Fernando Andriacci Figurative Prints

Yue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...

"Machu Pichu" - Black and Grey Lithograph #10/200 Bold black and grey lithograph by David Alfaro Sequeiros (Mexican, 1896-1974). This piece is a high contrast, abstracted landscape....

Alex Katz (born 1927) Vincent, 1972 From the Prints for Phoenix House portfolio Chalk lithograph in two gray colors on Arches paper Signed in pencil and numbered 93/120 Printed by Pa...

Yue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) S...

This print depicts a baseball game mid-play. An umpire crouches with his hand up, and the batter stands poised. In the lower right, spectators peer onto ...

Kehinde Wiley Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfolio bo...

"Laughing Matters" Comedy Legends-Marx Bros, Laurel, Hardy, Burns, Allen, Twain Al Hirschfeld (1903-2003) Laughing Matters Lithograph on heavy paper, 1987 Signed lower right, numbe...

A Mahatma Gandhi-like person is seating over a chess game and the reflection is seen on the individual’s reading glasses. This color lithograph by Mexican artist Gustavo Montoya was ...

This set of 12 Serigraphs , each mounted on board, was published in Avant Garde Magazine in March, 1968. Avant Garde magazine only published 14 issues between January 1968 and July 1...

This bold color lithograph is signed, dated and numbered in pencil by Peyton, from an edition of 350. Published by the Public Art Fund, New York.

Image 12.5 x 19 in. / 32 x 48 cm Paper 28 x 38 in. / 72 x 98 cm Lithograph on smooth, handmade white paper, with pale yellow watercolor border. Edition 30: this impression 22/30...

This print depicts a baseball game mid-play. An umpire crouches with his hand up, and the batter stands poised. In the lower right, spectators peer onto the field. The awning of the stadium, silhouetted in black, cuts lines across the top of the composition, rising over a hillside crowded with homes. This finely-drawn lithograph features Zalopany's characteristic mastery of light and shadow, from the delicate texture of the field, to the spectators backlit in shadow. The composition of Baseball Game was taken from a page in an old picture book, depicting a downtown section of Caracas, Venezuela that is home to a number of Art Deco buildings, all built in the 1950's. Found images are a regular inspiration for Zalopany's large-scale realism. This print calls additionally on Zalopany's regular depiction of nature contrasted with the man-made: here, a behemoth stadium rises beside rolling hills, themselves punctuated with more buildings than trees. This contrast is enhanced by the use of textured, delicate handmade paper, which lends warmth to this dramatic black-and-white drawing. Image 37.5 x 28 in. / 95.25 x 71.2 cm. Paper 51 x 36 in. / 131 x 93 cm. Lithograph on Korean kozo paper. Edition 70. Signed by the artist lower right in pencil, numbered lower center in pencil. Born in 1955 in Detroit Michigan, Michele Zalopany is a contemporary American artist best known for her large-scale watercolor and pastel paintings based on photographs found in digital picture collections, old books, and flea markets, etc. Found photographs and film screen shots that had originally served other purposes -- family snapshots, police photos...