Skip to main content

Eugenio Carmi Abstract Prints

to
10
Overall Width
to
Overall Height
to
3
1
13
647
194
170
165
10
10
8
2
9
6
1
7
3
Artist: Eugenio Carmi
Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...
Category

1980s Post-Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint with metal foil Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approxi...
Category

1980s Post-Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Abstract Composition - Etching by Eugenio Carmi - 1987
By Eugenio Carmi
Located in Roma, IT
Abstract Composition is an original etching made by Eugenio Carmi (Genoa, 1920 - Lugano, 2016) in 1987. Good conditions. Hand signed and numbered. Edition, VIII/XXXV. Eugenio Carm...
Category

1980s Abstract Eugenio Carmi Abstract Prints

Materials

Etching

Abstract Composition - Etching by Eugenio Carmi - 1987
By Eugenio Carmi
Located in Roma, IT
Abstract Compositionis an original etching made by Eugenio Carmi (Genoa, 1920 - Lugano, 2016) in 1987. Good conditions. Hand signed and numbered. Edition, VIII/XXXV. Eugenio Carmi...
Category

1980s Abstract Eugenio Carmi Abstract Prints

Materials

Etching

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Abstract Composition - Etching by Eugenio Carmi - 1987
By Eugenio Carmi
Located in Roma, IT
Abstract Composition is an original etching realized by Eugenio Carmi in 1987. Good conditions Numbered. Edition, VIII/XXXV. The artwork is depicted in a well-balanced composition.
Category

1980s Abstract Eugenio Carmi Abstract Prints

Materials

Etching

Italian Artist Modern Silkscreen Eugenio Carmi
By Eugenio Carmi
Located in Surfside, FL
Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati’s studio. His experience as a graphic designer in the ‘50s, is decisive for his pict...
Category

1980s Modern Eugenio Carmi Abstract Prints

Materials

Screen

Italian Abstract Aquatint Collage Lithograph Print Eugenio Carmi 80s Memphis Era
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...
Category

1980s Post-Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Related Items
Abstract Print from "Series II" by Joan Miró, Graphic artwork, Black and White
By Joan Miró
Located in Köln, DE
from "Series II" - Joan Miró, Graphic artwork, Miró, Black and White Aquatint etching from 1947, printed in 1952-1953, 50,5 x 64,7 cm, Edition of 13, in complete approx. 20 Exemplars...
Category

1940s Abstract Eugenio Carmi Abstract Prints

Materials

Aquatint

RUSSELL'S WAY
By Al Held
Located in Three Oaks, MI
In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...
Category

1880s Abstract Expressionist Eugenio Carmi Abstract Prints

Materials

Archival Paper, Etching, Aquatint

RUSSELL'S WAY
RUSSELL'S WAY
$6,000 Sale Price
36% Off
H 35.25 in W 44.5 in D 0.2 in
Presenza Grafica
By Alexander Calder
Located in New York, NY
Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...
Category

1970s Abstract Eugenio Carmi Abstract Prints

Materials

Aquatint

Presenza Grafica
$17,000
H 36 in W 37.5 in D 2 in
Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32
Category

1970s Abstract Eugenio Carmi Abstract Prints

Materials

Etching, Aquatint

Untitled
$5,500
H 28.25 in W 22.25 in
The Razor's Edge
By Robert Motherwell
Located in New York, NY
A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...
Category

1980s Abstract Expressionist Eugenio Carmi Abstract Prints

Materials

Color, Etching, Aquatint

The Razor's Edge
$8,500
H 15.75 in W 19.75 in
Generations 8
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...
Category

1970s Abstract Geometric Eugenio Carmi Abstract Prints

Materials

Color, Etching, Aquatint

Generations 8
Generations 8
$1,294
H 21 in W 28 in
Composition with Semi-Circles
By Sonia Delaunay
Located in Greenwich, CT
Sonia Delaunay 1885–1979 Composition with Semicircles 1970 etching and aquatint in colors on Arches signed in pencil l.r. and numbered also in pencil 8/125 l.l. image: 19½ h × 15½...
Category

1970s Abstract Eugenio Carmi Abstract Prints

Materials

Etching, Aquatint

Untitled
By Cleve Gray
Located in New York, NY
A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...
Category

1980s Abstract Expressionist Eugenio Carmi Abstract Prints

Materials

Color, Aquatint

Untitled
$3,500
H 21.25 in W 29.63 in
Untitled #2 Color etching, aquatint on Hahnemühle paper Signed/N ex-Deutsch Bank
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...
Category

Early 2000s Abstract Expressionist Eugenio Carmi Abstract Prints

Materials

Etching, Aquatint

Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), mixed media Framed
By Stanley Boxer
Located in New York, NY
Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...
Category

