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Abraham van Cuylenborch Art

1620-1658

Abraham van Cuylenborch was a Dutch Golden Age landscape painter. Cuylenborch enjoyed great success with his pictures amongst contemporary critics and collectors. A preference for imaginary views was the most striking characteristic of Utrecht landscape painting in the 1st half of the 17th century. In other parts of the region, artists concentrated on Dutch landscapes or city vedute. Cuylenborch’s oeuvre consists largely of such grotto. Aside from him, only Dirk Stoop and Carel de Hooch were producing comparable cave pictures in Utrecht. Outside Utrecht, his only competitor was the Amsterdam painter, Rombout van Troyen.

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Artist: Abraham van Cuylenborch
17th Century Classical Oil Painting - Diana With Her Attendants in a Grotto
By Abraham van Cuylenborch
Located in London, GB
Abraham van CUYLENBROCH (1620-1658) Diana With Her Attendants in a Grotto 1651 signed oil on panel 12.2 in x 15.7 inches, inc. frame; 31 x 40 cm Provenance: Sale of Sotheby's Lo...
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17th Century Old Masters Abraham van Cuylenborch Art

Materials

Oil

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Shipping in Stormy Waters, Attributed to Italian Artist Francesco Guardi
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The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. 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Abraham Van Cuylenborch art for sale on 1stDibs.

Find a wide variety of authentic Abraham van Cuylenborch art available for sale on 1stDibs. You can also browse by medium to find art by Abraham van Cuylenborch in oil paint, paint and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Abraham van Cuylenborch art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Flemish School, 17th Century, Jean-Baptiste Monnoyer, and George Morland. Abraham van Cuylenborch art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $7,417 and tops out at $7,417, while the average work can sell for $7,417.

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