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Barbara Strasen Landscape Paintings

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Artist: Barbara Strasen
CITYCITYSCAPES, patterned, landscape, bright colors, buildings
By Barbara Strasen
Located in New York, NY
Acrylic and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...
Category

2010s Contemporary Barbara Strasen Landscape Paintings

Materials

Canvas, Acrylic

DURER WITH CHERRIES, lenticular, patterns, floral, animals, historical, pink
By Barbara Strasen
Located in New York, NY
acrylic and graphite on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting...
Category

Early 2000s Contemporary Barbara Strasen Landscape Paintings

Materials

Acrylic, Lenticular

S-FOURTH, abstract, neutral, interior, figurative, patterned
By Barbara Strasen
Located in New York, NY
Acrylic and organza on Yupo, mounted on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each pain...
Category

Early 2000s Contemporary Barbara Strasen Landscape Paintings

Materials

Canvas, Acrylic

TOILE NEURONS, gray, pastel, yellow, blue, patterned
By Barbara Strasen
Located in New York, NY
acrylic and encaustic on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is...
Category

Early 2000s Contemporary Barbara Strasen Landscape Paintings

Materials

Canvas, Acrylic

CONTINENTAL DRIFT, seascape, abstract, blue, turquoise, ocean
By Barbara Strasen
Located in New York, NY
Acrylic and Flashe on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is o...
Category

Early 2000s Contemporary Barbara Strasen Landscape Paintings

Materials

Canvas, Acrylic

BIRD TREES, animals, plants, landscape, pink, earth tones, illustrative
By Barbara Strasen
Located in New York, NY
Acrylic, Flashe and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet...
Category

2010s Contemporary Barbara Strasen Landscape Paintings

Materials

Canvas, Acrylic

CHINOISERIE, bright blue mixed media painting on paper
By Barbara Strasen
Located in New York, NY
Acrylic and collage on Yupo paper
Category

2010s Contemporary Barbara Strasen Landscape Paintings

Materials

Paper, Acrylic, Mixed Media

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Uscita - Large Scale Trompe L'oeil Gardenscape Inspired by Ancient Roman Frescos
By Carol Pylant
Located in Chicago, IL
"Uscita" takes Inspiration from ancient Italian frescos originally found at the Villa di Livia outside of Rome. The trompe l'oeil frescos were from a subterranean room used for dining. The lush gardens gave the dinner guests the illusion of dining alfresco. Here Pylant took particular notice of the flora and fauna painted over 2000 years ago only to discover they were species that were also present at her then North Carolina studio. The artist adds an architectural element to the gardenscape to suggest a portal from the past into the present. This exploration of the ancient world and its connection to the present is a central theme running through Pylant's work. Carol S. Pylant Uscita oil and acrylic on canvas 40h x 62w in 101.60h x 157.48w cm CSP035 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...
Category

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Materials

Oil, Acrylic, Canvas

Blue Horsebotic - Blue Green Futuristic Fantasy Landscape Horse Robot, 2016
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Located in Kent, CT
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"Trapped in New York, " Acrylic on Canvas Field of Trees signed by Tom Shelton
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"Trapped in New York" is an original acrylic painting by Tom Shelton. The artist signed, titled, and dated the piece in the lower right. This piece features a forest with animals and...
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Zebras and Daisies, Flower Field Jungle Painting Surrealist Art, Gustavo Novoa
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2010s Contemporary Barbara Strasen Landscape Paintings

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Canvas, Acrylic

Barbara Strasen landscape paintings for sale on 1stDibs.