1970s Abstract Expressionist Eugenio Carmi Abstract Prints

Materials

Mixed Media, Pencil, Graphite, Engraving, Drypoint, Etching, Aquatint

Study for Sculpture in the Form of an Inverted Q Above & Below Ground Oldenburg
By Claes Oldenburg
Located in New York, NY
Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...
Category

1970s Pop Art Eugenio Carmi Abstract Prints

Materials

Etching, Aquatint, Lithograph

Plaza Real
By Helen Frankenthaler
Located in New York, NY
A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...
Category

1980s Abstract Expressionist Eugenio Carmi Abstract Prints

Materials

Color, Etching, Aquatint

Plaza Real
$8,000
H 19.88 in W 26.38 in
Previously Available Items
Italian Artist Modern Silkscreen Eugenio Carmi
By Eugenio Carmi
Located in Surfside, FL
Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati’s studio. His experience as a graphic designer in the ‘50s, is decisive for his pictorial research, based on a rigorous geometrical structure and on a fine analysis of the perception of colors. He participated in the Venice Biennale in 1966. In 1967 he showed some electronic works in the Superlund exhibition organized by Pierre Restany in Lund, Sweden. In 1968, he introduced the “Carm-o-matic”, during the Cybernetic Serendipity show at the Institute of Contemporary Art in London. In 1973, he produced an entirely abstract 25-minute show for RAI’s Experimental Programs Service. The same year, he taught visual art seminars at the Rhode Island Institute of Design in the United States. In the ‘70s, he gave courses at the Accademia of Macerata and at the Accademia of Ravenna (Italy). He produced illustrations for three of Umberto Eco’s stories, published in Italy by Bompiani and in many other countries. The French Ministry of Education has selected them for libraries and schools in France. The most important retrospective of his work was organized by the Milan town hall in 1990, followed by a prestigious exhibition in Budapest, in the halls of the Royal Palace, in 1992. In 1991 he exhibited at the San Francisco Italian American Museum. In 1996 the “Carmi” book is published by Umberto Eco and Duncan Macmillan and presented at the Milan Triennial: a synthesis of his life. From 1957 to 1965 he will play the role of artistic director of Cornigliano's corporate magazine. During this time iron and steel are materials that Carmi meets every day and become a strong creative stimulus for him. In his first solo exhibition - presented by Gillo Dorfles in 1958 at the Galleria Numero di Firenze - the protagonists are the enamels on steel and since 1960 he made various iron and steel works welded and lithographed milk. Iron and steel is the work that in 1962 presented at Spoleto Sculpture exhibition in the city , organized by Giovanni Carandente under the V Festival of the Two Worlds . In this period, he is involved not only in the cultural politics of the Istallier ( Victor Vasarely , Umberto Eco , Max Bill , Konrad Wachsmann , Furio Colombo , Ugo Mulas , Kurt Blum , Emanuele Luzzati , Flavio Costantini ) , But also in the cultural activity of the Warehouse Gallery , which Carmi founded in Boccadasse in 1963. The Warehouse Gallery with multiples intends to propose a serial art accessible to a wider audience and is placed in international discussions on 'Multiplied Art, representing one of the most important examples. The friendship and mutual esteem that binds him to Umberto Eco has two very important fruits at this time: Children's Fables and Stripsody . In 1966 for the publishing house Bompiani came three Eco fables illustrated by Carmi and then re-introduced in 1988 with new Carmi illustrations and a fable more. Stripsody is a musical project on cartoon sound, designed and then interpreted by the genius singer Cathy Berberian, with Eco texts and illustrations by Carmi. Eugenio Carmi, who is always fascinated by the new technological possibilities in the 1960s and 1970s, is the author of experimental cinematic and audiovisual artwork and also realizes those who will call electrical imagery signals that will also be at the center of a provocative installation on the streets of the city of Caorle . It is at this stage that in 1966 he was at the XXXIII edition of the Venice Biennale with the electronic work SPCE (electronically controlled polycyclic structure), which is also the invitation of Pierre Restany to participate with electronic works at the SuperLund exhibition in Sweden. In 1971, he moved to Milan with his family, where he established his study. At this point, though with incursions in other parallel fields such as the realization of mirrors and stained glass, painting, and sporadically sculpture - which had approached the Istal period - is at the center of its activity. It is at the beginning of the seventies that it deepens the geometric language, already open with some previous experiences (accident prevention signs for the Italsider, some multiples for the Deposit and electrical imagery signals), replacing it with the informal one. In 1979 he produced a magazine - which will remain the same number - by the name of Res Publica , for which he receives the contributions of intellectuals and artists, including Umberto Eco, Antonio Porta , Gillo Dorfles , Richard Paul Lohse...
Category

