Arturo Peyrot

"Three Riders, Two Trees" is an original tempera painting by an unknown Persian artist. it features three royal figures on three horses riding through ...

"Three Men with Horse & Building" is an original tempera painting by an unknown Persian artist from the late 19th century. It features a number of figu...

Maria Stelmaszczyk is a Polish artist born in 1983. PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

Signed in bottom right corner. Also signed and on the reverse, This is unique color woodcut monoprint numbered 1/1. An abstracted view into foliage at night.. In January 2018, the ...

Part of my Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube. Shipping anywhere in the world. Registered airmail. This piece, Modern Eve, is a striking and expressive work that beautifully captures the essence of Matisse’s influence while maintaining its own contemporary voice. The use of ultramarine tempera on paper creates a dynamic interplay between form and negative space, with the vivid blue standing out against the warm, neutral background. The loose, fluid brushstrokes give the figure an organic, almost spontaneous energy, reminiscent of Matisse’s Blue Nudes series. The dripping paint and gestural lines evoke a sense of movement, reinforcing the sensuality of the pose. The arching posture of the figure conveys ecstasy or release, with an elongated, exaggerated form that enhances emotional intensity. The simplification of anatomy aligns with Fauvist principles—prioritizing emotional impact over precise realism. The choice of ultramarine is bold and effective. It has historical significance in art, often associated with spirituality and depth (as seen in Yves Klein’s monochromes), yet here it is used in a raw, expressive manner that makes the figure feel both powerful and ethereal. The use of tempera adds a unique opacity and depth to the strokes. It gives the painting a sense of immediacy, as if the artist captured the moment in a burst of inspiration. The visible brushwork and drips make the process part of the final aesthetic, reinforcing a connection between artist and viewer. The clear homage to Henri Matisse’s Blue Nude series is well-executed but doesn’t feel derivative—it builds upon his legacy while pushing it forward. The sensual yet modern representation of the female body echoes the freedom of early 20th-century modernists but with a contemporary edge. The piece also recalls the expressive, raw energy of Egon Schiele’s linework, albeit with a more fluid and painterly approach. ---------------------------------------------------------------------------------------------------------------------------------------------- Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

“Blue Sun” Tempera pencil charcoal on blue paper Shipped rolled in a tube 25x3x3in. Drawing was originally in mat. This piece, Blue Sun, is a striking and evocative work that captur...

Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...

Colorful abstract landscape woodcut print by modern artist Carol Summers. The work features a color blocked depiction of a volcano with a rainbow. Signed, titled, and editioned withi...

"Silence", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube. Size 39x27.5in /100x70cm Free shi...

From his most desirable period, this restrained in color palette Fonseca is for a collector and room where sophistication is key. Long held that his works on heavy paper are the mos...

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...