Fontana Arte Pier Mirrors and Console Mirrors

Flower-Shaped Wall Mirror by Max Ingrand for Fontana Arte, Italy, circa. 1960 Letteratura: Domus, December 1956 Luci e trasparenze Fontana Arte 1930-1950, Galleria Babuino Novecent...

Mid-Century Modern mirror Fontanit by Fontana Arte with gilt brass frame, Gio Ponti attributed. About Fontana Arte Best known for its elegant and innovative vintage lighting pieces, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Giò Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard-Ginori ceramics workshop and the editor of the influential magazine Domus— at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere. The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art. Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass. Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels...

Elegant and sophisticated wall mirror produced by Fontana Arte, Italy, circa 1950. The mirror has a shaped profile in brass curves that creates a delicate undulation to the object. Its brass profile is detached from the glass and connected to the mirror with brass hooks...

Wonderful vanity mirror designed by Luigi Fontana for Fontana Arte in the 1940s. The vanity mirror by Luigi Fontana has a sweet shaped and emulated form, it was made with mirrored g...

Pietro Chiesa, Fontana Arte, Milan, Italy, c. 1950 Crystal Fontana Arte glass Measures: H 31, W 23, D 1 in.

Elegant and sophisticated wall mirror produced by Fontana Arte, Italy, circa 1950. The mirror has a shaped profile in brass curves that creates a delicate undulation to the object. Its brass profile is detached from the glass and connected to the mirror with brass hooks...

Simple and elegant circular mirror. Clear, crystal surround and metal trim. *To see our entire inventory www.donzella.com