Katie Edwards Landscape Prints

Amazing work that is quite powerful in person! Must see. The Pathfinder, 2020, Giclee Print On 300 gsm cotton rag. 28 × 32 in from an Edition of 539. O...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...

AURORA'S GARLAND is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. AURORA'S GARLAND presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, pink lavender, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto a glowing lampost. An elegant and fanciful, rose tinted French maison rendered in a Chiâteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, surrounded by a textural stone wall, precisely trimmed hedges, lush leafy trees, and flowering shrubbery. AURORA'S GARLAND creates a fairytale ambience reminiscent of the magical works of the renowned 1920's illustrator Maxfield Parrish. 11 " x 11.5" print size, unframed, excellent condition, signed in gold ink pen...

Landscape is a mixed colored screen print realized by the Sicilian artist Renato Guttuso. Sheet dimension: 50 x 69 cm. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Ro...

Unique Screen Printing 1/1, signed by artist. Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in p...

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych shows a smooth wave peacefully reaching the shore in Costa Rica. Details: + Title: Calm Costa Ri...

Delicate print of Fishing and sailboats on the Wharf In San Francisco from the collection of Patricia Pearce by one of her contemporaries or students, at the College of San Mateo, sh...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 22.75 x 28.5 inches. Image size: 17 x 23 inches. Edition of 250. Artwork is in excellent condition. Cert...

Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

"Garden of Dreams" by Eyvind Earle Media: Serigraph on Paper Image Dimensions: 37 1/4 x 28" Year Produced: 1990 Edition: 68/205 Signed and numbered by the artist The artwork is in ex...