Josef Frank Chairs

Very typical and exclusive Brutalist design chairs. Bought from the 1st owner who bought it in an exclusive home furnishings store in the Neth...

Set of six unusual oak dining chairs, with a geometric patterned design carved on the wood, and a criss-cross motif on the backs, flanked on either side by rush detailing. The front ...

Josef Hoffmann Prague 811 Chairs for Stol Kamnik 1950s

18th century original red painted bow back Windsor chairs from New England in fine condition. These chairs have a nice deep red painted surface and wonderful patina. Found in Pennsyl...

These dining chairs share great similarities with the designs of Afra and Tobia Scarpa and Mobil Girgi. This is a playful design that follows the rule of a dining chair. Meaning that...

- newly reupholstered - wooden parts has been repolished - sturdy and stable

Josef Frank & SCANDINAVIAN MODERN A beautiful bench by Josef Frank, for Svenskt Tenn, Sweden, 1960s. The frame is made of mahogany, upholstered seat with brass nails. The feet are elegantly sculpted and the bench can also be used as a table, end of bed stool...

Designed by the renowned Viennese architect Josef Hoffmann in 1907 for the Fledermaus Cafe in Vienna, this single "Fledermaus" Model number 728, aka "Bat" Cafe chair features black upholstery covering the seat and backrest. The chair is supported by four cylindrical legs with spherical elements, showcasing a tub back with a horseshoe form base. Crafted from bent beech wood, this rare chair was specifically created for the Cabaret Fledermaus in Vienna as one of Hoffmann's iconic designs. Representing a significant moment in design history, the chair is featured in the J. & J. Kohn catalogues as model no. 728. With its sleek bentwood frame, swooping armrests, and curved backrests, the chair exudes elegance and sophistication. The Fledermaus chairs embody Hoffmann's renowned Viennese Secessionist style, known for its simple geometric shapes and use of high-quality materials. Considered a bold departure from traditional European nightclubs, the design quickly gained popularity for its iconic and innovative aesthetic. This is an authentic Hoffmann chair manufactured by Wittman, the authorized manufacturer of the Fledermaus starting in the 1970s. This chair was sold by "Teo Jacob...

Pine stump chair. Produced in Sweden, 1940s. Good condition with signs of usage and patina.

Bauhaus chair no.811 by Josef Hoffmann for Thonet in very nice original condition with signs of use.

