Harriet Randall Lumis Art

Summer Bloom series began in 2022, which Shizico Yi celebrates the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new cottage garden;...

Andre KAUFFER (1893-1971) Seaside landscape - Quiberon, circa 1940 Oil on canvas Signed lower left Located “Quiberon” on the back 23 x 46 cm Old frame in painted wood Born in Nancy ...

A substantial, sunlit landscape showing a fruit-tree in blossom in the foreground with verdant fields receding towards rolling hills beneath turquoise and lavender clouds. Signed ...

Looking out from Ledwell by Rupert Aker [2022] original and hand signed by the artist Oil on Canvas Image size: H:50 cm x W:58 cm Complete Size of Unframed Work: H:50 cm x W:58 cm x...

Signed lower left, 'Ejnar Kragh' (Danish, 1903-1981) and dated 1950. A substantial, mid-century Impressionist oil showing a view of Paris with a figure strolling beside the Seine. ...

Oil painting on canvas by Elena Mardashova, 60x50 cm. Excellent condition.

Saint Malo Sky is an Original Painting by Eleanor Woolley. Preliminary sketches we made in Saint Malo to inspire this colourful depiction of the Intra Muros. The setting sun reflect ...

Towards Thurelstone by Sophie Berger [2022] An original oil painting in calm muted colours. Built up in layers, this painting started as a sketch on the South West Coast path walki...

Oil painting on canvas 60 x 50 cm, called 'Magic evening', is meant to create a magic feeling of the ocean under the special orange sunset light.

Evening, Cud Hill [2022] original Oil on canvas Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:30 cm x W:40 cm x D:2cm Frame Size: H:33 cm x W:43 cm x D:3cm Sold Fr...

"Rock Forms in Open Field" Ancient Rock Formations by Charles Brindley Large scale and substantial landscape titled, "Rock Forms in Open Field" by Charles Brindley (American, b. 195...

Attributed to Hortense Mattice Gordon (Canadian, 1886-1961) and painted circa 1925. Attribution based on similar style, composition and subject matter of McGill University's 'Old Country Store, Ontario' (1925) by the artist (see last image). An exceptionally fine, early twentieth-century, Post-Impressionist oil showing a view of a rustic village with cottages dramatically dappled by the shade of large trees. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...