James Cook More Furniture and Collectibles

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---  

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Rare pair of original hand-colored prints from Sir Albertus Seba's cabinet of natural curiosities. Prints come from published volumes in Amste...

Great map of Ancient Greece. Showing the region of Thessaly, including Mount Olympus Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F Tardieu Original hand color...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

Great image of RMS Campania Chromolithograph Published C.1890 Unframed.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Great map of Sweden Copper-plate engraving by Barlow Published by Brightly & Kinnersly, Bungay, Suffolk. 1806 Unframed.  

The Prints of Reginald Marsh by Norman Sasowsky. Clarkson N. Potter, Inc. / Publisher / Distributed by Crown Publishers, Inc., New York, 1976. First Edition hardcover with dust jacke...

Super map of Spain and Portugal Copper plate engraving by A. Bell Published, circa 1790. Unframed.  

Great map of South East Asia Copper-plate engraving Drawn and engraved by Thomas Clerk, Edinburgh. Published by Mackenzie And Dent, 1817 Unframed.

This is a first edition print of Rough Shooting, signed by the artist, Douglas Adams. The print was published by Thomas McLean and depicts a highlands s...