Lependorf and Shire Art

30 x 30 inches 39 x 39 inches framed - custom white wood molding with 8 ply mat, non-reflective glass, $2250 Limited Edition Archival Pigment Prints edition of 25 This image is par...

Horizon Fields LXIV (Abstract Vertical Landscape Photograph of Golden Reeds in Water) by Shelly Lependorf & Stan Shire limited edition archival pigment print 39 x 26 inches unframed ...

limited edition archival pigment print, edition of 10 26 x 39 inches unframed About the work: This image of highly contrasted water lilies floating on a still water's surface is one is a series completed by the artist duo in 2008 called "Shirokuro", meaning Light and Dark. "The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography." The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

30 x 30 inches Limited Edition Archival Pigment Prints edition of 25 This image is part of a series of abstracted landscape and ocean views by the Philadelphia based artists called 'Horizon Fields'. This square format image is an abstracted view of clear blue skies and golden wheat fields. About the work: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

limited edition archival pigment print 27 x 40 inches, unframed This minimalist, elegant landscape archival pigment print was created by Shelly Lependorf and Stan Shire as part of their "Horizon Fields" series. The image is printed in a warm sepia hue, with accents of green and gray. In the photograph, sea and sky meet at a misty horizon, which marked by a distant island. On the right hand side, a pier extends toward a vanishing point. Artists' statement: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

Limited Edition Archival pigment print 25.5 x 31.5 inches Unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, is implicit of symbols or handwriting, thus the title. Artists' statement: The foundation for our work is the photographic image with the optimal quality of light. Selecting the interplay of composition, form, rhythm, and line is the focus for our imagery. Integrating these elements in the computer is the next stage in the process of merging our visual and intuitive sensibilities toward a completed vision. Different perceptual effects arise from recording the world in photographs as opposed to interpreting it in paint: Our goal is not to emulate painting. Conceptual work in all mediums has blurred the line between photographers who make art and artists who use photography. The digital medium has established itself in the natural continuum of art history and the ongoing relationship of art with technology. This work forces us to consider a more serene world while reminding us that no contemporary experience is unmediated; technology touches everything. The use of the computer as a tool does not create; it assists creativity resulting in a synthesis of disciplines to be realized as a limited edition. The combination of archival pigment inks on Crane Fine Art paper framed with archival mattes and backboards insures permanence in excess of 175 years. The creative process will always remain in the mind and the soul of the artist. About the artists: Stan Shire is Professor Emeritus and former chair...

limited edition archival pigment print, edition of 25 18 x 48 inches unframed $2,200 landscape photography, black and white landscape photography, black outlines, horizontal ...

limited edition archival pigment prints edition of 10 About the work: The foundation for our work is the photographic image with the optimal quality of light. Selecting the in...

limited edition archival pigment prints, edition of 10 About the work: The foundation for our work is the photographic image with the optimal quality of light. Selecting the i...

25 x 38 inches unframed Limited Edition Archival Pigment Print Edition of 15 $2000 framed $1700 unframed This elegant archival pigment print was created by Shelly Lependorf and Stan Shire as part of their Glyph series. The somewhat abstract nature of the photograph's subject makes it difficult to identify at first, but upon closer inspection, it depicts a highly reflective pond surface with thin, curved branches sticking out of it, implicit of symbols or handwriting, thus the title. About the Artists: Stan Shire is Professor Emeritus and former chair...