Clinton Blair King Prints and Multiples
to
2
2
2
Overall Height
to
Overall Width
to
2
2
2
1
1
1
1
1
1
1
2
2
984
697
659
625
2
Artist: Clinton Blair King
Last Year at Marraketch
By Clinton Blair King
Located in San Francisco, CA
This Artwork Titlled "Last Year at Marraketch" 1972 is an original color etching and aquatint on B.F.K Rives paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, dedicated and numbered 3/40 in pencil by the artist. The plate mark (image) size is 15.25 x 19.5 inches, sheet size is 21.75 x 29.65 . It is in very good condition. The work of Clinton Blair King is held in many corporate, private collections and museums, among them: The Metropolitan Museum of Art, New York, Museum of New Mexico, Smithsonian Museum of Art, Washington and National Gallery of Art, Washington.
About the artist:
EDUCATION
2005 MFA Sculpture: School of the Art Institute of Chicago
2000 BFA Painting: Columbus College of Art and Design
SOLO EXHIBITIONS
2016 SPECTRAL EVIDENCE, Stellan Holm Gallery, New York City, NY
2015 OPEN ENDED, Transmitter, Brooklyn, NY.
2008 APATHY, Shiraya Art Space, Tokyo Japan
2001 FOR THE TIME BEING, Ohio Art League, Columbus, OH
GROUP ExHIBITIONS
2017 YELLOW CHAIR, David & Schweitzer Contemporary, Brooklyn, NY
DECONSTRUCTED Terrault Gallery, Baltimore MD
TRANSCENDENCE OF US, Trans-cen-der space, Brooklyn NY
2016 THIS STRANGE GAME, Landmark Arts Building, Chelsea, NY
STONE SOUP NASTY, Orgy Park, Brooklyn, New York, NY
COLD SUMMER, Curated by Peter Shear, The Provincial, Chief, Michigan
"TIKI" Helper Gallery, NADA art fair, Miami FL
2014 BRUTE MODERATES, with Peter Shear, Firework Gallery, Brooklyn, NY
BROOKLYN BRIDGE, Curated by Justine Frischmann. George Lawson Gallery. SF, CA
SUDDENLY THERE, Garis and Hahn, Bowery NYC
DO IT YOURSELF, Curated by Julie Torres / Julia Schwartz B.O.S. Brooklyn NY
LOOK & LISTEN, Curated by Yifat Gat. Espace Art / Galerie & Ateliers. Marseille France
SORRY I"M LATE, Brooklyn Fireproof. Brooklyn NY.
2013 WHAT I LIKE ABOUT YOU, Parallel Art space, Brooklyn, NY
DONUT MUFFIN Dorsky Gallery, Long Island City, NYC
2012 ART BLOG "LOVE", One River Gallery, Englewood NJ
BUSHWICK BASEL, Jules de Balincourt Studio, Brooklyn NY.
ALTER MINIMAL, Lexicon Series Vol. 1, Parallel Art Space, Brooklyn, NY
HIATUS, Urban Institute For Contemporary Art, Grand Rapids, MI
2011 I CAN"T GO ON I MUST GO ON, Tempus Projects, Tampa, FL.
VIS -A -VIS, Backyard Projects- New York, NY
NEITHER A BEGINNING OR END, Possible Projects, Philadelphia, PA
2010 A VAUGE WHOLE, Spaces, with Benjamin Bellas and Steffani Jemison Cleveland, OH
2009 i.e. ARTIST COLLECTIVE, University of Green Bay, WI
i.e. ARTIST COLLECTIVE, Boots Contemporary, St. Louis, MO
2008 FLAT BLACK , Zaim Space, Yokohama, Japan.
i.e.llusions, Alogon Gallery, Chicago, IL
2007 i.e. BETWEEN, Harold Washington College, Chicago, IL
SPLIT ENDS, with Julie Curtiss...
Category
Late 20th Century American Modern Clinton Blair King Prints and Multiples
Materials
Etching
Hellas
By Clinton Blair King
Located in San Francisco, CA
This Artwork Titlled "Hellas" 1974 is an original color etching and aquatint on Arches paper by noted American artist Clinton Blair King, 1901-1979 It is hand signed, dated, titled, dedicated and numbered 26/50 in pencil by the artist. The plate mark (image) size is 17.5 x 22.75 inches, sheet size is 22 x 29.85 . It is in very good condition. The work of Clinton Blair King is held in many corporate, private collections and museums, among them: The Metropolitan Museum of Art, New York, Museum of New Mexico, Smithsonian Museum of Art, Washington and National Gallery of Art, Washington.
