 8, San Francisco
By Nenad Samuilo Amodaj
Located in Hudson, NY
This item is available unframed or framed, They are in edition of 20 in he 16" x 20" paper size. Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
Category

21st Century and Contemporary Modern Ifpda Print Fair 2014

Materials

Archival Pigment

Hong Kong, Ships, Haven, Black and White Photography, 1960s, 24 x 24, 1 cm
Located in Cologne, DE
Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...
Category

1960s Modern Ifpda Print Fair 2014

Materials

Black and White, Silver Gelatin

Hong Kong, Woman, Sampan, Black and White Photography, 1960s, 24 x 30, 1 cm
Located in Cologne, DE
Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...
Category

1960s Modern Ifpda Print Fair 2014

Materials

Black and White, Silver Gelatin

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