Jack Brusca Abstract Prints

Ed Ruscha Science is Truth Found Out (Red) Limited Edition scarf , held in bespoke box, 2022 Limited Edition 100% silk twill scarf, bearing Ruscha's authorized signature on both the ...

Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...

Serigraph on paper. Hand signed and numbered by the artist. Image size 35.5 x 20 inches. Frame size approx 49 x 32 inches. From the edition of 250. Certificate of authenticity i...

Deborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...

Yayoi Kusama With All My Flowering Heart (Triptych), 2014 Set of Three (3) Separate Limited Edition numbered skate decks on 7-ply Canadian maple wood 31 × 8 × 2/5 inches (each) Hand ...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Vintage Keith Haring Skateboard Deck featuring the artist's most recognized & iconic image, the Crawling Baby. This work originated circa 2013 as a result of the collaboration betwee...

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Catalogue Ra...

Corita Kent Yes to You, 1979 Color silkscreen Hand signed, numbered and uniquely inscribed with a heart doodle by the artist on the front. Artists Proof (aside from the regular editi...

Robert RAUSCHENBERG Cardbirds, 1972 exhibition, rare original poster For the exhibition "Cardbirds" at the Sonnabend Gallery Signed in the plate framed in walnut. 21 x26.5" framed. ...

"Up Against the War Motherland" UC Berkeley Workshop April 26, 1970 Screenprint on computer paper 14.75"x22" unframed Unsigned Poster is printed on tracto...

Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...