About the artist:
EDUCATION
2005 MFA Sculpture: School of the Art Institute of Chicago
2000 BFA Painting: Columbus College of Art and Design
SOLO EXHIBITIONS
2016 SPECTRAL EVIDENCE, Stellan Holm Gallery, New York City, NY
2015 OPEN ENDED, Transmitter, Brooklyn, NY.
2008 APATHY, Shiraya Art Space, Tokyo Japan
2001 FOR THE TIME BEING, Ohio Art League, Columbus, OH
GROUP ExHIBITIONS
2017 YELLOW CHAIR, David & Schweitzer Contemporary, Brooklyn, NY
DECONSTRUCTED Terrault Gallery, Baltimore MD
TRANSCENDENCE OF US, Trans-cen-der space, Brooklyn NY
2016 THIS STRANGE GAME, Landmark Arts Building, Chelsea, NY
STONE SOUP NASTY, Orgy Park, Brooklyn, New York, NY
COLD SUMMER, Curated by Peter Shear, The Provincial, Chief, Michigan
"TIKI" Helper Gallery, NADA art fair, Miami FL
2014 BRUTE MODERATES, with Peter Shear, Firework Gallery, Brooklyn, NY
BROOKLYN BRIDGE, Curated by Justine Frischmann. George Lawson Gallery. SF, CA
SUDDENLY THERE, Garis and Hahn, Bowery NYC
DO IT YOURSELF, Curated by Julie Torres / Julia Schwartz B.O.S. Brooklyn NY
LOOK & LISTEN, Curated by Yifat Gat. Espace Art / Galerie & Ateliers. Marseille France
SORRY I"M LATE, Brooklyn Fireproof. Brooklyn NY.
2013 WHAT I LIKE ABOUT YOU, Parallel Art space, Brooklyn, NY
DONUT MUFFIN Dorsky Gallery, Long Island City, NYC
2012 ART BLOG "LOVE", One River Gallery, Englewood NJ
BUSHWICK BASEL, Jules de Balincourt Studio, Brooklyn NY.
ALTER MINIMAL, Lexicon Series Vol. 1, Parallel Art Space, Brooklyn, NY
HIATUS, Urban Institute For Contemporary Art, Grand Rapids, MI
2011 I CAN"T GO ON I MUST GO ON, Tempus Projects, Tampa, FL.
VIS -A -VIS, Backyard Projects- New York, NY
NEITHER A BEGINNING OR END, Possible Projects, Philadelphia, PA
2010 A VAUGE WHOLE, Spaces, with Benjamin Bellas and Steffani Jemison Cleveland, OH
2009 i.e. ARTIST COLLECTIVE, University of Green Bay, WI
i.e. ARTIST COLLECTIVE, Boots Contemporary, St. Louis, MO
2008 FLAT BLACK , Zaim Space, Yokohama, Japan.
i.e.llusions, Alogon Gallery, Chicago, IL
2007 i.e. BETWEEN, Harold Washington College, Chicago, IL
SPLIT ENDS, with Julie Curtiss...
Category
Late 20th Century American Modern Clinton Blair King Prints and Multiples
Materials
Etching
Related Items
Figure Composition
By Martin Shortis
Located in Storrs, CT
Figures Composition. 1984. Etching and drypoint. 6 1/2 x 5. Three states, two artist's proofs. Each printed on cream wove paper. Each titled, dated, and signed 'Shortis N[ew] Y[ork]'...
Category
Late 20th Century Modern Clinton Blair King Prints and Multiples
Materials
Etching
Leonor Fini - Untitled - Original Handsigned Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Untitled - Original Handsigned Etching
Circa 1982
On colored paper
Handsigned and Numbered
Edition: 275
Dimensions: 69 x 52.5 cm
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
1980s Modern Clinton Blair King Prints and Multiples
Materials
Etching
H 27.17 in W 20.56 in D 0.04 in
Woman - Original Etching by Jeanne Bardey - Early 20th Century
By Jeanne Bardey
Located in Roma, IT
Woman is an original etching realized in Early 20th Century after Auguste Rodin by French artist Jeanne Bardey (1872 - 1954)
Numbered.Edition, 9/25.
Good conditions.
Jeanne Barde...
Category
Early 20th Century Modern Clinton Blair King Prints and Multiples
Materials
Etching
No Reserve
H 14.18 in W 8.67 in D 0.04 in
'Madman's Drum (Plate 41)' — 1930s Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Madman's Drum, Plate 41', wood engraving, 1930, edition small. Signed in pencil. A fine, black impression, on off-white tissue-thin Japan paper; the full sheet with margins (1 5/8 to 2 1/2 inches); a small paper blemish in the upper right margin, away from the image, otherwise in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 5 1/2 x 3 3/4 inches (140 x 95 mm); sheet size 9 5/8 x 7 1/8 inches (244 x 181 mm).
From Lynd Ward’s book of illustrations without words, 'Madman’s Drum', Jonathan Cape and Harrison Smith, New York, 1930. Illustrated in 'Storyteller Without Words: The Wood Engravings of Lynd Ward', Harry Abrams, New York, 1974.
Reproduced in 'Storyteller Without Words, the Wood Engravings of Lynd Ward', Harry N. Abrams, New York, 1974.
ABOUT THE ARTIST
Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society.
The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage...
Category
1930s American Modern Clinton Blair King Prints and Multiples
Materials
Woodcut
Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude scene
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...
Category
1970s Modern Clinton Blair King Prints and Multiples
Materials
Etching
Nude from Back - Original Etching by Henri Farge - Early 20th Century
Located in Roma, IT
Nude from Back is an original modern artwork realized in the first decades of the 20th Century by the French artist Henri Farge (1884-1970).
