Carl Beam Figurative Prints

EVENING THOUGHTS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). Printed in 2002 at JK Fine Art Editions Co. from hand drawn plates using traditional hand lithography techniques on archival printmaking paper 100% acid free. EVENING THOUGHTS is an abstract color collage portrait depicting a pensive young black woman expressed using geometric details to form her nose, forehead highlight, and eyes. The woman's youthful presence is enhanced by her lime green v-neck and periwinkle blue top as she peers from behind a pink curtain looking down and to her left; her hand near positioned her mouth. Moody moonlit background of teal blue, neutral gray. Print size - 25 x 18 in., unframed, mint condition, pencil signed by Ernest Crichlow, Certificate of Authenticity provided Image size - 17.5 x 13 in. Edition size - 150, plus proofs Year published - 2002 Ernest Crichlow was born in Brooklyn, New York, in 1914, died 2005, Brooklyn NY. He joined the Harlem Artists Guild in the 1930s and worked alongside Jacob Lawrence, Charles Alston...

BUS STOP by the African American artist Maurice Evans is an original, hand drawn limited edition lithograph (not a photo reproduction or digital print) p...

ELLA FITZGERALD is a limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed using traditional lithography techniques on archival printmaking paper, 100% acid free. ELLA FITZGERALD is an impressive black and white caricature portrait...

NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, African-American artist ERNEST CRICHLOW (1914-2005). Printed from hand drawn plates using traditional hand lithography techniques on archival printmaking paper 100% acid free. NEW DREAMS presents a poignant, realistic portrait of a young black girl, profile view, combed back flip hairstyle, wearing a light peach puff sleeve dress as she pensively gazes forward(toward the future?), a historic rural scene from the past transpires behind her shown as an older black woman dressed in a white blouse, head wrap, and long dark skirt bending forward as she works in the field. NEW DREAMS is a fine social-realist style portrait expressed in an appealing warm color palette with ivory cream as the background. Sepia brown is used for the main drawing, the tree at center is accented with delicate light green and soft coral red leaves; a railed fence in front of a band of light olive green forms a grassy division between the present and past. Print size - 24.5 x 16.75 inches, unframed, excellent condition, pencil signed by Ernest Crichlow Image size - 17.75 x 11.75 inches Year published - 2002 Edition size - 150, plus proofs Printer - JK Fine Art Editions Co. NJ Ernest Crichlow was born in Brooklyn, New York, in 1914, died 2005, Brooklyn NY. He joined the Harlem Artists Guild in the 1930s and worked alongside Jacob Lawrence, Charles Alston, and Aaron Douglas. The Artists Guild was supported by the Works Progress Administration (WPA), which provided employment for many artists during the Depression. For Crichlow, the WPA was essential to the formation of many careers of African-American artists. He said that the WPA was "the greatest stimulant the American art scene had ever had. It meant something to be an artist then. The WPA was our haven and offered us a real entrée into what was happening. We had a lot of hope . . . Before that, very few of us had anything resembling a real art education." Crichlow was always a strong advocate for black artists. In 1969, he, Romare Bearden, and Norman Lewis...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 1 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

FROM GENERATION TO GENERATION is a fine art limited edition commemorative poster by the American artist/sculptor Chaim Gross. FROM GENERATION TO GENERATION was printed using four col...

NY STREET SCENE II is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed in black ink using hand lithography techniques on archival...

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

BOPPING AT BIRDLAND(STOMP TIME) is a limited edition color lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free, in an edition size of 175 by the renowned African American artist Romare Bearden. A semi-abstract multicolor print in shades of red, yellow, blue, green, pink beige, white, gray and black - BOPPING AT BIRDLAND(STOMP TIME) is a lively jazz portrait...

"Neptune Washington" is a large contemporary lithograph by Ron Adams (1934- ), created in 1996. It depicts a muscular African-American fisherman polling his fishing boat in a river in the rain. Adams distinctive rendering of Neptune conveys his great strength, as well as the grace, fluidity and balance of his body. He is barefoot and shirtless, dressed in striped overalls with his right shoulder strap undone. A bucket of fish sits next to his left foot, while fishing line, an open tin can and a frog are seen on a wet bench in front of Neptune. A long-necked white bird (crane) sits on a log floating by in the river near the opposite shore. Ominous storm clouds are present in the background over trees, brush and rocks along the opposite river bank. The lithograph is printed on handmade deckle-edged paper and presented with a museum style floating mount in a black wood frame with a thick cream mat and glazed with UV protected plexiglass. It is signed in pencil in the right lower corner along with the date, '96. The title "Neptune Washington" is inscribed in pencil in the lower margin in the center and initials HGI are in the lower left. The initials HGI may stand for Hand Graphics Institute, which Adams founded in New Mexico. The initials rather than the usual edition number (which consisted of 70), possibly signify an artist proof or possibly a Hors-Commerce (before trade) printing. The print is in excellent condition. The frame measures 38" x 30.25" x 1.25". Ron Adams is a prominent African-American master printmaker. His detailed depictions of African-American musicians, craftsmen, folk heroes and everyday people have made him one of the top figurative artists and printmakers in the country. He has worked with and taught many other well-known artists, including Frank Stella, Charles White, John Biggers, Robert Rauschenberg and Jasper Jones...

JAPANESE TEMPLE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the Dutch artist Nico Vrielink printed using traditional hand lit...

Fahamu Pecou Bag of Tricks, 2015 Lithograph 28 x 22 inches (71.1 x 55.9 cm) Edition 113/150