1980s Modern Eugenio Carmi Abstract Prints

Materials

Screen

Abstract Composition Aquatint collage
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern Subject: Abstract Medium: Print, Aquatint Surface: Paper Country: United States Dimensions w/Frame: 26" x 19" Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati’s studio. His experience as a graphic designer in the ‘50s, is decisive for his pictorial research, based on a rigorous geometrical structure and on a fine analysis of the perception of colors. He participated in the Venice Biennale in 1966. In 1967 he showed some electronic works in the Superlund exhibition organized by Pierre Restany in Lund, Sweden. In 1968, he introduced the “Carm-o-matic”, during the Cybernetic Serendipity show at the Institute of Contemporary Art in London. In 1973, he produced an entirely abstract 25-minute show for RAI’s Experimental Programs Service. The same year, he taught visual art seminars at the Rhode Island Institute of Design in the United States. In the ‘70s, he gave courses at the Accademia of Macerata and at the Accademia of Ravenna (Italy). He produced illustrations for three of Umberto Eco’s stories, published in Italy by Bompiani and in many other countries. The French Ministry of Education has selected them for libraries and schools in France. The most important retrospective of his work was organized by the Milan town hall in 1990, followed by a prestigious exhibition in Budapest, in the halls of the Royal Palace, in 1992. In 1991 he exhibited at the San Francisco Italian American Museum. In 1996 the “Carmi” book is published by Umberto Eco and Duncan Macmillan and presented at the Milan Triennial: a synthesis of his life. From 1957 to 1965 he will play the role of artistic director of Cornigliano's corporate magazine. During this time iron and steel are materials that Carmi meets every day and become a strong creative stimulus for him. In his first solo exhibition - presented by Gillo Dorfles in 1958 at the Galleria Numero di Firenze - the protagonists are the enamels on steel and since 1960 he made various iron and steel works welded and lithographed milk. Iron and steel is the work that in 1962 presented at Spoleto Sculpture exhibition in the city , organized by Giovanni Carandente under the V Festival of the Two Worlds . In this period, he is involved not only in the cultural politics of the Istallier ( Victor Vasarely , Umberto Eco , Max Bill , Konrad Wachsmann , Furio Colombo , Ugo Mulas , Kurt Blum , Emanuele Luzzati , Flavio Costantini ) , But also in the cultural activity of the Warehouse Gallery , which Carmi founded in Boccadasse in 1963. The Warehouse Gallery with multiples intends to propose a serial art accessible to a wider audience and is placed in international discussions on 'Multiplied Art, representing one of the most important examples. The friendship and mutual esteem that binds him to Umberto Eco has two very important fruits at this time: Children's Fables and Stripsody . In 1966 for the publishing house Bompiani came three Eco fables illustrated by Carmi and then re-introduced in 1988 with new Carmi illustrations and a fable more. Stripsody is a musical project on cartoon sound, designed and then interpreted by the genius singer Cathy Berberian, with Eco texts and illustrations by Carmi. Eugenio Carmi, who is always fascinated by the new technological possibilities in the 1960s and 1970s, is the author of experimental cinematic and audiovisual artwork and also realizes those who will call electrical imagery signals that will also be at the center of a provocative installation on the streets of the city of Caorle . It is at this stage that in 1966 he was at the XXXIII edition of the Venice Biennale with the electronic work SPCE (electronically controlled polycyclic structure), which is also the invitation of Pierre Restany to participate with electronic works at the SuperLund exhibition in Sweden. In 1971, he moved to Milan with his family, where he established his study. At this point, though with incursions in other parallel fields such as the realization of mirrors and stained glass, painting, and sporadically sculpture - which had approached the Istal period - is at the center of its activity. It is at the beginning of the seventies that it deepens the geometric language, already open with some previous experiences (accident prevention signs for the Italsider, some multiples for the Deposit and electrical imagery signals), replacing it with the informal one. In 1979 he produced a magazine - which will remain the same number - by the name of Res Publica , for which he receives the contributions of intellectuals and artists, including Umberto Eco, Antonio Porta , Gillo Dorfles , Richard Paul Lohse...
Category

