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Helen Frankenthaler Art

American, 1928-2011

Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.

Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.

Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.

Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.

While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.

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Silkscreen from the estate of Stephen Poleskie, Berggruen 11, Clark 12 Harrison
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler Untitled, from the estate of Stephen Poleskie (Berggruen 11, Clark 12, Harrison and Boorsch 11), 1967 Color silkscreen on wove paper Unframed A unique unsigned pr...
Category

1960s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

Variation II on Mauve Corner (Harrison, 17), Color Lithograph, Signed/N, Framed
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1960s Abstract Expressionist Helen Frankenthaler Art

Materials

Lithograph

Eve
By Helen Frankenthaler
Located in Vancouver, CA
Discover "EVE," a vivid and expressive screenprint by Helen Frankenthaler, exemplifying her abstract expressionist style. Created in 1995, this artist's proof (9/16) is beautifully r...
Category

1990s Abstract Helen Frankenthaler Art

Materials

Handmade Paper, Screen

Eve
Eve
$30,400 Sale Price
20% Off
Spring Run XVI
By Helen Frankenthaler
Located in New York, NY
Vivid color monotype by American Abstract Expressionist artist Helen Frankenthaler, signed by the artist in pencil, lower right. Printed and published in collaboration with Tyler Graphics...
Category

Late 20th Century Abstract Expressionist Helen Frankenthaler Art

Materials

Monotype

Acrobat (detail), Limited Edition Porcelain Plate in bespoke gift box - Abstract
By Helen Frankenthaler
Located in New York, NY
This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...
Category

2010s Abstract Expressionist Helen Frankenthaler Art

Materials

Porcelain, Screen, Cardboard, Mixed Media

Altitudes /// Abstract Expressionism Helen Frankenthaler Female Post-War Modern
By Helen Frankenthaler
Located in Saint Augustine, FL
Artist: Helen Frankenthaler (American, 1928-2011) Title: "Altitudes" *Signed, dated, and numbered by Frankenthaler in pencil lower right Year: 1978 Medium: Original Lithograph on light yellow-pink J.B. Green Hayle Mill Bodleian handmade paper Limited edition: 29/42 Printer: Bill Goldston and John A. Lund of Universal Limited Art Editions, West Islip, NY Publisher: Universal Limited Art Editions, West Islip, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 72, page 264, 268-270; "ULAE" - Sparks No. 33, page 88, 323; Clark No. 67; Williams No. 67 Sheet size (irregular margins): 22.25" x 30.88" Condition: Remnants of previous mounting tape on verso. In excellent condition with strong colors Very rare Notes: Provenance: private collection - New York, NY; private collection - notable fashion illustrator Jay Hyde, Crawford, New York, NY; acquired from an art gallery in New York, NY; likely acquired directly from the publisher Universal Limited Art Editions, West Islip, NY. Lithograph drawn with tusche wash. Printed in two colors from two stones: red and green. Universal Limited Art Editions chop mark/blind stamp lower right. "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison - "Frankenthaler carefully chose a European handmade paper that would add another color and texture to the print" ... "By contrast, in "Altitudes", the artist created a bleed image so that the sheet of paper is smaller than the stone's image and the large red tusche wash sweeps across the surface of the yellow-pink J.B. Green Hayle Mill Bodleian paper, becoming warmed and enhanced by its color and texture." "Universal Limited Art Editions - A History and Catalogue: The First Twenty-Five Years" - Sparks - "In "Bronze Smoke" (cat. no. 32), "Altitudes" (cat. no. 33), and "Door" (cat. no. 34), minimal compositions were replaced by fields of drifting, multilayered color, as rich and satisfying as her work on a much grander scale." Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...
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1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Handmade Paper, Lithograph

Solar Imp
By Helen Frankenthaler
Located in New York, NY
Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...
Category

Early 2000s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen, Color

"Sirocco" Mixographia
By Helen Frankenthaler
Located in Los Angeles, CA
“Sirocco” by Helen Frankenthaler . Mixographia embossed engraving on handmade paper. Unique color from the regular numbered edition. 51/52. Hand signed by artist, dated 1989. Pri...
Category

Late 20th Century Helen Frankenthaler Art

Materials

Ink, Handmade Paper

Helen Frankenthaler Color Etching
By Helen Frankenthaler
Located in West Palm Beach, FL
Ganymede, 1978 Etching with aquatint 9/49 Pencil signed and dated by the artist.       
Category

1970s North American Vintage Helen Frankenthaler Art

Materials

Paper

Flotilla
By Helen Frankenthaler
Located in London, GB
Screenprint in colors, 2006, on Rives BFK paper, signed and dated in pencil, numbered from the edition of 120, published by the Naples Art Museum, Florida, 78.7 x 93.7 cm. (31 x 37 i...
Category