Find a wide variety of authentic Barbara Strasen landscape paintings available for sale on 1stDibs. If you’re browsing the collection of landscape paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Barbara Strasen in acrylic paint, mixed media, paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Barbara Strasen landscape paintings, so small editions measuring 24 inches across are available. Customers who are interested in this artist might also find the work of Eric Schutte, Michelle Condrat, and Bogumił Książek . Barbara Strasen landscape paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,100 and tops out at $4,100, while the average work can sell for $4,100.
Questions About Barbara Strasen Landscape Paintings
  • 1stDibs ExpertAugust 15, 2024
    How much a Barbara Hepworth is depends on its condition and other factors. In 2023, the English artist’s sculpture The Family of Man: Ancestor II sold for more than $11.5 million at a Christie's auction, setting a new record for the artist. Hepworth’s early work reflected her interest in European art movements, particularly Italian abstraction. In 1931, Hepworth began to sculpt her characteristic pierced figures, which tend to be the most highly sought-after examples of her work. If you own a work by Hepworth, a certified appraiser or experienced art dealer can aid you in the valuation process. On 1stDibs, find an assortment of Barbara Hepworth art.
  • 1stDibs ExpertApril 5, 2022
    Barbara Hepworth was a British sculptor considered a leading figure in the international art scene. Her work in modernism is still held in high regard, with pieces like “Single Form” and “Two Forms” considered some of her most prestigious work. Shop a selection of Barbara Hepworth’s art on 1stDibs.
  • 1stDibs ExpertOctober 30, 2024
    Many things happened to Barbara Hepworth. She attended the Leeds School of Art from 1920. There, she met fellow sculptor Henry Moore. From Leeds, Hepworth went on to attend the Royal College of Art (RCA) in London, where she studied from 1921–24. Following her studies there, Hepworth traveled to Italy, beginning in Florence, where she was the runner-up for the Prix de Rome. She lost only to sculptor John Skeaping, with whom she began a relationship. The pair traveled to Siena and Rome and were married in 1925 in Florence. During her time in Italy, Hepworth studied under sculptor Giovanni Ardini and learned how to carve marble. Upon her return to London, Hepworth and Skeaping began to publicly exhibit their work from their flat until their divorce in 1929. Although Hepworth died in 1975, she remains an influential figure in art. In 2015, Tate Britain held the first big solo show of Hepworth’s work since her death, bringing together more than 70 works. On 1stDibs, find a wide range of Barbara Hepworth art.
  • 1stDibs ExpertSeptember 16, 2024
    The technique that Barbara Hepworth most often used was direct carving. Pioneered by sculptor Constantin Brâncuși during the early 20th century, this process involves using tools to shape the materials and allowing shapes to emerge naturally. It differs from more traditional forms of carved sculpture, which involve the use of plaster or clay models. On 1stDibs, explore a range of Barbara Hepworth art.
  • 1stDibs ExpertSeptember 16, 2024
    Yes, Barbara Hepworth did use clay. Although early in her career she favored wood and metal, Hepworth expanded her preferred materials in the 1950s, beginning to use not only clay but also bronze to create her sculptures. However, Hepworth famously did not use clay to produce models for her sculptures, preferring to work directly with her materials. On 1stDibs, explore a diverse assortment of Barbara Hepworth art.
  • 1stDibs ExpertMay 30, 2024
    The font that Barbara Kruger uses is Futura Bold. In 1979, the artist unveiled her first works, featuring a combination of type and image in her signature colors of black, white and red. The phrases that Kruger superimposes onto the imagery in her work are as pointed, direct and authoritative as the visuals, with the best-known examples including I Shop Therefore I Am and You Are a Captive Audience. On 1stDibs, find a range of Barbara Kruger art.
  • 1stDibs ExpertNovember 4, 2024
    Barbara Hepworth used bronze for a few reasons. Hepworth intended for some pieces to be displayed outdoors and bronze is a weather-ready material. Because it can be melted and poured into a mold, bronze also made it possible for Hepworth to create her distinctive pierced, fluid sculptures, whereas it was more difficult to achieve the same effects with wood and stone. In addition, brass enabled Hepworth to quickly make multiple editions of the same work. On 1stDibs, find a selection of Barbara Hepworth art.
  • 1stDibs ExpertOctober 24, 2024
    Barbara Hepworth sculptures have holes in them because the sculptor was interested in how three-dimensional artworks interact with the spaces in which they are displayed. By piercing her wood, stone and metal sculptures, Hepworth allowed light to pass through her works and gave viewers the opportunity to catch glimpses of the settings that lay beyond her pieces. In addition, Hepworth stated that she liked those gazing at her work to be able to see the inside and outside of her sculptures simultaneously. On 1stDibs, find a collection of Barbara Hepworth art.
  • 1stDibs ExpertOctober 30, 2024
    Barbara Hepworth made many of her sculptures at her home studio. From 1939 until her death in 1975, she resided in St Ives, Cornwall, England. Today, her former home and studio are a museum dedicated to her life and work. Explore a wide variety of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertOctober 30, 2024
    Barbara Hepworth worked in a number of mediums. She is best known for her sculptures, which she produced out of clay, bronze, stone and wood. Hepworth also created prints, including serigraphs and lithographs. Find a collection of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    Barbara Hepworth made her sculptures out of a variety of materials. To create many, she used tools to carve into wood and stone. Her outdoor bronze sculptures like Single Form and Two Forms are particularly well known. On 1stDibs, shop a variety of Barbara Hepworth art.
  • 1stDibs ExpertOctober 30, 2024
    Yes, Barbara Hepworth knew Henry Moore. They met while she was attending the Leeds School of Art in the 1920s. Moore and Hepworth maintained a friendly rivalry throughout their careers. Along with Paul Nash and Ben Nicholson, the two founded the Unit One art movement in 1933. The movement's purpose was to promote avant-garde art in the UK. Explore a wide variety of Barbara Hepworth art.
  • 1stDibs ExpertNovember 20, 2024
    No, Dorothy Hepworth and Barbara Hepworth aren't related. However, both were British artists. Barbara Hepworth was a sculptor known for her direct carving technique and pierced sculptures. Dorothy Hepworth was a painter who created expressive portraits of women. She signed many of her pieces with the name of her longtime lover, Patricia Preece. Shop a collection of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertSeptember 16, 2024
    The group of artists that included Barbara Hepworth was called Unit One. Paul Nash formed the group in 1933 in hopes of bringing together creative minds to promote a modern approach to architecture, art and design. In addition to Nash and Hepworth, the group included John Armstrong, John Bigge, Edward Burra, Wells Coates, Henry Moore, Colin Lucas, Ben Nicholson and Edward Wadsworth. Shop a variety of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertSeptember 16, 2024
    The reason why Barbara Hepworth created Madonna and Child relates to her personal history. In 1953, her son, Paul, was killed when his Royal Air Force plane crashed in Thailand. She produced the moving sculpture as a tribute to his memory. Today, the statue is on display in a memorial to Paul at the parish church of St Ives, England. On 1stDibs, explore a range of Barbara Hepworth art.
  • 1stDibs ExpertNovember 20, 2024
    Yes, Henry Moore and Barbara Hepworth were friends. The two met at the Leeds School of Art in the UK and maintained a friendly rivalry throughout their careers. Both Hepworth and Moore were members of Unit One, a group of British artists who sought to educate the public about avant-garde art during the 1930s. Shop a selection of Henry Moore and Barbara Hepworth art on 1stDibs.

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