1980s Eugenio Carmi Abstract Prints

Materials

Aquatint

Abstract Composition
By Eugenio Carmi
Located in Surfside, FL
Genre: Modern Subject: Abstract Medium: Print, Aquatint Surface: Paper Country: United States Dimensions w/Frame: 26" x 19" Eugenio Carmi is an Italian painter born in 1920 in Genoa. He studied in Turin in Felice Casorati’s studio. His experience as a graphic designer in the ‘50s, is decisive for his pictorial research, based on a rigorous geometrical structure and on a fine analysis of the perception of colors. He participated in the Venice Biennale in 1966. In 1967 he showed some electronic works in the Superlund exhibition organized by Pierre Restany in Lund, Sweden. In 1968, he introduced the “Carm-o-matic”, during the Cybernetic Serendipity show at the Institute of Contemporary Art in London. In 1973, he produced an entirely abstract 25-minute show for RAI’s Experimental Programs Service. The same year, he taught visual art seminars at the Rhode Island Institute of Design in the United States. In the ‘70s, he gave courses at the Accademia of Macerata and at the Accademia of Ravenna (Italy). He produced illustrations for three of Umberto Eco’s stories, published in Italy by Bompiani and in many other countries. The French Ministry of Education has selected them for libraries and schools in France. The most important retrospective of his work was organized by the Milan town hall in 1990, followed by a prestigious exhibition in Budapest, in the halls of the Royal Palace, in 1992. In 1991 he exhibited at the San Francisco Italian American Museum. In 1996 the “Carmi” book is published by Umberto Eco and Duncan Macmillan and presented at the Milan Triennial: a synthesis of his life. From 1957 to 1965 he will play the role of artistic director of Cornigliano's corporate magazine. During this time iron and steel are materials that Carmi meets every day and become a strong creative stimulus for him. In his first solo exhibition - presented by Gillo Dorfles in 1958 at the Galleria Numero di Firenze - the protagonists are the enamels on steel and since 1960 he made various iron and steel works welded and lithographed milk. Iron and steel is the work that in 1962 presented at Spoleto Sculpture exhibition in the city , organized by Giovanni Carandente under the V Festival of the Two Worlds . In this period, he is involved not only in the cultural politics of the Istallier ( Victor Vasarely , Umberto Eco , Max Bill , Konrad Wachsmann , Furio Colombo , Ugo Mulas , Kurt Blum , Emanuele Luzzati , Flavio Costantini ) , But also in the cultural activity of the Warehouse Gallery , which Carmi founded in Boccadasse in 1963. The Warehouse Gallery with multiples intends to propose a serial art accessible to a wider audience and is placed in international discussions on 'Multiplied Art, representing one of the most important examples. The friendship and mutual esteem that binds him to Umberto Eco has two very important fruits at this time: Children's Fables and Stripsody . In 1966 for the publishing house Bompiani came three Eco fables illustrated by Carmi and then re-introduced in 1988 with new Carmi illustrations and a fable more. Stripsody is a musical project on cartoon sound, designed and then interpreted by the genius singer Cathy Berberian, with Eco texts and illustrations by Carmi. Eugenio Carmi, who is always fascinated by the new technological possibilities in the 1960s and 1970s, is the author of experimental cinematic and audiovisual artwork and also realizes those who will call electrical imagery signals that will also be at the center of a provocative installation on the streets of the city of Caorle . It is at this stage that in 1966 he was at the XXXIII edition of the Venice Biennale with the electronic work SPCE (electronically controlled polycyclic structure), which is also the invitation of Pierre Restany to participate with electronic works at the SuperLund exhibition in Sweden. In 1971, he moved to Milan with his family, where he established his study. At this point, though with incursions in other parallel fields such as the realization of mirrors and stained glass, painting, and sporadically sculpture - which had approached the Istal period - is at the center of its activity. It is at the beginning of the seventies that it deepens the geometric language, already open with some previous experiences (accident prevention signs for the Italsider, some multiples for the Deposit and electrical imagery signals), replacing it with the informal one. In 1979 he produced a magazine - which will remain the same number - by the name of Res Publica , for which he receives the contributions of intellectuals and artists, including Umberto Eco, Antonio Porta , Gillo Dorfles , Richard Paul Lohse...
Category

1980s Modern Eugenio Carmi Abstract Prints

Materials

Aquatint

Eugenio Carmi abstract prints for sale on 1stDibs.

Find a wide variety of authentic Eugenio Carmi abstract prints available for sale on 1stDibs. If you’re browsing the collection of abstract prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Eugenio Carmi in etching, screen print and more. Much of the original work by this artist or collective was created during the 1980s and is mostly associated with the abstract style. Not every interior allows for large Eugenio Carmi abstract prints, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Riccardo Licata, Renato Barisani, and Fausto Melotti. Eugenio Carmi abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $384 and tops out at $850, while the average work can sell for $512.

Recently Viewed

View All