Georges Emile Henri Servant Furniture

Decorate an office shelf with this cheerful pair of antique terracotta children busts. Crafted in Paris, France circa 1880, each subject features a child face sculpture standing on a black painted socle base. Each figure has wonderful facial expressions and nice details. Both artworks are signed on the back E. Guillemin with marks reading "Quai Jemmapes 6". The busts are in excellent condition with the original terracotta patinated finish. Émile Coriolan Hippolyte Guillemin (1841-1907) was a French sculptor of the Belle Époque. He worked mainly in bronze and also made artwork subjects in terracotta. He studied under his father, the painter Auguste Guillemin, and under Jean-Jules Salmson. He showed work at the Salon of Paris from 1870-1899, and in 1897 received an honorable mention there. His sculptures incorporated themes inspired by the French revolution, Mediterranean mythology, and orientalist aesthetics. His oeuvre is reminiscent of other mid-18th century European bronze sculptors, including Jef Lambeaux, Marcel...

Cold painted orientalist Vienna bronze of a middle eastern man with a women by Franz Bergman. On the back of her robe is the B inside of a ...

A very good quality late 19th Century French gilded ormolu and patinated bronze mantel clock, having a seated cherub holding the rains of a winged dragon pulling a scrolling foliate ...

A lovely quality 19th century black forest mantle clock, the clock dial located at the centre within a farmyard scene consisting of a cockere...

A fine Egyptian Revival mantel clock retailed by D. Munsey of Cambridge, circa 1880s, black marble and slate clock case with elaborate bronze mounts. The architectural case is surmo...

Large clock in the style of Egyptomania, in marble of different colors, decorated with stylized hieroglyphs, falcons and scarabs. It is topped with a sphinx in patinated bronze. Eg...

A pair of superb quality 19th century gilt and patinated bronze orientalist busts. Each young lady dressed in traditional middle eastern attire...

This elegant antique French mantel clock is crafted from exquisite black marble, showcasing timeless sophistication and 19th-century charm. The clock features a circular enamel dial ...

Egyptian revival mantel clock & garniture set, early 20th century. Circular white sunken dial with black Arabic numerals and brass sunburst with two train movement set in a polished black slate and stepped rouge marble case...

Antique (19th century) French Empire Egyptian Revival period garniture including mantel clock and pair of obelisks, finely crafted in bronze, onyx and slate stone, with movement by B...

Black and red marble pyramid shaped Egyptian style clock attributed to G. Servant, surmounted by a patinated bronze figure representing the Egyptian goddess Isis sitting on her throne. Wearing the Hathor hairdress (the solar disc surrounded by the sacred cow horns), she holds in her right hand the Ouadj, the goddesses scepter surmounted by a canopy of papyrus, symbolizing health and eternal youth and in her left hand, the cross of life Ankh, symbol of rebirth and eternity. That Egyptian style in fashion since Napoleon the First and his military campaigns in Egypt around 1799 was rediscovered in France in the 1830's and above all in the 1860's. Some renowned French artists, such the sculptors and bronze-casters Guillaume Denière (1815-1903), Emile Hébert (1828-1893) et Georges Servant (1828-1890), presented at the 1867 and 1878 Paris Universal Exhibitions, an a-part section dedicated to their Egyptian style production. Their shows drew then considerable attention from the public and the wealthy collectors. During the 1867 Universal Exhibition, one could admire the Stand realized by the French silversmith-jeweller Gustave Baugrand (1826-1870), where his works executed in most Fine materials took inspiration from the Egyptian Antiques, exhibited then in the Louvre museum. Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

LOUIS HIOLIN French, 1846-1910 "Aguador" Patinated and Polychromed Bronze signed to base “Hiolin” cast circa early 20th century Item # 311CSG30P-9 A little treasure, this Oriental...