Iconic vintage Bauhaus black painted bentwood & cane Josef Hoffman Prague 811 armchairs imported by Stendig for Thonet, a set of 4. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, there have been a few small repairs in the caning of all chairs and one chair seat has been replaced completely. It has been replaced with sheet cane and not individually woven. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, Early to Mid-20th Century. Much like a fine wine or the Mona Lisa, some things just get better with age… That’s just a fact! Including these iconic vintage black painted bentwood & cane Josef Hoffman Prague 811 armchairs by Stendig for Thonet! Talk about the ability to withstand the hands of time!! This Josef Hoffman 811 chair was originally designed in 1925 but remains a current and fabulous design that is highly sought after today. This set of 4 is comprised of beautiful black painted bentwood frames bearing slender rounded arms, slightly flared legs, and marvelous natural cane seats AND backs!! SPECTACULAR!!! Can’t you just SEE these beauties surrounding your kitchen table, breakfast nook, game table, or simply used as extra seating in the family room? We certainly can! Just the right touch of Bauhaus magnificence to any room and they’re sure to complement your home with their classic, historical excellence, whatever your style whether its Bauhaus, Art Deco, Mid-Century Modern, or Modern!! Josef Hoffman was one of Austria's most important architects and designers and was central to the development of art and design in Vienna. He grew up with three sisters and was nicknamed Pepo. His father was the town mayor and a successful businessman. He was a founding member of the Vienna Secession, a radical anti-historicist movement, and together with Koloman Moser created the Wiener Werkstatte cooperative workshop. A highly individualistic architect and designer, Hoffmann's work combined the simplicity of craft production with a refined aesthetic ornament. Between 1901 and 1905, he designed four villas in Vienna and a sanatorium in Brussels that was called “Stoclet House”, for which he developed a “cubistic” language of form, with an emphasis on straight, unadorned lines. In 1905, he established the Kunstschau with painter Gustav Klimt and, two years later, founded the Deutscher Werkbund. Hoffmann worked well into his 80s, continuing to use the geometric motifs that influenced the art deco style of the 1920s. In 1928 his work appeared in the Art in Industry exhibition held at Macy’s in New York City, where it exerted a strong influence on American designer Donald Deskey. Hoffmann is one of the seminal figures in the modern decorative arts movement of the first half of the 20th century. Stendig was totally the brainchild and passion of Charles W. Stendig. You cannot write or talk about Stendig without explaining Charles. He was a pioneer of import goods in the mid-century. After serving in WWII as a paratrooper, he studied business with emphasis on international trade at NYU and City College of New York. Afterward first working for Raymor, another pioneering distribution company, for about two years, departing to start his own business: Stendig. He opened his first showroom in 1956 in midtown Manhattan. He is credited for sparking America’s interest in furniture from Finland, Switzerland, Italy, and Czechoslovakia. He imported from the likes of Thonet, Asko, and De Sede; and from iconic designers including Le Corbusier, Josef Hoffmann, Eero Aarnio, Tapio Wirkkala, Marcel Breuer, Jonathan De Pas, Donato D’Urbino, Paolo Lomazzi, Carlo Mollino, Carlo Scarpa, and Pier Giacomo Castiglioni to name just a few. By the late 1960’s, Stendig had showrooms in Chicago, Los Angeles and San Francisco with a large headquarters in NYC. They were exciting and good times but short lived. The business was a challenge and when an offer was made by Burlington Industries to purchase, Charles agreed. He stayed on till 1976 to oversee and then retired. I have searched the internet to no avail to find out if a Stendig division is still in operation. But I can only find the Stendig Calendar, the only calendar in MoMA’s collection, which was designed for Stendig by Mossimo Vignelli, still offered. But I am having a hard time deciding who is creating and offering it. I do know Burlington Industries was bankrupt by 2001, purchased in 2003, merged with Cone Mills in 2004 and subsequently into ITG or International Textile Group. But the Stendig name reins as an icon of high style mid-century offerings. Thonet was founded by Michael Thonet. Michael was born in 1796 and was apprenticed by his father to a cabinetmaker. Shortly after he married, Michael opened his one-man cabinetmaking shop creating furniture and cabinetry in the traditional manner by carving the needed parts and then joining them together. In 1830 he began experimenting with bending wood into curved shapes and thus began a successful furniture company that has remained continually in operation for nearly 200 years. Thonet’s early work was very Biedermeier in style and not made for the common man. Gradually his designs became more Art Nouveau. In 1951 his chairs for the Crystal Palace at the London World’s Fair won a prize medal and by the late 1950s he began to make his first “consumer” chair. In 1875, a year before Michael’s death, Thonet’s five factories made 620,000 chairs. Then in 1876 after his death the company became Gebruder Thonet. But all was not roses. In 1869 the Thonet patents lapsed and by 1893 there were 52 bentwood companies in Europe. However, Thonet persevered. They branched out. They merged. They added designs by Le Corbusier and Breuer and alternative materials such as tubular chrome in place of bentwood to their offerings. Business boomed and waned through the years and there was even a Thonet revival, so to speak, beginning in the 1940s on into the mid-20th century. Till today, in the 21st century, Thonet is still a furniture company to be reckoned with almost 200 years later. We are in love with this iconic set of 4 Prague 811 chairs...

A set of four dining room or side chairs produced by Bodafors, Sweden, c. 1940s. Vintage fabric, loose trim on seat cushions. Wood frame shows minor to moderate wear. Overall Dime...