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Imogen Mary Collier Art

British, 1873-1952

Imogen Mary Collier was born in 1873 at Whitchurch, Devon, England. She was the daughter of Mortimer John Collier and Sophia Luddington Whipple. Known by the family as Dena, she lived her life in the family home Foxhams built by her father some years before in Horrabridge on the edge of Dartmoor. The family included painters of note, one of her uncles was A.B. Collier a well known West Country artist and another, the honorable John Collier, a painter and writer on art. Further her mother’s friend was Lady Elizabeth Butler, (painter of Scotland for Ever and other well-known paintings), so surrounded as she was by artists and horses it is not surprising that her life followed a certain course. Imogen’s mother Sophy was known to drive a trap, of unspecified type, with some skill and speed around the local district, and the stud at Foxhams was thought to have come into being in 1888 when Imogen was about 15. Later, Imogen Collier studied art at the well-known school founded by Mr. W. Frank Calderon, (son of Philip R.A.) The School of Animal Painting, in Baker Street, which no longer exists. His best-known painting was the Horse Fair (Royal Academy 1894). A fellow student at the school was Lionel Edwards. Collier carried off two art scholarships, but she is believed to have spent some time in Paris, where the family says she knew Gwen John, sister to Augustus John. She also journeyed to Egypt and India, leaving paintings of camels as well as ponies to be enjoyed. Collier had two paintings hung in the Royal Academy, which are In the Old Barn in 1899, and Rocket - weight-carrying hunter at grass in 1904. Later, she painted two presentation pictures, one of the late Mr. Masheter, Master of the Essex Hunt and one of the late Mr. Penn Sherbrook, Master of the Synington (Yorks) Hunt. She also painted several famous racing ponies for Baroness Burton of Douchfour Inverness. All this activity was brought abruptly to an end when the Great War broke out. In 1914, all her stock was taken, fortunately, one or two ponies were considered too highly strung for the army and were allowed to stay for breeding purposes. However, all this and general restrictions brought about by the war, necessitated a change of direction. Imogen Mary Collier now considered buying a thoroughbred stallion and breeding her ponies. She bought the thoroughbred stallion Arthur’s Pride and the mare Old Love, and a very propitious decision this turned out to be because in 1917 she bred the mare New Love and in 1918 she bred her stallion Love Song, who was to become the center of Foxhams Stud until 1938 when he died aged 20. During this time Imogen Mary Collier had met and married Joseph Oscar Muntz in 1916. Sadly Muntz was killed in 1918 and Imogen carried on the stud at Foxhams. When Love Song died in 1938, she decided to sell most of her stud, keeping a few of the older mares for sentimental reasons. Imogen Mary Collier died in 1952.

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Artist: Imogen Mary Collier
19th Century Portrait of Jerry and Dot a Pair Two Naughty Friends
By Imogen Mary Collier
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Imogen Mary Collier (1873-1952) Portrait of Jerry and Dot Circa. 1895-1900 Oil on Canvas 49 X 42.5 Imogen Mary Collier (1873-1952) was born in 1873 at Whitchurch, Devon, England. She was the daughter of Mortimer John Collier...
Category

1890s Victorian Imogen Mary Collier Art

Materials

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Imogen Mary Collier art for sale on 1stDibs.

Find a wide variety of authentic Imogen Mary Collier art available for sale on 1stDibs. You can also browse by medium to find art by Imogen Mary Collier in oil paint, paint and more. Not every interior allows for large Imogen Mary Collier art, so small editions measuring 43 inches across are available. Customers who are interested in this artist might also find the work of John Emms, Robert Cleminson, and Alfred de Breanski Sr.. Imogen Mary Collier art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $10,230 and tops out at $10,230, while the average work can sell for $10,230.

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