Martin Eder Figurative Drawings and Watercolors

A quick live sketch is always a little imperfect - too little time and too much adrenaline in the blood at this moment, but it perfectly conveys the delight of beauty and, as the Fre...

This is one of those sketches where Evgeniy Monahov first used an industrial marker together with tempera - the thick velvety black of his lines expands the tonal range of the delica...

"The Dance" by Ludovico Lipparini is a beautifully rendered work on paper in the classical tradition using graphite and gouache and created in the f...

Nude of Woman is an original artwork realized by Sergio Barletta in the 1970s. Pen ink drawing on paper. Includes a beautiful gilded frame. Hand signed on the lower margin.

John Ayres Head in Hand May 1, 1937 Charcoal on Paper 25"x19", unframed $1250 Signed and dated in charcoal top right *Custom framing available for additional charge. Please expect fr...

Watercolour, felt tip pen, and pencil on paper, titled (lower left), 48cm x 37cm, (70cm x 58cm framed). It is in its original frame, although the glass and mount have been replaced. Patrick Procktor was part of an influential group of British artists in the 1960s. His early paintings were dynamic, abstract depictions of the male nude, before he established himself as one of the leading watercolourists of his generation from the 1970s His work is held in many major public collections. This work is after the soviet painting...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 1999 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

Auguste RODIN (1840-1917) Seated Nude, Cambodian Dancer c. 1898 - 1900 Pencil and watercolour 11.5 x 9.3 inches; 25 x 20.5 inches, inc. frame Provenance: Christie's South Kensington: Wednesday, November 28, 2007 "It's very simple. My drawings are the key of my art." Rodin was an extraordinary creative artist and a prolific worker. After attending the “Petite École”, he worked in the studio of the ornamentalist Albert-Ernest Carrier-Belleuse, first in Paris, then in Brussels, where his skill in handling decorative subjects fashionable in the 18th century became apparent. His discovery of Michelangelo, during a visit to Italy in 1875-76, was a decisive moment in his career. Rodin would, in turn, break new ground in sculpture, paving the way for 20th-century art, by introducing methods and techniques that were central to his own artistic aesthetics. In 1906, King Sisowath of Cambodia visited France on an official state visit. It was on this visit that Rodin discovered the dancers of the Cambodian Royal Ballet and was inspired to draw and paint them over 150 times. They made a deep impression on the artist, as he confided to Georges Bourdon, in an article for the newspaper Le Figaro on 1 August 1906: “There is an extraordinary beauty, a perfect beauty, about these slow, monotonous dances, which follow the pulsating rhythm of the music… [The Cambodians] have taught me movements I had never come across anywhere before…” Originally seeing them in Paris he left everything suddenly to follow the dancers of the royal ballet to Marseille, from where they would embark on their return to Cambodia. In just one week, he made about one hundred and fifty drawings, re-transcribing or interpreting the ballet poses, with an obvious fascination for the arms and hands of the dancers. These drawings were later highlighted with watercolour, creating coloured harmonies of a rare refinement. The first performance of the Cambodian Royal Ballet took place in the context of the Colonial Exhibition in Marseille. Sisowath 1st had just been crowned King of Cambodia when he undertook the first trip ever to be made by a Cambodian sovereign to France, which had controlled Cambodia since June 1884. This official visit occurred at the height of French colonial expansion. Previously, the Universal Exhibition of 1900 had attracted 48 million visitors! The organisers realised what a tremendous impact this event made on the public, and it was soon adopted as the main tool for colonial propaganda. At the exhibition in Marseilles, the area devoted to Indochina was the largest of the seven sections. When Auguste Rodin met the troupe of dancers for the first time in July 1906, during their brief visit to Paris for an exceptional performance at the Pré Catalan...

Figure study drawing with two nudes by Michael William Eggleston (American, 20th Century). Signed with the initials "MWE" in the lower right co...

Nude is an original artwork realized by Angelo Sabbatani in 1970s Ink drawing on paper. Includes wooden frame: 47 x 1 x 37.5 cm Hand signed on the lower margin. Good conditions e...

Nude is an original drawing in pen and watercolor on paper realized by Simon Goldberg (1913-1985). Hand-signed in pen on the lower left. The state of preservation is good and aged w...

Nude Woman is an Original Pen Drawing on Paper realized by an Unknown Artist in mid-20th century. No signature. The artwork is depicts through soft strokes with perfect hatchings i...