Early 2000s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

Mary, Mary
By Helen Frankenthaler
Located in London, GB
Screenprint and offset lithograph in colours, 1987, on wove paper, signed in pencil by the artist, one of 10 printer's proofs, aside from standard edition of 72, published by Lincoln...
Category

Late 20th Century Abstract Helen Frankenthaler Art

Materials

Offset, Screen

Helen Frankenthaler, Air Frame (Harrison 6) her first silkscreen Signed AP 1965
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1960s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

Plaza Real
By Helen Frankenthaler
Located in New York, NY
A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Color, Etching, Aquatint

"Parets" original colograph by Helen Frankenthaler
By Helen Frankenthaler
Located in Hinsdale, IL
Helen Frankenthaler (1928-2011) "Parets" Collagraph drawn with Araldite glue, c. 1988 Printed in light burnt sienna from one steel plate, off white handmade paper Signed in lowe...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Mixed Media

Helen Frankenthaler "Dream Walk" Lithograph, Signed and Numbered 39/47
By Helen Frankenthaler
Located in Toledo, OH
Helen Frankenthaler (1928-2011) Six color lithograph, Dream Walk, 1977. Number 39 from an edition of 47, pencil lower left corner. Signed and dated 1977 in pencil in lower right cor...
Category

1970s American Mid-Century Modern Vintage Helen Frankenthaler Art

Materials

Paper

Hand signed letter from Frankenthaler framed alongside Arkatov's portrait of her
By Helen Frankenthaler
Located in New York, NY
This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1990s Contemporary Helen Frankenthaler Art

Materials

Ink, Photographic Paper, Rag Paper

Ramblas
By Helen Frankenthaler
Located in London, GB
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Drypoint, Etching, Lithograph

Acrobat
By Helen Frankenthaler
Located in Toronto, Ontario
Helen Frankenthaler (1928-2011) is one of the most revered abstract painters of the 20th century as well as being one of the most successful and collected female artists. Her current...
Category

1990s Color-Field Helen Frankenthaler Art

Materials

Ceramic

Soho Dreams
By Helen Frankenthaler
Located in London, GB
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Drypoint, Etching, Aquatint

Vuillard's Chariot
By Helen Frankenthaler
Located in New York, NY
Created by the artist in 2006 as an original color lithograph, Vuillard’s Chariot measures 24 ¾ in. x 30 1/8 in. (62.87 cm x 76.52 cm), unframed, and is from the edition of 50 as iss...
Category

21st Century and Contemporary Abstract Helen Frankenthaler Art

Materials

Lithograph

Causeway
By Helen Frankenthaler
Located in New York, NY
An image of ethereal beauty, Helen Frankenthaler created Causeway in 2001 after a lifetime of experimentation with etching and aquatint.  Hand-signed, dated and numbered in pencil, t...
Category

21st Century and Contemporary Abstract Helen Frankenthaler Art

Materials

Etching, Aquatint

Orient Express #6
By Helen Frankenthaler
Located in London, GB
A unique work, 1977, acrylic on paper, signed and dated 'Frankenthaler '77' in pencil, 61 x 99 cm. (24 x 39 in.) Helen Frankenthaler came of age in the midst of the avant-garde art s...
Category

1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Acrylic

Tribal Sign
By Helen Frankenthaler
Located in New York, NY
Tribal Sign, 1987 Signed and dated in pencil with publisher's blindstamp Eleven color lithograph on mauve TGL handmade paper Sheet: 24 x 18.5 inches Frame: 33 x 27 inches Edition 25 ...
Category

1980s Helen Frankenthaler Art

Materials

Color, Lithograph

Aerie
By Helen Frankenthaler
Located in New York, NY
Signed and numbered in pencil
Category

21st Century and Contemporary Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

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By Sam Francis
Located in Saint Augustine, FL
Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...
Category

1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Lithograph

Unknown Title, limited ed, lithograph by abstract expressionist Paul Jenkins
By Paul Jenkins
Located in Chesterfield, MI
Paul Jenkins' works are described as: "Flowing veils of color that overlap and interact together, seeping and bleeding vivid color." In 1954 Jenkins had his first exhibition in Paris...
Category

1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Lithograph

Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Handmade Paper, Color, Lithograph

With Smiles and Tears
Located in Clayton, MO
In With Smiles and Tears color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The ...
Category

2010s Abstract Helen Frankenthaler Art

Materials

Encaustic, Archival Paper, Rice Paper, Washi Paper

Zao Wou-ki - Moments - Original Aquatint with Hand-Signed Justification
By Zao Wou-Ki
Located in Collonge Bellerive, Geneve, CH
Zao Wou-ki - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A Catalogue ...
Category

