Bernard Aptekar Art
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For the Megaliths to the Megalopolis - Figurative Political Painting
By Bernard Aptekar
Located in New York, NY
Bernard Aptekar's For the Megaliths to the Megalopolis is a figurative painting measuring 49.5" x 65". Aptekar's paintings are often a political and social commentary of the contradi...
Category
Early 2000s Expressionist Bernard Aptekar Art
Materials
Oil, Canvas
The Speeding City Stretches Into Flesh - Figurative Painting with Pastel Colors
By Bernard Aptekar
Located in New York, NY
Aptekar's paintings are often a political and social commentary of the contradictions inherent to the human mankind. The surrealistic and expressionistic language used to covey the m...
Category
Early 2000s Expressionist Bernard Aptekar Art
Materials
Oil, Canvas
Arthur Miller Thinks - Expressionist Figurative Painting of Arthur Miller
By Bernard Aptekar
Located in New York, NY
Bernard Aptekar's Arthur Miller Thinks is a large 65.5 x 53.5 inches expressionist figurative oil painting. It portrays American playwright Arthur Miller. The main colors are blue, green, and pink. The surrealistic and expressionistic language used to covey the message, as well as the use of a palette with low contrast colors, has its roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. Arthur Miller, the author of the play "Death of a Salesman...
Category
Early 2000s Expressionist Bernard Aptekar Art
Materials
Oil, Canvas
Joseph Heller Thinks About Catch-22 - Portrait Painting with Pastel Colors
By Bernard Aptekar
Located in New York, NY
Aptekar's paintings are often a political and social commentary of the contradictions inherent to the human mankind. The surrealistic and expressionistic language used to covey the message, as well as the use of a palette with low contrast colors like light blue, green and pink, has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. The title of this artwork "Joseph Heller...
Category
Early 2000s Expressionist Bernard Aptekar Art
Materials
Oil, Canvas
A Tough Citizen
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
Man Into Machine
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
A Piece of Technology
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen
The Coffee Break
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The use of clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "Coffee Break...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
They Won't Be Stopped
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
The Rats
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
The Hot Dog Man
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "The Hot Dog...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
The Football Players
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "The Football Players...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
Hand Into Meat
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
Moving Woman
By Bernard Aptekar
Located in New York, NY
As art historian and writer Suzanne Ramljak wrote "the ambivalent relationship between humanity and machinery has informed Aptekar's art from the start and remains a central theme in his work. Like many of the issues Aptekar addresses, technology is not without contradiction."
The shocking imagery of juxtaposed human and natural forms with mechanical elements, using clear contours and colors, is certainly not oblivious of Fernand Leger latest work and what he called "the law of contrast". At the same time, the political and social commentary that are a constant inherent component of Aptekar's work has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11.
The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process.
This work "Moving Woman" has been conceived while Aptekar was working on a monumental piece of 23 x 45 x 17 feet titled "The Defeat of the City of Plutonium: A Holocaust Prevented". The strong image of a human female naked body depicted as being one of the building parts...
Category
1980s Expressionist Bernard Aptekar Art
Materials
Screen, Paper
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The City has a Body
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Bernard Aptekar art for sale on 1stDibs.
Find a wide variety of authentic Bernard Aptekar art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of green, orange and other colors. You can also browse by medium to find art by Bernard Aptekar in screen print, paper, canvas and more. Much of the original work by this artist or collective was created during the 1980s and is mostly associated with the Expressionist style. Not every interior allows for large Bernard Aptekar art, so small editions measuring 34 inches across are available. Customers who are interested in this artist might also find the work of Alice Neel, Herve Telemaque, and Lovis Corinth. Bernard Aptekar art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,100 and tops out at $32,000, while the average work can sell for $3,100.