Original et...
Category
Early 20th Century Modern Clinton Blair King Prints and Multiples
Materials
Etching
Henri FargeNude from Back - Original Etching by Henri Farge - Early 20th Century, Early 20th Century
H 10.24 in W 12.21 in D 0.04 in
The Suffering Folk - Original Etching by Louis Jou - Early 20th Century
By Louis Jou
Located in Roma, IT
The Suffering Folk is an original etching realized by Louis Jou in the Early 20th Century.
Applied on a Passpartout by gluing: 47 x 63 cm.
Hand-Signed, Numbered. Edition, 14/40.
Good conditions.
Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...
Category
1920s Modern Clinton Blair King Prints and Multiples
Materials
Etching
Louis JouThe Suffering Folk - Original Etching by Louis Jou - Early 20th Century, Early 20th Century
H 16.54 in W 19.69 in D 0.04 in
Claes Oldenburg mythological Erotic Fantasy Suite print set of 6 medusa mermaid
By Claes Oldenburg
Located in New York, NY
These erotic etchings depict mythological and fantasy creatures as striking nudes. A host of sensuous and shocking figures include a mermaid, Medusa, and women in both jubilant and p...
Category
1970s Modern Clinton Blair King Prints and Multiples
Materials
Etching
Ossip Zadkine - Ultimate Step - Original Etching
By Ossip Zadkine
Located in Collonge Bellerive, Geneve, CH
Etching monogrammed in the plate.
Illustration for a Robert Ganzo's poem "Lespugue"
Editions Marcel Sautier, Paris, 1966.
Conditions: Good Conditions
Dimensions: 25,5 x 16,5 cm.
Vellum paper
Référence Czwiklitzer n°55.
1890
Zadkine was born on the 14th of July in Vitebsk, a city in Belarussia, on the Dvina.
His father Ephime teaches classical languages at the local seminar.
His mother Sophie Lester descended from Scots, who emigrated at the time of Peter the Great.
1905
His parents send him to Sunderland, in the North of England, where his mother’s family lives.
He studies English and attends modelling courses at the local Art School.
1905-1909
He travels to London without his parents permission where he attends courses at the Regent Street Polytechnicum.
In order to earn his living, he plans to work with a stonecutter.
He visits the British Museum and studies classical sculpture there.
Returns to Smolensk where he produces his first sculpture.
Goes back to London.
1909-1910
Zadkine settles in Paris and studies in the ecole Nationale des Beaux-Arts.
Finds a workshop in a building called La Ruche, in the XVe arrondissement.
1911
Zadkine presents statues and drawings at the annual Salon d’Automne and at the Salon des Indépendants.
It is the ‘cubists’ who draw his attention in Paris.
Is essentially close to Russian students who get together in a cafe of the ‘Quartier Latin’.
Has himself called Joe Zadkine until 1914.
1912-1913
Finds a room in the neighbourhood of Montparnasse, in the rue de Vaugirard.
Studies Roman sculpture.
Zadkine is immortalized by his neighbour, photographer Marc Vaux, in his new workshop.
Meets Brancusi, Guillaume Apollinaire, Jacques Lipchitz, Pablo Picasso, Antoine Bourdelle, Leopold Survage and Robert Delaunay.
Henri Matisse visits Zadkine’s workshop.
1914-1915
Exhibition at the Freie Sezession in Berlin, at De Onafhankelijken in Amsterdam (Holland) and at
the Allied Artists Association in London.
Thanks to collector Paul Rodocanachi, he can settle in a workshop in the rue Rousselet.
Becomes friends with Modigliani.
1916-1917
Works as a stretcher-bearer on the front. Produces drawings and watercolours dealing with war.
Zadkine is discharged in 1917.
He says he is ‘bodily and spiritually’ ruined by the war.
After his stay in the Epernay hospital he recovers in Bruniquel, in the southwest of France.
1918-1919
Makes a series of 20 war etchings...
Category
1960s Modern Clinton Blair King Prints and Multiples
Materials
Etching
'Girl with Hands to Face' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...
Category
1940s American Modern Clinton Blair King Prints and Multiples
Materials
Lithograph
'Eyes for the Night' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...
Category
1940s American Modern Clinton Blair King Prints and Multiples
Materials
Lithograph
September Morn
By Joseph Hirsch
Located in New Orleans, LA
Three women strolling on a beach. This impression is one of the rare impressions printed monochromatically. Hirsch natural inclination was to print in lack and white but reprinted ...
Category
1960s American Modern Clinton Blair King Prints and Multiples
Materials
Lithograph
Clinton Blair King prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Clinton Blair King prints and multiples available for sale on 1stDibs. If you’re browsing the collection of prints and multiples to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Clinton Blair King in etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Clinton Blair King prints and multiples, so small editions measuring 30 inches across are available. Customers who are interested in this artist might also find the work of Walt Kuhn, Lilya Vorobey, and Lynd Ward. Clinton Blair King prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $800 and tops out at $800, while the average work can sell for $800.