1990s Abstract Expressionist Helen Frankenthaler Art

Materials

Aquatint

André Lanskoy - Composition - Mourlot Lithographic Poster
By André Lanskoy
Located in Collonge Bellerive, Geneve, CH
André LANSKOY (1902-1976) Composition Lithographic poster Editor: Mourlot Dimensions: 58.5 x 47.5 cm André Lanskoy was one of the great painters o...
Category

1960s Abstract Expressionist Helen Frankenthaler Art

Materials

Lithograph

Metamorphosis of Zan Biell, Woodcut Print on Rice Paper by Keisuke Serizawa
By Keisuke Serizawa
Located in Long Island City, NY
Artist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...
Category

1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Rice Paper, Woodcut

Three Poems: Nocturne V, Abstract Minimalist Lithograph by Robert Motherwell
By Robert Motherwell
Located in Long Island City, NY
Artist: Robert Motherwell, American (1915 - 1991) Title: Three Poems: Nocturne V Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 Image Size: 14 x 11 inches Paper...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Rice Paper, Lithograph

Giuseppe Capogrossi Iconic Comb Design "Superficie 324" Serigrafia
By Giuseppe Capogrossi
Located in Detroit, MI
"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...
Category

1950s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

Previously Available Items
Ramblas
By Helen Frankenthaler
Located in Toronto, Ontario
Helen Frankenthaler (1928-2011) is one of the most revered abstract painters of the 20th century in addition to being one of the most successful and collected female artists. Franke...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Lithograph

Helen Frankenthaler “Mary Mary” 1987
By Helen Frankenthaler
Located in San Francisco, CA
Helen Frankenthaler: 1928-2011. Well listed very important American abstract expressionist. Her paintings have sold well into the millions of dollars. This particular print is done a...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

East and Beyond
By Helen Frankenthaler
Located in New York, NY
Printer and Publisher: ULAE, West Islip, New York Catalogue raisonne: Abrams 41 Edition size: 18 Signed, dated, and numbered, lower margin
Category

1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Woodcut

Lincoln Center (Aerie) Poster /// Helen Frankenthaler Female Abstract Modern Art
By Helen Frankenthaler
Located in Saint Augustine, FL
Artist: Helen Frankenthaler (American, 1928-2011) Title: "Lincoln Center (Aerie)" Series: Lincoln Center Posters *Issued unsigned, though signed by Frankenthaler in the plate (printe...
Category

Early 2000s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

Helen Frankenthaler - Lush Spring Framed Print
By Helen Frankenthaler
Located in Central, HK
This print features a reproduction of Lush Spring (1975) by Helen Frankenthaler. It’s mounted and laminated for protection from dust and UV rays, and floated in a hand-stained, natur...
Category

2010s Helen Frankenthaler Art

Materials

Wood, Paper

Helen Frankenthaler - Tutti-Frutti Framed Print
By Helen Frankenthaler
Located in Central, HK
This print features a reproduction of Tutti-Frutti (1966) by Helen Frankenthaler. It's mounted and laminated for protection from dust and UV rays, and floated in a hand-stained, natu...
Category

2010s Helen Frankenthaler Art

Materials

Wood, Paper

"Sun Corner" Modern Abstract Minimalist Blue, Yellow, Red, & Green Lithograph
By Helen Frankenthaler
Located in Houston, TX
Modern abstract lithograph by American artist Helen Frankenthaler. The work features sweeping blocks of blue and yellow colors with central green and red markings. Signed, dated, and...
Category

1960s Modern Helen Frankenthaler Art

Materials

Screen

Midnight
By Helen Frankenthaler
Located in New York, NY
DESCRIPTION aquatint and drypoint printed in colors, signed in pencil, dated, numbered 43/71 (total edition includes eight artist's proofs), on Magnani wove paper, with the blindstam...
Category

1980s Post-War Helen Frankenthaler Art

Materials

Drypoint, Aquatint

Wind Directions
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler Wind Directions, 1970 Color Pochoir 30.50h x 22.25w in
Category

1970s Post-War Helen Frankenthaler Art

Materials

Monoprint

Untitled
By Helen Frankenthaler
Located in Saint Augustine, FL
Artist: Helen Frankenthaler (American, 1928-2011) Title: "Untitled" *Signed, dated, and numbered by Frankenthaler in pencil lower right Year: 1967 Medium: Original Screenprint on white Arches double-weight watercolor paper Limited edition: 58/100 Printer: Patricia Yamashiro of Maurel Studios, New York, NY Publisher: the artist Frankenthaler herself and Chiron Press, New York, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 11, page 88-89; Berggruen No. 11; Clark No. 12 Sheet size: 25.75" x 18" Condition: In excellent condition Notes: Provenance: private collection - Honolulu, HI - a longtime archivist at The National Archives Museum, Washington D.C.; acquired from renown art dealer Harry Lunn of Lunn Gallery, Washington, D.C. in October of 1969 retaining a copy of its original receipt; acquired from Multiples, Inc., New York, NY retaining their original gallery label; likely acquired directly from the publisher Chiron Press, New York, NY. Printed in four colors from four screens: green, blue, yellow, and red. Chiron Press chop mark/blind stamp lower left. This is the second screenprint edition Frankenthaler ever made. Though presently unframed, this work also retains its original framer label from Kulicke Frames Inc., New York, NY from its previous custom plexiglass box framing. The work also retains an inscribed index card with purchase information believed created by the Honolulu collector. "Air Frame" (cat. no. 6) was Frankenthaler's first silkscreen - a medium that Universal Limited Art Editions, West Islip, NY did not use, although it became increasingly popular for artists' prints, both in Europe and the United States, during the sixties. Several other silkscreens followed in the next few years: "Untitled" (cat no. 11), in 1967, and "Sun Corner" (cat. no. 12) by Tanglewood Press, New York, in 1968. - "What Red Lines Can Do" (cat. nos. 22-26) is a suite of silkscreens published by Multiples, Inc., at that time directed by Rosa Esman...
Category

1960s Abstract Expressionist Helen Frankenthaler Art

Materials

Screen

Helen Frankenthaler What Red Lines Can Do Series, Screen Print
By Helen Frankenthaler
Located in Detroit, MI
ONE WEEK ONLY SALE "Untitled" lithograph from Frakenthaler's What Red Lines Can Do Series. Signed and dated, with the numbers 55/9/75 on the lower front right. Color screen print on white arches handmade cold press paper. Helen Frankenthaler was born on December 12, 1928 in New York City, the daughter of a New York Supreme Court judge and a family of Jewish immigrants from Germany who emphasized culture and intellectual pursuits and continue to be active to this day such as through nephew, the artist and photographer Clifford...
Category

1970s Abstract Expressionist Helen Frankenthaler Art

Materials

Lithograph

Yellow Jack
By Helen Frankenthaler
Located in New York, NY
A very good impression of this large lithograph with strong colors and stencil on White Arches Cover paper. Signed, dated "'85-'87" and numbered 51/54 in pencil by Frankenthaler. Printed and published by Tyler Graphics...
Category

1980s Abstract Expressionist Helen Frankenthaler Art

Materials

Color, Lithograph, Stencil

Helen Frankenthaler art for sale on 1stDibs.

Find a wide variety of authentic Helen Frankenthaler art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange, yellow, blue and other colors. You can also browse by medium to find art by Helen Frankenthaler in lithograph, paper, screen print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Helen Frankenthaler art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Raymond Parker, John Chamberlain, and Richard Diebenkorn. Helen Frankenthaler art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $880 and tops out at $85,000, while the average work can sell for $14,500.

Artists Similar to Helen Frankenthaler

Questions About Helen Frankenthaler Art
  • 1stDibs ExpertMarch 22, 2022
    Helen Frankenthaler was known for her Abstract-expressionist art. She became well known for her 1952 painting Mountains and Sea. It was the first time she employed the soak-stain painting technique that would become a hallmark of her later work. You'll find a variety of Helen Frankenthaler art on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    Helen Frankenthaler is an American abstract expressionist painter that was known for inventing a technique referred to as soak-stain. Soak staining is a process using thinned paint and raw canvas, similar to painting fabric. Shop a range of Helen Frankenthaler work on 1stDibs.
  • 1stDibs ExpertApril 5, 2022
    Helen Frankenthaler mostly did paintings. The American artist's work reflects the characteristics of Abstract Expressionism. Mountains and Sea, Snow Pines, Aerie and Grey Fireworks are among her most famous paintings. You can find a range of Helen Frankenthaler art on 1stDibs.
  • 1stDibs ExpertFebruary 1, 2024
    You can see Helen Frankenthaler paintings in a few places. Her works are part of the permanent collections at the Museum of Modern Art in New York, the San Francisco Museum of Modern Art in California and the Chrysler Museum of Art in Norfolk, Virginia. In addition, the artist's paintings are often part of exhibitions around the world. Check the official website of the Helen Frankenthaler Foundation for upcoming dates and locations. On 1stDibs, find a collection of Helen Frankenthaler art.

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